{"id":216879,"date":"2026-07-28T11:11:32","date_gmt":"2026-07-28T17:11:32","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=216879"},"modified":"2026-07-28T11:14:34","modified_gmt":"2026-07-28T17:14:34","slug":"la-luz-todavia","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/la-luz-todavia\/","title":{"rendered":"La luz, todav\u00eda"},"content":{"rendered":"

Arnau Sidera<\/p>\n\n\n

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What pieces or projects have you been working on lately?<\/strong>
Desde hace dos a\u00f1os vivo en un peque\u00f1o pueblo de los Pirineos catalanes. Ese cambio de ritmo ha transformado mi manera de mirar.<\/p>\n\n\n\n

\u00daltimamente trabajo en una serie centrada en lo cotidiano: interiores habitados, ventanas abiertas, mesas despu\u00e9s de comer, campos en flor, gestos casi invisibles. Me interesa fotografiar aquello que normalmente no se considera \u201ctema\u201d, lo que sucede cuando aparentemente no sucede nada.<\/p>\n\n\n\n

Estoy construyendo un diario visual donde lo importante no es el acontecimiento, sino la atm\u00f3sfera; no la acci\u00f3n, sino la permanencia.<\/p>\n\n\n\n

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What did you learn (or unlearn) while working on them?<\/strong>
Aprend\u00ed a no forzar la imagen. A veces la mejor fotograf\u00eda no es la m\u00e1s espectacular, sino la m\u00e1s honesta.<\/p>\n\n\n\n

Desaprend\u00ed la necesidad de \u201cexplicar\u201d demasiado. Estoy intentando confiar m\u00e1s en la intuici\u00f3n y menos en la narrativa evidente. Si una imagen respira por s\u00ed sola, no necesita adornos.<\/p>\n\n\n\n

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What words, ideas or emotions were going through your head?<\/strong>
Silencio. Espera. Luz. Tiempo. Hogar. Verano. Quietud.<\/p>\n\n\n\n

Hay una sensaci\u00f3n constante de nostalgia suave, pero no triste. M\u00e1s bien contemplativa. Me interesa esa emoci\u00f3n que aparece cuando algo parece suspendido, como si el momento estuviera a punto de desaparecer.<\/p>\n\n\n\n

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Were there any conversations, movies, music, or books that made their way into that work?<\/strong>
Me han influido mucho pel\u00edculas donde aparentemente “no pasa nada”, pero todo est\u00e1 cargado de atm\u00f3sfera, como las de Terrence Malick. Tambi\u00e9n escucho mucha m\u00fasica mientras edito: canciones que acompa\u00f1an el ritmo lento del proceso, que no distraen pero sostienen el estado mental, como Hermanos Guti\u00e9rrez.<\/p>\n\n\n\n

M\u00e1s que una referencia concreta, dir\u00eda que me han influido las conversaciones sobre el tiempo, sobre quedarse, sobre c\u00f3mo habitamos los espacios.<\/p>\n\n\n\n

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What's been the most difficult thing you've faced recently in your creative process?<\/strong>
La duda. Esa sensaci\u00f3n de preguntarte si lo que est\u00e1s fotografiando es demasiado simple.<\/p>\n\n\n\n

Vivimos en una cultura visual muy saturada y a veces es dif\u00edcil defender una mirada tranquila. Lo m\u00e1s complicado ha sido mantenerme fiel a esa forma de mirar sin caer en la tentaci\u00f3n de hacer algo m\u00e1s “impactante” solo por validaci\u00f3n externa.<\/p>\n\n\n\n

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What is your favorite coffee shop and why do you like going there?
<\/strong>Obviamente me gustan las cafeter\u00edas de especialidad: son bonitas, el caf\u00e9 suele ser excelente y hay algo en ese cuidado por el detalle que me resulta atractivo. Pero es verdad que en Barcelona se han multiplicado hasta convertirse casi en un paisaje repetido, hecho para turistas.<\/p>\n\n\n\n

Si tengo que elegir, me quedo con un lugar m\u00e1s sencillo y personal: Caf\u00e9s Roure<\/strong><\/a>, al lado del piso donde viv\u00eda all\u00ed. No era especialmente sofisticado, pero ten\u00eda algo esencial: rutina, cercan\u00eda y la gente de siempre.<\/p>\n\n\n\n

