{"id":214036,"date":"2026-05-29T00:17:48","date_gmt":"2026-05-29T06:17:48","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=214036"},"modified":"2026-06-09T05:28:35","modified_gmt":"2026-06-09T11:28:35","slug":"solo-una-mota-de-polvo","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/solo-una-mota-de-polvo\/","title":{"rendered":"Solo una mota de polvo"},"content":{"rendered":"

What pieces or projects have you been working on lately?
<\/strong>Me es interesante pensar en esta pregunta. Es muy clara y directa, pero me cuesta responderme a m\u00ed mismo.

Tengo algunos proyectos de largo aliento en los que actualmente estoy trabajando. Pero lo que he estado haciendo \u00faltimamente y con m\u00e1s frecuencia es fotograf\u00eda de calle. Para este tipo de fotograf\u00eda no suelo pensar en proyectos. Creo que la fotograf\u00eda de calle me ha dado la libertad de no condicionar mis fotos a un proyecto espec\u00edfico. Solo salir, pasear y fotografiar cosas que me llamen la atenci\u00f3n.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What did you learn (or unlearn) while working on them?
<\/strong>He aprendido a no presionarme tanto por “conseguir la foto”.
Cuando empec\u00e9 a tomar fotos en la calle y no lograba fotografiar algo que me hab\u00eda llamado la atenci\u00f3n (por cualquiera que fuese la raz\u00f3n), me sent\u00eda como si hubiese fallado esa oportunidad y perdido la foto para siempre. Pero me di cuenta de que hay im\u00e1genes en todos lados, que no importa si no tomaste ESA foto. Ya habr\u00e1 m\u00e1s. Aparte, estar pensando en la foto que no hice me cegaba de ver las im\u00e1genes nuevas que se presentaban frente a m\u00ed.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What words, ideas or emotions were going through your head?
<\/strong>Suelo tener una frase de Mark Powell en la cabeza: “La fotograf\u00eda est\u00e1 donde est\u00e1 la luz. Sigue la luz y encontrar\u00e1s la foto”.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Were there any conversations, movies, music, or books that made their way into that work?
<\/strong>He estado pensando \u00faltimamente mucho en una pl\u00e1tica que tuve con Alex Cabrera<\/strong><\/a>. \u00c9l me comentaba que, para hacer un trabajo honesto, hay que darse la oportunidad de ser vulnerable. He reflexionado que esto aplica para cualquier proceso creativo, incluso para la fotograf\u00eda de calle.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What's been the most difficult thing you've faced recently in your creative process?
<\/strong>Tratar de no repetirme y no caer en clich\u00e9s fotogr\u00e1ficos.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What is your favorite coffee shop and why do you like going there?
<\/strong>Jugos Canad\u00e1<\/strong><\/a> en 5 de Mayo. Es un local de jugos y tortas muy ricas.<\/p>\n\n\n\n

Caf\u00e9 Centrina<\/strong><\/a>, enfrente de la Plaza de San Juan. Me volv\u00ed muy fan de un cold brew con jugo de naranja que venden ah\u00ed.<\/p>\n\n\n\n

Taquer\u00eda Los Palomos, sobre Ahorro Postal. Definitivamente creo que es de los mejores lugares para comer tacos al pastor en la CDMX.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

If your life were a movie this month, what would it be called and who would write the soundtrack?
<\/strong>Title: Solo una mota de polvo<\/em>
El soundtrack lo har\u00eda Trent Reznor<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Which studios, laboratories, or workshops have you collaborated with recently or would you like to collaborate with in the future?
<\/strong>I\u2019d like to collaborate with VIST Projects<\/strong><\/a> and Eyeshot Magazine<\/strong><\/a>.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Recommend one or more artists you follow who inspire you, and tell us what you like most about their work or their way of working.
<\/strong>I recommend the work of Ale Edwards<\/strong><\/a>. Tiene una gran sensibilidad y sus fotograf\u00edas siempre las siento \u00edntimas.<\/p>\n\n\n\n

Me gusta mucho el trabajo de Alex Cabrera<\/strong><\/a>. Creo que su trabajo es muy honesto y valiente. Tambi\u00e9n es muy bueno guiando procesos.<\/p>\n\n\n\n

Finalmente, me gustar\u00eda recomendar el trabajo de Julieta Fandriano<\/strong><\/a>. Tiene otra visi\u00f3n totalmente diferente a la m\u00eda para hacer fotograf\u00eda de calle, nota detalles que para m\u00ed pasan desapercibidos. Eso me parece muy fascinante.<\/p>","protected":false},"excerpt":{"rendered":"

“La fotograf\u00eda est\u00e1 donde est\u00e1 la luz. Sigue la luz y encontrar\u00e1s la foto”. A veces siento que esa b\u00fasqueda no es de la imagen, sino de un estado de alerta permanente, como si la calle estuviera siempre a punto de decir algo que todav\u00eda no s\u00e9 escuchar.<\/p>","protected":false},"author":8490,"featured_media":214037,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17849],"tags":[],"class_list":["post-214036","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews"],"acf":[],"mb":[],"yoast_head":"\nSolo una mota de polvo - ERRR MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/errr-magazine.com\/english\/solo-una-mota-de-polvo\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Solo una mota de polvo - ERRR MAGAZINE\" \/>\n<meta property=\"og:description\" content=\""La fotograf\u00eda est\u00e1 donde est\u00e1 la luz. Sigue la luz y encontrar\u00e1s la foto". 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