{"id":215167,"date":"2026-06-10T03:37:49","date_gmt":"2026-06-10T09:37:49","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=215167"},"modified":"2026-06-10T03:39:52","modified_gmt":"2026-06-10T09:39:52","slug":"devocion-2","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/devocion-2\/","title":{"rendered":"Devoci\u00f3n"},"content":{"rendered":"

\u00bfC\u00f3mo naci\u00f3 esta exposici\u00f3n y qu\u00e9 deton\u00f3 la idea inicial?<\/strong>
Naci\u00f3 de una conversaci\u00f3n que no s\u00e9 exactamente cu\u00e1ndo empez\u00f3. Con Daniela. Con nosotros mismos. De preguntarnos qu\u00e9 nos mueve de verdad: no lo que decimos que nos importa, sino lo que hacemos cuando nadie nos pregunta.<\/p>\n\n\n\n

Quer\u00edamos crear un proyecto que funcionara como un punto de encuentro entre artistas, espectadores y espacios arquitect\u00f3nicos, donde la fotograf\u00eda pudiera convivir con otras miradas y generar conversaci\u00f3n. Para esta primera edici\u00f3n elegimos la devoci\u00f3n porque es un concepto profundamente humano y abierto; una idea que puede atravesar la religi\u00f3n, el amor, la identidad, el trabajo, la memoria o incluso las obsesiones personales.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u00bfQu\u00e9 fue lo primero que supiste que ten\u00eda que estar presente en la muestra?<\/strong>
La diversidad de interpretaciones. Desde el principio sab\u00edamos que no quer\u00edamos una exposici\u00f3n \u00fanicamente sobre religi\u00f3n, sino sobre las distintas formas en que la devoci\u00f3n aparece en nuestras vidas.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u00bfC\u00f3mo fue el proceso de selecci\u00f3n de obras, artistas o piezas?<\/strong>
Buscamos artistas con lenguajes visuales muy distintos, pero con una voz clara. Nos interesaba que cada uno respondiera al tema desde su propia experiencia y sensibilidad, permitiendo que la exposici\u00f3n se construyera desde m\u00faltiples perspectivas.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u00bfHubo alguna obra o decisi\u00f3n curatorial que cambiara el rumbo de la exposici\u00f3n?<\/strong>
M\u00e1s que una sola obra, fue el conjunto de propuestas lo que ampli\u00f3 el significado inicial de la muestra. Conforme llegaron los proyectos entendimos que la devoci\u00f3n pod\u00eda hablar de fe, identidad, memoria, trabajo, amor, ritual y pertenencia.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u00bfQu\u00e9 tipo de experiencia quer\u00edas provocar en quienes la recorren?<\/strong>
Quer\u00eda que alguien entrara y sintiera que lo estaban viendo a \u00e9l. No las fotos. \u00c9l. Que cada imagen fuera un espejo en lugar de una ventana. Que saliera pensando en algo que cree, que ama, que venera y que quiz\u00e1s no se hab\u00eda permitido nombrar.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u00bfHay alg\u00fan detalle, espacio o momento dentro de la exposici\u00f3n que recomiendes observar con m\u00e1s atenci\u00f3n?<\/strong>
Las relaciones entre las obras. Aunque cada artista trabaja desde un universo distinto, existen di\u00e1logos inesperados que aparecen al recorrer la muestra completa.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u00bfQu\u00e9 conversaciones, ideas o referencias influyeron en la construcci\u00f3n de la muestra?<\/strong>
Nos inspir\u00f3 la manera en que la fotograf\u00eda puede funcionar como archivo emocional y documento cultural. Tambi\u00e9n las conversaciones con los propios artistas fueron fundamentales para expandir el tema y descubrir nuevas lecturas de la devoci\u00f3n.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u00bfQu\u00e9 parte del proceso curatorial disfrutaste m\u00e1s?<\/strong>
Las conversaciones previas con cada artista. Ese momento en que alguien te explica por qu\u00e9 hizo una imagen y, de repente, entiendes que estaba hablando de otra cosa completamente. Eso es curadur\u00eda para m\u00ed: encontrar lo que la obra dice sin permiso del autor.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u00bfCu\u00e1l fue uno de los desaf\u00edos m\u00e1s interesantes al construir esta exposici\u00f3n?<\/strong>
Encontrar el equilibrio entre voces muy diferentes sin perder la coherencia de la muestra. Quer\u00edamos que cada artista conservara su identidad y, al mismo tiempo, que todas las obras pudieran convivir dentro de una misma conversaci\u00f3n.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u00bfQu\u00e9 descubriste sobre el tema o sobre ti durante el proceso?
<\/strong>Descubr\u00ed que la devoci\u00f3n est\u00e1 presente en muchos m\u00e1s lugares de los que imaginamos. Tambi\u00e9n confirm\u00e9 que las exposiciones m\u00e1s interesantes suelen surgir cuando una pregunta permanece abierta en lugar de buscar una sola respuesta.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u00bfQu\u00e9 artista, exposici\u00f3n, pel\u00edcula, libro o lugar ha influido recientemente en tu forma de pensar las exposiciones?
<\/strong>M\u00e1s que una referencia espec\u00edfica, me inspiran los espacios independientes que construyen comunidad alrededor del arte. Lugares donde la exposici\u00f3n no es \u00fanicamente algo que se observa, sino algo que se comparte y se conversa.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Si pudieras expandir esta exposici\u00f3n hacia otro formato o espacio, \u00bfc\u00f3mo ser\u00eda?
<\/strong>En realidad, esa es la esencia de Interferencia. El proyecto nace de la idea de que hacen falta m\u00e1s espacios independientes que permitan experimentar con nuevas formas de exhibici\u00f3n y acercar el arte a p\u00fablicos distintos.<\/p>\n\n\n\n

Nos interesa intervenir diferentes espacios arquitect\u00f3nicos con distintos temas y artistas, entendiendo cada lugar como una parte activa de la exposici\u00f3n. Buscamos generar conversaci\u00f3n desde perspectivas diversas, reunir voces que normalmente no compartir\u00edan una misma sala y construir experiencias donde la arquitectura, la fotograf\u00eda y el arte dialoguen entre s\u00ed.<\/p>\n\n\n\n

Cada edici\u00f3n es una oportunidad para transformar un espacio, activar nuevas conversaciones y demostrar que una exposici\u00f3n puede existir m\u00e1s all\u00e1 de los formatos tradicionales de galer\u00eda.<\/p>\n\n\n\n

Answers by Daniela De la Sierra Torres<\/a>, Curadora y Directora de Interferencia.<\/strong><\/p>","protected":false},"excerpt":{"rendered":"

Quer\u00eda que alguien entrara y sintiera que lo estaban viendo a \u00e9l. No las fotos. \u00c9l. Que cada imagen fuera un espejo en lugar de una ventana. Que saliera pensando en algo que cree, que ama, que venera y que quiz\u00e1s no se hab\u00eda permitido nombrar.<\/p>","protected":false},"author":8520,"featured_media":215169,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17849],"tags":[],"class_list":["post-215167","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews"],"acf":[],"mb":[],"yoast_head":"\nDevoci\u00f3n - ERRR MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/errr-magazine.com\/english\/devocion-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Devoci\u00f3n - ERRR MAGAZINE\" \/>\n<meta property=\"og:description\" content=\"Quer\u00eda que alguien entrara y sintiera que lo estaban viendo a \u00e9l. 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