{"id":216382,"date":"2026-07-07T09:25:36","date_gmt":"2026-07-07T15:25:36","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=216382"},"modified":"2026-07-07T09:57:00","modified_gmt":"2026-07-07T15:57:00","slug":"cartografia-del-transito","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/cartografia-del-transito\/","title":{"rendered":"Cartograf\u00eda en tr\u00e1nsito"},"content":{"rendered":"

Daniel Santolo Franco<\/p>\n\n\n

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What pieces or projects have you been working on lately?<\/strong>
Estoy desarrollando\u00a0Cartograf\u00eda en Tr\u00e1nsito<\/em>, un proyecto que mapea el paisaje interior de la migraci\u00f3n a trav\u00e9s de los cuerpos de mi c\u00edrculo m\u00e1s cercano: amigos y compa\u00f1eros de viaje cuyas identidades existen en transici\u00f3n permanente. Migrar es adaptarse mientras cargas todo lo que dejaste atr\u00e1s. No pertenecemos del todo al lugar al que llegamos, pero ya no resonamos completamente con el lugar de donde venimos. Existimos en ese espacio intermedio. Y, sin embargo, ah\u00ed tambi\u00e9n hay celebraci\u00f3n: la capacidad extraordinaria de florecer en la incertidumbre, de construir comunidad desde la vulnerabilidad. El proyecto es un retrato de esa resiliencia.<\/p>\n\n\n\n

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What did you learn (or unlearn) while working on them?<\/strong>
M\u00e1s que aprender, reafirm\u00e9 algo que ya sab\u00eda, pero necesitaba sentir de nuevo: los v\u00ednculos lo son todo. Sostenerse mutuamente no es un lujo; es la \u00fanica forma real de salir adelante. La comunidad no es el contexto del trabajo, es el trabajo mismo.<\/p>\n\n\n\n

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What words, ideas or emotions were going through your head?<\/strong>
Palabras aparentemente contrarias: amor y p\u00e9rdida, uni\u00f3n y desasosiego, carga y ligereza. Y una idea que se repite: el cuerpo tiene m\u00e1s memoria que la mente. Recuerda todo lo que hemos vivido, incluso aquello que ya no podemos nombrar.<\/p>\n\n\n\n

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Were there any conversations, movies, music, or books that made their way into that work?<\/strong>
El proyecto naci\u00f3 de conversaciones muy cercanas: con mi pareja, que es ucraniana, y con mi hermana, que tambi\u00e9n vive en Barcelona. Los tres somos migrantes, los tres construyendo una vida lejos de casa. Hay algo que nos repetimos con frecuencia: lo dichosos que somos de tenernos, de poder apoyarnos. De esa certeza naci\u00f3 todo: la idea de que el verdadero hogar no es un lugar, sino las personas que eliges sostener y que te sostienen.<\/p>\n\n\n\n

Musicalmente, el disco Vendr\u00e1n lluvias suaves<\/em>, de Silvana Estrada, me ha acompa\u00f1ado en cada etapa del proceso. Hay en su m\u00fasica esa misma dualidad que busco en el proyecto: una melancol\u00eda que no renuncia a la esperanza.<\/p>\n\n\n\n

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What's been the most difficult thing you've faced recently in your creative process?<\/strong>
Encontrar d\u00f3nde catalogar mi propio trabajo. Tiene muchas aristas; igual que los migrantes, no termina de pertenecer del todo a un lugar o a otro. Al principio eso me generaba ansiedad. Poco a poco aprend\u00ed a verlo como lo m\u00e1s honesto que pod\u00eda hacer: un trabajo que tambi\u00e9n existe en tr\u00e1nsito.<\/p>\n\n\n\n

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What is your favorite coffee shop and why do you like going there?
<\/strong>Mi cafeter\u00eda favorita es aquella en la que estoy con mis amigos: ese lugar del que siempre nos vamos con la sensaci\u00f3n de que nos falt\u00f3 tiempo para hablar. En Barcelona, ese lugar suele ser el caf\u00e9 de LOT.<\/p>\n\n\n\n

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If your life were a movie this month, what would it be called and who would write the soundtrack?
<\/strong>Aguanta, que ya viene el sol.<\/em>
El soundtrack estar\u00eda compuesto entre Sufjan Stevens y El B\u00faho.<\/p>\n\n\n\n

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Which studios, laboratories, or workshops have you collaborated with recently or would you like to collaborate with in the future?
<\/strong>Para impresi\u00f3n trabajo con CopiaLab<\/strong><\/a> and Impressionart<\/strong><\/a>, ambos en Barcelona: dos espacios donde el cuidado por el detalle y la calidad del papel se notan en cada entrega.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Recommend one or more artists you follow who inspire you, and tell us what you like most about their work or their way of working.
<\/strong>Me quedo con cuatro, todos con ra\u00edces venezolanas o latinoamericanas.<\/p>\n\n\n\n

Como pilares hist\u00f3ricos, el fot\u00f3grafo Alfredo Boulton y el escultor Francisco Narv\u00e1ez: dos venezolanos que entendieron que retratar a su gente era un acto pol\u00edtico y po\u00e9tico al mismo tiempo.<\/p>\n\n\n\n

Entre quienes trabajan hoy, Suwon Lee<\/strong><\/a> and Mar\u00eda Elena Pombo<\/strong><\/a>: dos artistas cuya forma de mirar el cuerpo y la identidad me recuerda constantemente por qu\u00e9 hago lo que hago.<\/p>\n\n\n\n

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Daniel Santolo Franco
<\/strong>Soy un artista visual venezolano viviendo ahora en Barcelona, Espa\u00f1a. Parte de mi trabajo se basa en encontrar lo sublime en lo cotidiano y explorar todo el entramado que conlleva ser migrante, latinoamericano entiendo sus complejidades y sus virtudes.<\/em>
instagram.com\/santolofranco<\/a><\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

No pertenecemos del todo al lugar al que llegamos, pero ya no resonamos completamente con el lugar de donde venimos. Existimos en ese espacio intermedio. Y, sin embargo, ah\u00ed tambi\u00e9n hay celebraci\u00f3n: la capacidad extraordinaria de florecer en la incertidumbre, de construir comunidad desde la vulnerabilidad.<\/p>","protected":false},"author":2641,"featured_media":216384,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"posts-nuevo","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17849],"tags":[],"class_list":["post-216382","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews"],"acf":[],"mb":[],"yoast_head":"\nCartograf\u00eda en tr\u00e1nsito - ERRR MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/errr-magazine.com\/english\/cartografia-del-transito\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cartograf\u00eda en tr\u00e1nsito - ERRR MAGAZINE\" \/>\n<meta property=\"og:description\" content=\"No pertenecemos del todo al lugar al que llegamos, pero ya no resonamos completamente con el lugar de donde venimos. 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