Visual arts
“The relationship between what we see and what we know is never clear. Every evening we see the sun setting. We know that the Earth is moving away from it. However, knowledge, explanation, never quite fit with vision.”
-John Berger
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What's better than not understanding, just feeling?
I work on a zine, where I combine photography with thoughts. I learned to connect with words. Photography has been there for me since I was a child, but words have been harder for me to capture, and especially to share.
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tchau, India
The intimate and personal nature of the subject matter made both the recording and editing process light and honest. I found inspiration again, trusting the simplicity of letting go, and remembering that video is a bridge to connect with what truly resonates with me.
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Doors that open never really close
I've learned that exploring one's origins is incredibly powerful. There's a very strong and natural rush of energy in exploring one's roots. You discover things you didn't know before, but at the same time, when you discover them, they feel very familiar.
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Half beast / half leave me alone
I've learned to value myself, to separate reality from fiction. A couple of the exhibitions I'm planning are a reinterpretation of previous expressions, a new version revisiting them from a different perspective.
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Don't let yourself
A visual project that showcases the values and world of Mexican boxing culture: faith, resilience, and community. I've continued to explore the possibilities of how to showcase its essence in the most authentic way. What began as a photographic series has evolved into a video.
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I want to know about you
Throughout this time, the great challenge has always been to develop an observation technique that allows me to capture moments stealthily and without altering the reality of those involved. I've found more and more confidence and freedom in doing so.
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Meanwhile
From the beginning, I was clear that photography shouldn't just be an accompaniment to the text, but a language of its own. My intention is for the project to be realized primarily in analog photography, given its ability to convey the passage of time, waiting, and chance.
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A silent language of nature
I like to immerse myself in the smallest details, those textures and shapes that no one normally notices, but which, up close, become a silent language of nature. I love observing my surroundings, going for walks, and finding unexpected things to photograph.
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The only thing left to tangibly remember
I don't have to take photos just for the sake of taking them. We live in a world filled with digital files that we never see again, accumulating deep within algorithms or our devices. I've learned to take photos with intention and contemplation.
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Between achievements and movement
Analog photography has taught me not to want to control everything. In that lack of control, something of me expresses itself, something from the moment that sneaks in and transforms the image. No two photos are ever the same; the emotions of the moment inevitably influence the result.
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The shadow in me
La Quimera involved going deep inside myself, trying to understand the reason for my photos, and to a certain extent, the reason for me. It was an exercise in emotional and psychological articulation. I was able to connect it with my research process, which consisted of researching mysticism, myths, and nature.
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Festín
I learned that food can function as symbols of resistance and as a way to narrate the female experience from more intimate and sensorial perspectives. It also reminded me that magic and eroticism reside in the everyday, in small gestures and rituals that we often overlook.
