Visual arts

“The relationship between what we see and what we know is never clear. Every evening we see the sun setting. We know that the Earth is moving away from it. However, knowledge, explanation, never quite fit with vision.”

-John Berger

  • Star maps

    Star maps

    Every encounter, however small, unexpected, or significant, opens the possibility of creating shared universes. I believe that each person is a habitable planet with their own strength, rhythm, and language. I explore what happens when these worlds meet and collide.

  • Antípoda

    Antípoda

    There's something important about preserving an archive and reviewing it years after creating it. The process of digesting the images is crucial. Looking at them over the years and confirming that you still like them, and even like them more, is a superlative creative experience.

  • It’s a crazy world out there

    It’s a crazy world out there

    This painting carries a really warm energy. The four shapes represent my client’s four children, and the black form — like a woven net stretched across the canvas, unbreakable and strong — became a symbol of family bonds.

  • A month to remember

    A month to remember

    Documenting my travels on film connects me in a different way: it feels like meditating in motion. Each shot forces me to pause, to truly observe, and to make conscious decisions. And when I finally receive the photos, it's like opening a gift: moments that feel even more precious because they weren't immediate.

  • Backlighting

    Backlighting

    The feeling that everything is slipping away, that we're here today and we don't know about tomorrow. That idea haunts me, but instead of paralyzing me, it drives me to capture. I photograph so that the moment doesn't completely escape me, to remind myself that every second has meaning, even if I don't yet understand it.

  • Take away yesterday's skin

    Take away yesterday's skin

    I learned the value of spontaneity in my creative process. This project wasn't planned; I coordinated the session at the last minute, and it came together in just forty minutes. A meticulous plan isn't necessary to create something meaningful. 

  • Coming back to life

    Coming back to life

    Over time, everything begins to transform. Work that starts as one thing often changes course, points us in new directions, and, on more than one occasion, ends up being better than the initial idea.

  • Patience

    Patience

    Patience is key in everything, both in daily life and at work. You have to develop an eye for details that not everyone sees: that's what makes a professional.

  • Impossible things

    Impossible things

    In analog photography—like in the rock—what we commonly call "mistake" is actually part of its essence. I can't control everything, and this sport and the camera remind me of that: savoring the result of embracing the unknown. In part, it's about learning to unlearn.

  • Slow living while time is running

    Slow living while time is running

    The conversation behind my creative process stems from a question I was once asked in a seminar: to describe in a single phrase how I want my life to be. I replied that I would like to live near the sea, far from the crowds, creating without growing old.

  • Transitions

    Transitions

    I've been working on a personal "project" to return to what made me fall in love with photography in the first place: analog photography, a project of self-exploration and reconnection with a more innocent and intuitive perspective. 

  • Mofongo to share

    Mofongo to share

    In general, that exhibition and the comic are about doing more things, simply seeking to feel aligned with my work and my ideas and not depending on or seeking feedback from social networks or the internet.