{"id":217489,"date":"2026-08-25T11:38:27","date_gmt":"2026-08-25T17:38:27","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=217489"},"modified":"2026-08-25T11:44:53","modified_gmt":"2026-08-25T17:44:53","slug":"estacion-vernal","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/estacion-vernal\/","title":{"rendered":"Estaci\u00f3n Vernal"},"content":{"rendered":"

Rodrigo Tello<\/p>\n\n\n

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What pieces or projects have you been working on lately?<\/strong>
Me he enfocado en la street photography, pero desde una preocupaci\u00f3n \u00e9tica muy concreta: la privacidad de los sujetos. Creo que hoy tenemos la responsabilidad de preservar la identidad de las personas que retratamos. Es un reto que los fundadores del g\u00e9nero no enfrentaron en su momento.<\/p>\n\n\n\n

Al mismo tiempo, no quiero hacer im\u00e1genes vac\u00edas, postales sin gente. Me interesa retratar lo humano sin exponer al individuo. He estado experimentando con encuadres m\u00e1s cerrados, desenfoques, movimiento, vi\u00f1etas naturales y decisiones en c\u00e1mara que diluyen la identidad sin borrar la presencia.<\/p>\n\n\n\n

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What did you learn (or unlearn) while working on them?<\/strong>
Sigo aprendiendo a encuadrar mejor y a anticipar el gesto sin depender de la nitidez facial. He desaprendido la obsesi\u00f3n por el rostro como centro narrativo.<\/p>\n\n\n\n

Estoy explorando c\u00f3mo contar una historia breve, casi un microcuento visual, donde el sujeto est\u00e9 presente, pero no identificable.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What words, ideas or emotions were going through your head?<\/strong>
Responsabilidad. Consentimiento invisible. Vulnerabilidad.<\/p>\n\n\n\n

Siempre pienso que esa persona quiz\u00e1 no quiere aparecer en una fotograf\u00eda. Que esa imagen puede viajar a cualquier rinc\u00f3n del mundo. Que alguien a quien no conozco podr\u00eda no estar de acuerdo con ser visto en el momento en que lo retrat\u00e9. Esa conciencia no paraliza mi trabajo, pero s\u00ed lo condiciona.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Were there any conversations, movies, music, or books that made their way into that work?<\/strong>
El estado actual de la humanidad. El hecho de que hoy hay m\u00e1s c\u00e1maras que personas. 1984<\/em> inevitablemente aparece como referencia.<\/p>\n\n\n\n

Trabajo en una empresa tecnol\u00f3gica global que se dedica a comprobar que alguien en internet es, en efecto, mediante biometr\u00eda, sin saber absolutamente nada sobre esa persona, salvo que es un humano \u00fanico. Esa tensi\u00f3n me atraviesa.<\/p>\n\n\n\n

En mi ejercicio art\u00edstico intento algo similar: mostrar humanos en su entorno, sin revelar qui\u00e9nes son.<\/p>\n\n\n\n

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What's been the most difficult thing you've faced recently in your creative process?<\/strong>
Retratar escenas cotidianas que sean potentes, que conmuevan o atrapen, sin mostrar distintivamente a alguien y hacerlo desde la c\u00e1mara, sin recurrir a postproducci\u00f3n agresiva ni a inteligencia artificial para borrar o alterar rostros. Me interesa resolverlo en el momento del disparo.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What is your favorite coffee shop and why do you like going there?
<\/strong>M\u00e1s que un lugar espec\u00edfico, busco d\u00f3nde sirvan Caf\u00e9 Estelar<\/strong><\/a>. Me gusta encontrarlo en distintos espacios. En Almanegra<\/strong><\/a> casi siempre hay; a veces tambi\u00e9n en Chiquitito<\/strong><\/a>.<\/p>\n\n\n\n

Disfruto esa sensaci\u00f3n de descubrir el mismo caf\u00e9 en contextos distintos. Es una peque\u00f1a constante en medio del movimiento.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

If your life were a movie this month, what would it be called and who would write the soundtrack?
<\/strong>No soy de invierno. Me entusiasma profundamente la llegada de la primavera.<\/p>\n\n\n\n

Aunque donde vivo casi no llueve en este mes, \u00c1guas de Mar\u00e7o<\/em> siempre refleja mi sentir con el cambio de estaci\u00f3n. Considero que la composici\u00f3n de Jobim y Regina es la canci\u00f3n pop m\u00e1s perfecta del siglo XX.<\/p>\n\n\n\n

The film would be called Estaci\u00f3n Vernal<\/em>, y la banda sonora se la comisionar\u00eda a Tom Jobim.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Which studios, laboratories, or workshops have you collaborated with recently or would you like to collaborate with in the future?
<\/strong>Recientemente comenc\u00e9 a revelar e imprimir en Foto H\u00e9rcules<\/strong><\/a>. Despu\u00e9s de a\u00f1os trabajando con LMI, el cambio ha sido estimulante. Estoy redescubriendo el proceso f\u00edsico de la imagen.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Recommend one or more artists you follow who inspire you, and tell us what you like most about their work or their way of working.
<\/strong>He seguido el trabajo de Jorge Gonz\u00e1lez<\/strong><\/a>. Admiro su manejo completamente manual de la c\u00e1mara y la sensibilidad con la que aborda lo cotidiano. Tambi\u00e9n me inspira profundamente el trabajo de Michelle Prats Miller<\/strong><\/a>. Hace evocadores collages que siempre me hacen contemplar y sonre\u00edr.<\/p>\n\n\n\n

<\/div>\n\n\n\n
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\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n

Rodrigo Tello
<\/strong>Fot\u00f3grafo dalt\u00f3nico interesado en la presencia humana y el anonimato. Su trabajo reflexiona sobre identidad, privacidad y el acto de mirar en la era de la sobreexposici\u00f3n.<\/em>
instagram.com\/rtello<\/a><\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Siempre pienso que esa persona quiz\u00e1 no quiere aparecer en una fotograf\u00eda. Que esa imagen puede viajar a cualquier rinc\u00f3n del mundo. Que alguien a quien no conozco podr\u00eda no estar de acuerdo con ser visto en el momento en que lo retrat\u00e9. Esa conciencia no paraliza mi trabajo, pero s\u00ed lo condiciona.<\/p>","protected":false},"author":2641,"featured_media":217491,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"posts-nuevo","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17849],"tags":[],"class_list":["post-217489","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews"],"acf":[],"mb":[],"yoast_head":"\nEstaci\u00f3n Vernal - ERRR MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/errr-magazine.com\/english\/estacion-vernal\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Estaci\u00f3n Vernal - ERRR MAGAZINE\" \/>\n<meta property=\"og:description\" content=\"Siempre pienso que esa persona quiz\u00e1 no quiere aparecer en una fotograf\u00eda. 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