Music

“Creativity is more than just being different. Anyone can create extravaganzas, that's easy. The difficult thing is being as simple as Bach.”

–Chalres Mingus

  • Rewrite history

    Rewrite history

    We focused on growth rather than concept, shaping the EP through change, instinct, and cohesion. Recording everything in one week with the same team brought clarity, while embracing mistakes allowed us to refine what truly worked and build a strong, balanced sonic narrative.

  • me da miedo ser feliz

    me da miedo ser feliz

    Mistakes are key to finding the right sound or feeling; making mistakes is the most fun part. Sometimes mistakes stay in the final version because they add a different touch. But trial and error is the only way to get there. 

  • Corre y suelta a los perros

    Corre y suelta a los perros

    I observed how the music settled into people’s hearts and understood what the most compelling order was—so they wouldn’t let go of our hands and could move lightly and effortlessly through the journey of Corre y suelta a los perros.

  • SAMI

    SAMI

    In general, since I produce and create every detail myself, I’ve gotten used to not depending creatively on anyone. It’s something that’s hard for me to let go of, but I’m learning little by little.

  • 201

    201

    Unlike other albums, this one deals with topics that still hurt or worry us. The process was very fast, and the album reflects our lives, which never stop and are always changing. The songs are like that too.

  • Aniversari feliç

    Aniversari feliç

    The entire recording flowed as if every gesture we made had already been predetermined. I think it has been one of the most peaceful recordings of my life. Every stage of the album—mixing, design, and videos—felt completely natural.

  • Entonces las cenizas flotan

    Entonces las cenizas flotan

    Extrañamente, algo le dice que tiene que ir a donde está. Intentando perseguirla, se enfrenta a varios peligros que tiene que saltar y “volar” sobre ellos; tiene que dejar sus miedos, ver hacia atrás con amor y darse cuenta de lo efímero que es el pasado, para así ir con el viento, morir, y resurgir…

  • Garage

    Garage

    Garage was born in the studio, our laboratory; it’s like an in vitro song. Nit, our producer, came up with those chords he took from an old demo of his, and we built it together quite fast!

  • Para Aleph

    Para Aleph

    It's an intimate experience where each artist's first song is played while wearing blindfolds, inviting you to connect from a different perspective, without distractions, solely through listening. Plus, there's always a surprise artist who is revealed on the day of the event.

  • A Danger to Ourselves

    A Danger to Ourselves

    I spend many hours in front of the machines until something —an external force— helps me find coincidences that begin to form small knots, which later loosen to make room for something more structured. Sometimes the song drives you into total delirium, almost illness.

  • III

    III

    There's intuition and error throughout the album. It's by no means an album intended to be perfect; I tend to be very free during recording. If I make a mistake but feel the take is good, I leave it in. I like those mistakes. 

  • Aurora Roja

    Aurora Roja

    Knowing how to take advantage of mistakes to open different creative paths is perhaps the most satisfying creative tool that exists; when you play the wrong chord and suddenly a song transforms into another one that's cooler than the one you had, it's something magical and wonderful.