Ahora, desde que vivo en la monta\u00f1a, en mi pueblo no hay cafeter\u00edas. Y, curiosamente, no lo echo de menos. Disfruto cada ma\u00f1ana del proceso de hacerme el caf\u00e9 en casa: molerlo, esperar, olerlo. Es uno de los mejores momentos del d\u00eda. Un ritual peque\u00f1o que me centra antes de empezar a trabajar.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

If your life were a movie this month, what would it be called and who would write the soundtrack?
<\/strong>Title:<\/strong> La luz, todav\u00eda.<\/em><\/p>\n\n\n\n

El soundtrack ser\u00eda minimalista e \u00edntimo, m\u00fasica que acompa\u00f1a sin imponerse y deja espacio al silencio.<\/p>\n\n\n\n

Tal y como he dicho antes, \u00faltimamente escucho mucho a Hermanos Guti\u00e9rrez. Sus guitarras son contenidas, repetitivas, casi hipn\u00f3ticas. Construyen emoci\u00f3n sin subrayarla.<\/p>\n\n\n\n

Busco algo parecido en mis im\u00e1genes: que no griten, que respiren. Que el espectador entre despacio.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Which studios, laboratories, or workshops have you collaborated with recently or would you like to collaborate with in the future?
<\/strong>Me gusta colaborar con laboratorios anal\u00f3gicos donde el proceso tenga peso y la fotograf\u00eda sea tambi\u00e9n objeto: papel, textura, tiempo de revelado. Habitualmente llevo mis carretes a Carmencita Film Lab<\/strong><\/a>, en Barcelona, donde cuidan mucho el resultado.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Recommend one or more artists you follow who inspire you, and tell us what you like most about their work or their way of working.
<\/strong>Hay mucha gente que me inspira, m\u00e1s de la que podr\u00eda mencionar aqu\u00ed. Me interesan especialmente fot\u00f3grafos que trabajan desde la calma y la coherencia, que construyen una mirada a largo plazo en lugar de perseguir tendencias.<\/p>\n\n\n\n

Tengo la suerte de conocer y compartir camino con personas a las que admiro, como Ana Benavent<\/strong><\/a> or B\u00e0rbara Balcells<\/a><\/strong> Matas<\/strong><\/a>. Tambi\u00e9n sigo de cerca el trabajo de Rita Puig-Serra<\/strong><\/a>, \u00c0lex Dom\u00e8nech<\/strong><\/a>, Llu\u00eds Tudela<\/strong><\/a> or Beatriz Janer<\/strong><\/a>, entre muchos otros.<\/p>\n\n\n\n

<\/div>\n\n\n\n
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\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Arnau Sidera
<\/strong>Me form\u00e9 en IDEP Barcelona. Actualmente combino la creaci\u00f3n art\u00edstica y los encargos comerciales con el acompa\u00f1amiento de proyectos de otros autores. Formo parte del colectivo Can Grapes y colaboro con la revista Harpo Mag.<\/em>
instagram.com\/arnau_sidera<\/a><\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Lo m\u00e1s complicado ha sido mantenerme fiel a esa forma de mirar sin caer en la tentaci\u00f3n de hacer algo m\u00e1s \u201cimpactante\u201d solo por validaci\u00f3n externa. Vivimos en una cultura visual muy saturada y a veces es dif\u00edcil defender una mirada tranquila.<\/p>","protected":false},"author":2641,"featured_media":216882,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"posts-nuevo","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17849],"tags":[],"class_list":["post-216879","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews"],"acf":[],"mb":[],"yoast_head":"\nLa luz, todav\u00eda - ERRR MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/errr-magazine.com\/english\/la-luz-todavia\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La luz, todav\u00eda - ERRR MAGAZINE\" \/>\n<meta property=\"og:description\" content=\"Lo m\u00e1s complicado ha sido mantenerme fiel a esa forma de mirar sin caer en la tentaci\u00f3n de hacer algo m\u00e1s \u201cimpactante\u201d solo por validaci\u00f3n externa. 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