Chaos and control

What pieces or projects have you been working on lately?
Lately, I’ve been moving between personal photography and occasional client work, but my focus has been on slowing down and observing the quieter side of the Mediterranean. One of these photographs was selected among the top 20 works of the international photography contest “Pogledaj Mediteran” and exhibited in several cities. The project grew out of a need to pause and notice what usually goes unseen: the subtle, almost fragile moments between movement and stillness.

What did you learn (or unlearn) while working on it?
I learned to trust doubt as part of the process, not as weakness, but as something that keeps the work open, questioning, and alive.

What words, ideas or emotions were running through your head?
Instinct. Restlessness. Tenderness. The work usually grows out of whatever feels present in that moment.

Was there any conversation, film, music, or book that found its way into this work?
Music is always part of my process; it sets the rhythm and emotional temperature of the work. Films influence the atmosphere quietly, shaping the mood without being directly referenced.

What was the most difficult thing you faced this month in your creative process?
Convincing myself to stop overthinking and simply enjoy the process.

What is your favourite restaurant and what would you have there?
I’m drawn to places that feel intimate and homemade, especially by the sea or surrounded by nature. Fresh fish, good olive oil, a glass of wine, and a view that slows everything down.

If your life were a movie this month, what would its title be and who would make the soundtrack?
Title: Chaos and Control
Soundtrack: something moody and electronic, reflecting the emotional waves. I’d choose Dayz by Mathew Jonson.

Recommend us one or several artists you follow, who inspire you, and tell us what you like most about their work or their way of working.
I’ve always felt connected to Kandinsky’s way of thinking about art. His work moves me with its emotional intensity, translating music into color, rhythm, and feeling. Francesca Woodman inspires me by transforming body and space into presence, absence, and vulnerability. I’m drawn to artists like them who work intuitively, letting their work become an extension of who they are.