Visual arts

“The relationship between what we see and what we know is never clear. Every evening we see the sun setting. We know that the Earth is moving away from it. However, knowledge, explanation, never quite fit with vision.”

-John Berger

  • Now the Rain Has Gone

    Now the Rain Has Gone

    I’ve done some close-up (almost abstract) work of pinball machines using extension tubes, some macro work of sea shell fragments — average of about 4mm in size and printed out really big. Amazing.

  • More Memories

    More Memories

    For me, film is very personal — I love taking photos of people. I use film to capture everyday moments: weekends with friends and getaways to different places where a touch of landscape photography sneaks in.

  • Familiar Roads

    Familiar Roads

    The beauty of the craft is that you never know what you’re going to create. Moments present themselves, and photography allows me to make them permanent. The only choice becomes pure presence.

  • Second Chances

    Second Chances

    Lately, I’ve been working alongside my partner on a multimedia project that intersects performance, video, and music, incorporating my handmade masks and analog photography.

  • Chew City

    Chew City

    I recently took a trip to Argentina between the months of December and January to meet my family for the first time. I shot the whole trip, which I’m currently planning on expanding into a project.

  • Pending

    Pending

    During the crafting of Siblinghood I had the privilege of discovering the magical world of physical mixed-media animation. I grew a newfound appreciation for stop-motion animation, and fell in love with the intricacy of designing every frame.

  • Fulfilled Dreams

    Fulfilled Dreams

    I try to experiment with the range of tones and textures that film provides, along with the everyday expressions of nature and its biodiversity.

  • Field Notes

    Field Notes

    The project explores the many emotions experienced during and after a turbulent career in the military documented in a journal, accompanied by imagery taken in Iceland and the Lofoten Islands.

  • Nostalgia

    Nostalgia

    It’s often not until after the film is developed that I start to see a pattern in what I must have been feeling and where the idea was going. Nostalgia is an emotion that always leaves a heavy impression on me.

  • Making a Life

    Making a Life

    I’ve been working on quiet, unfinished pieces — the ones that don’t always look like projects from the outside. I'm refining how I show up and paying attention to what I return to when no one’s watching.

  • More Life

    More Life

    That year, work consumed me and I took very few photos. Now I’m fighting against that. I’m trying to live more, to feel more, to not let the chaos crush me. I feel like I’m reclaiming my sensitivity and my time.

  • Free Treasure

    Free Treasure

    This approach has benefitted from the fact that I’ve been to a lot of interesting places in the last few years. I’ve visited Scandinavia, been to weddings in places I’d never been, and I’ve been exploring my city through the lens of a new camera.