My grandma is visiting for the Lunar New Year, and I am documenting her recipes with illustrations. My sketchbook is currently full of scallion pancakes, kimchi, and dumplings.

It’s been really fun shooting live performances on film and interviewing artists and organisers. I also do work covering protests and events that happen in my city.

I’m interested in how images can inhabit space, how sequences are built, and how a book can function almost like a structure—something you enter rather than scroll through.

There’s a quote by Susan Sontag that says: “To photograph is to frame, and to frame is to exclude.” While her statement is completely true, photography for me has been a way of savoring what surrounds me, not excluding it-

I think each project can be a great teacher if you listen carefully. Working with large-scale entities is always something I find enlightening, as you do get to see the inner workings and behind the scenes of companies that shape the current discourse and economy.

I enjoy working with error, with time, and with chance—slower, more experimental processes where each image becomes almost an event.

I am planning to travel and document the lives of people who still live close to their traditions and to nature, and through this process, to understand them and myself more deeply.

These specific works—the pencil drawings and the woodblocks—carry more texture. They are more labor-intensive and require patience, repetition, and resilience.

Around that time, it became a creature that inhabited my home, whose cloth-covered gaze I couldn’t escape in any corner of my room. Something familiarly melancholic made me want to photograph it in its everyday coexistence.

You have to keep shooting as often as you can to stay inspired. If you keep practicing photography, you’ll be able to get out of the rut and find inspiration and motivation.

You have to learn to fully live an experience, even while being far from love. Love is everywhere—perhaps in a more ephemeral form, but it is still love. The process is truly slow, and you have to enjoy it.

I have been working on visually documenting patron saint festivals, Day of the Dead traditions, and the lives of working women from different towns in Mexico City and its outskirts, accompanied by report-style texts for publication in media outlets.

I don’t have a conceptual approach to art. Almost provocatively, I would say I have no ideas. In reality, I try not to have any. I would like to simply make a image randomly, throwing pieces of paper onto a blank sheet.

I’m drawn to the collaborative nature of lifestyle, portrait and brand projects, and the process of developing ideas together. Turning an idea into visuals that evoke feelings and tell a story is what I find most fulfilling.

In this series of paintings, I recreate family photographs and experiences from my childhood. I represent memories as something subjective, idealized, and gradually losing clarity over time.

I aim to create a personal archive that allows me to show—and show myself—a vast and diverse Mexico, through spontaneous stories that emerge from the simplest moments of life.

I enjoy shooting portraits in everyday environments, trying to convey the emotions the subject might feel, and I’m working on building this into a series.

Landscapes are my jam. I have been lucky enough to source some legendary Kodak Aerochrome film in both 35mm and 120 formats. I have shot two test rolls so far, and plan to shoot more in the next few years.

I’ve spent years writing for myself about this topic: how different works of art (literature, film, photography, music, street art) have changed the narratives around violence in Mexico and have become vehicles for protest and memory.

I would love to exhibit my work in a solo show, and more than ever I’m thinking about how it could scale up and take on a different dimension. I dream of giant sculptures, inflatables, and murals.

I’m a birder and I like documenting my sightings—they become even more valuable if I manage to capture them on my 35mm film. Insects, flowers, and plants, and their colors: I believe that if we can capture their beauty, we can help promote their conservation.