{"id":218135,"date":"2026-09-24T10:24:05","date_gmt":"2026-09-24T16:24:05","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=218135"},"modified":"2026-09-24T10:24:10","modified_gmt":"2026-09-24T16:24:10","slug":"memory-prize","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/memory-prize\/","title":{"rendered":"Memory Prize"},"content":{"rendered":"

Max Helgemo<\/p>\n\n\n

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Was there any obsession, fixed idea, or image that guided the album’s creative process, even if it isn’t immediately apparent to the listener?<\/strong>
I would say that was more so revealed through the process of making it. Something blue came up early, and then I tried my best to figure out what that was.<\/p>\n\n\n\n

What was the process of deciding which songs would and wouldn’t be part of the album?
<\/strong>I had more than what ended up on there for sure, but the ones that stick usually feel a bit more rounded. Like they have less holes and a full body. I was also trying to balance distinctiveness with moments that could flow together.<\/p>\n\n\n\n

What changed in the way of writing, recording, or producing on this album compared to previous recordings?
<\/strong>Nothing much in the writing process. I think every song started from guitar, and in a way I think I’ve always dreamed of making something this intimate that unfolds from a starting point that pure. So I leaned in. There are a lot more live takes and first takes compared to other recordings. I also played all the instruments except for what’s on track 8.<\/p>\n\n\n\n

Were there any songs that were particularly difficult to finish or let go of? Why?<\/strong>
Yes. I think the ones that were difficult had more to do with the emotional baggage and less to do with anything technical.<\/p>\n\n\n\n

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