Category: Interviews

“What should I possibly have to tell you, oh venerable one? Perhaps that you’re searching far too much? That in all that searching, you don’t find the time for finding?”
–Hermann Hesse, Siddhartha

  • Entonces las cenizas flotan

    Entonces las cenizas flotan

    Extrañamente, algo le dice que tiene que ir a donde está. Intentando perseguirla, se enfrenta a varios peligros que tiene que saltar y “volar” sobre ellos; tiene que dejar sus miedos, ver hacia atrás con amor y darse cuenta de lo efímero que es el pasado, para así ir con el viento, morir, y resurgir…

  • Cinematic Sunsets

    Cinematic Sunsets

    Even though I work on letting it go, there’s still some subconscious inner expectation that life can be like it used to be before the war. The expectation that life can be calm and consist only of positive moments. No anxiety, no worries—just a simple life.

  • Domestic, Monastic, Slow, and Pleasurable Odyssey

    Domestic, Monastic, Slow, and Pleasurable Odyssey

    I try to carry a camera with me to document my walks, the rhythms of the places I move through, the colors of everyday life, and the gestures of the ordinary that catch my attention. Added to this is the “discovery” of how everything expresses itself unpredictably when shooting with expired film.

  • Blue Pearl Bay

    Blue Pearl Bay

    I’ve always been fascinated by photographing abandoned or empty buildings, and over the course of my photography it has evolved from being very literal into something more nuanced (that’s not to say I don’t get super excited about abandoned buildings, because I definitely do).

  • Thirty-Three

    Thirty-Three

    As in a haiku, the content of a photograph is minimal. We don’t know the context, the smell, or the circumstances that led to the creation of the image. As viewers, it’s up to us to fill in that information.

  • Quiet Days

    Quiet Days

    Sometimes a good photograph appears when I stop looking for it so desperately. I’ve also learned that I don’t always have to be creating something new to feel like I’m moving forward.

  • The Diary Through the Image

    The Diary Through the Image

    My gaze changes day by day: what interests me today may stop interesting me tomorrow, and vice versa. In this process, I try to keep curiosity alive and continue looking at the world with the same eyes with which I once learned to photograph.

  • Golden Hour

    Golden Hour

    I feel most like myself during golden hour, when the light inspires me.

  • Brief Encounter

    Brief Encounter

    Watching my country participate in the genocide in Gaza has made me change my mind about many things I thought I understood and has made me feel embarrassed for the naïve beliefs I once took for granted.

  • Tell Him Your Plans

    Tell Him Your Plans

    I went out with my family—whom I hadn’t seen in 15 years—to deliver large water jugs to the farming fields in Patole, Sinaloa, and I brought my analog camera with me to photograph life in the fields.

  • We Live Here

    We Live Here

    Durante mucho tiempo estuve enfocado en hacer retratos, pero en los últimos dos años, me he enfocado más en salir y hacer fotografía de calle en mi ciudad o en los lugares a los que viajo.

  • Learning to Be

    Learning to Be

    I’m interested in portraying images that convey melancholy and solitude, focusing on the process of inhabiting the world as human beings. I’m drawn to capturing intimate and quiet moments that speak about the experience of existing.