Michael Pihowich

What pieces or projects have you been working on lately?
Funny you should ask! I’m in the process of editing my first photography book.

What did you learn (or unlearn) while working on it?
That self-publishing a book is a larger endeavor than most people realize. From scanning stacks of negatives to editing and layout, it’s a beast that I underestimated. The perfectionist in me has changed his mind a few times already, but hopefully I’m on the right track to creating something that will age well.

What words, ideas or emotions were running through your head?
I often think about legacy and the impressions that I’ll leave behind in my time here.

Were there any conversations, movies, music, or books that made their way into that work?
No standout movie or album in particular, but film and music immensely influence my work. Sometimes it will be a tone set by a scene in a movie, or an interlude of a song that will reflect what I’m looking to shoot.
When composing a photo, I try to emulate something found in a motion picture, often to the tune of a song playing in my head. I feel like this exercise can give the product some extra depth and intention.

What’s been the most difficult thing you’ve faced recently in your creative process?
Between a heavy work schedule and freezing outdoor temperatures, finding the time to put a few rolls through a camera can be challenging. Most of the photos aren’t anything special, and admittedly, winter is my least favorite season to photograph. But I do find that getting outside to shoot helps the creative process flow.

What is your favorite coffee shop and why do you like going there?
I may catch some flack for this one, but it’s my neighborhood Tim Hortons. There is a fellow in his early 20s who works the drive-thru. He’s by no means a shift supervisor, but it’s quite apparent that he runs the show. Every morning at 6:00 am, he greets me with a “Mornin Boss” and hands me an iced coffee through the window, then the day begins.

If your life were a movie this month, what would it be called and who would write the soundtrack?
Entropy.
Hans Zimmer or Ludwig Van Goransson.

Which studios, laboratories, or workshops have you collaborated with recently or would you like to collaborate with in the future?
I haven’t, no, but I’m sure I’d be willing if asked.

Recommend one or more artists you follow who inspire you, and tell us what you like most about their work or their way of working.
Bart Kuykens is the real deal and my favourite photographer. His black and white work has this unmistakable magnetism that pulls you in. I feel he could photograph anyone and have them look natural, and to me, that is a mark of mastery.

Michael Pihowich
SK-based film photographer, never too far from a suitcase.
instagram.com/blackfilmcorp