Visual arts
“The relationship between what we see and what we know is never clear. Every evening we see the sun setting. We know that the Earth is moving away from it. However, knowledge, explanation, never quite fit with vision.”
-John Berger
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The beginning of a great journey
Throughout this period of study and personal discovery, I realized that the “errors” we carry as human beings in our own hands are the only marks that make us unique. I categorize this as direct experience in the development of a recognizable, unique, and powerful graphic identity.
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The light of the word
You can have something in mind, but in reality everything keeps changing, and that it is necessary to flow with the project as it unfolds and takes shape. It has taught me to be a bit more persistent and more organized when working with photography.
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From there, yet here
I’ve learned about patience, both in myself and in others. I’ve always been a very impatient person, and this exercise of stopping for a moment to analyze what’s happening, no matter the stress or circumstances, has been one of the most revealing experiences of the past five years.
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Staying in october
Lately, I’ve been focusing on illustrating still art, which is a personal representation of scenes made up of everyday objects in a distinctive style. I like to describe my work as a kind of “fever dream,” where common spaces or scenes are combined with fantastical situations.
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Dancing with ten fingers
I am exploring new ways of activating my relationship with clay, building new questions and infusing my experience with philosophy, psychosomatic research, and extensive reading. I seek to discover new positions from which to situate myself.
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Almost 33
The creative process can be a roller coaster. Sometimes you can be extremely creative out of nowhere, and other times you may have all the tools and feel completely uninspired. When that happens to me, I try to keep working or taking photos regardless of my mood.
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Bekerstone
I noticed that I didn’t have any photos of myself, and that perhaps I hadn’t discovered my own shadow by avoiding looking at myself. I realized I had spent so much time observing those close to me that I had abandoned observing myself.
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Feminine tenderness
I have been working with photography for a long time, mainly creating self-portraits on film. It is an ongoing process rather than a closed project. A way of expressing myself and spending time alone with myself, of getting to know who I am, noticing my own beauty, and staying present in the moment.
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Love should look like
Beyond the cables, I am also constantly drawn to photographing people. My style is very documentary and, I believe, also intimate. Many times, I don’t take a photograph just because it “looks nice”; I try to get to know people and their surroundings before portraying them.
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Analog memory
Words like searching, identity, and transformation keep circling in my mind. I carry many intertwined emotions: nostalgia, love, loss, and that need to find beauty even in what hurts. I also reflect on who I am and what I want to express through my photographs.
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The last of the thirties
I always try to remember to trust my intuition and apply that principle to all my decisions. Lately, I've become very aware of the dualities inherent in processes; they almost always bring both their light and dark sides.
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Healing is not linear
Every time I intervene images or make collages, whether digital or analog, I learn the importance of letting go of perfection and expectations. I also relearn the importance of experimenting and allowing myself to be guided by creativity, feeling like a child without judgment, simply playing and exploring.
