Visual arts
“The relationship between what we see and what we know is never clear. Every evening we see the sun setting. We know that the Earth is moving away from it. However, knowledge, explanation, never quite fit with vision.”
-John Berger
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DNA
I am planning to travel and document the lives of people who still live close to their traditions and to nature, and through this process, to understand them and myself more deeply.
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I Contain Multitudes
These specific works—the pencil drawings and the woodblocks—carry more texture. They are more labor-intensive and require patience, repetition, and resilience.
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Imbunche
Around that time, it became a creature that inhabited my home, whose cloth-covered gaze I couldn’t escape in any corner of my room. Something familiarly melancholic made me want to photograph it in its everyday coexistence.
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The Return
You have to keep shooting as often as you can to stay inspired. If you keep practicing photography, you’ll be able to get out of the rut and find inspiration and motivation.
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Nailed It
You have to learn to fully live an experience, even while being far from love. Love is everywhere—perhaps in a more ephemeral form, but it is still love. The process is truly slow, and you have to enjoy it.
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The Fullness of the Last Breath
I have been working on visually documenting patron saint festivals, Day of the Dead traditions, and the lives of working women from different towns in Mexico City and its outskirts, accompanied by report-style texts for publication in media outlets.
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Another City for Another Life
I don’t have a conceptual approach to art. Almost provocatively, I would say I have no ideas. In reality, I try not to have any. I would like to simply make a image randomly, throwing pieces of paper onto a blank sheet.
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British Winter
I’m drawn to the collaborative nature of lifestyle, portrait and brand projects, and the process of developing ideas together. Turning an idea into visuals that evoke feelings and tell a story is what I find most fulfilling.
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Childhood Nostalgia
In this series of paintings, I recreate family photographs and experiences from my childhood. I represent memories as something subjective, idealized, and gradually losing clarity over time.
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Memory of the Everyday
I aim to create a personal archive that allows me to show—and show myself—a vast and diverse Mexico, through spontaneous stories that emerge from the simplest moments of life.
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Ready… Set… GO!
I enjoy shooting portraits in everyday environments, trying to convey the emotions the subject might feel, and I’m working on building this into a series.
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Wide Angle Smile
Landscapes are my jam. I have been lucky enough to source some legendary Kodak Aerochrome film in both 35mm and 120 formats. I have shot two test rolls so far, and plan to shoot more in the next few years.
