{"id":211454,"date":"2026-05-21T12:12:38","date_gmt":"2026-05-21T18:12:38","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=211454"},"modified":"2026-05-21T12:12:44","modified_gmt":"2026-05-21T18:12:44","slug":"la-no-pertenencia","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/la-no-pertenencia\/","title":{"rendered":"La (no) pertenencia"},"content":{"rendered":"

What pieces or projects have you been working on lately?
<\/strong>El proyecto en el que estoy trabajando actualmente es uno de los que m\u00e1s ilusi\u00f3n me hace: el autorretrato. Siempre me ha costado mucho adentrarme en \u00e9l y estoy empezando a explorarlo como medio de autodescubrimiento como artista. La relaci\u00f3n entre el autorretrato y los no lugares. Los espacios de tr\u00e1nsito y los espacios vac\u00edos.<\/p>\n\n\n\n

Me encanta la relaci\u00f3n que el arte tiene con la filosof\u00eda y lo abstracto. Las personas que no pertenecemos a ninguna parte, o por lo menos que no sentimos pertenecer, encontramos en los no lugares y los espacios de tr\u00e1nsito una especie de refugio. Un oasis abstracto, lleno de multitud de personas an\u00f3nimas con infinidad de historias. \u00bfQu\u00e9 estar\u00e1 pasando por sus cabezas en esos instantes? \u00bfSe sentir\u00e1n preocupados, en paz, seguros? \u00bfSu destino ser\u00e1 refugio o han dejado su hogar atr\u00e1s?<\/p>\n\n\n\n

Estos espacios no tienen por qu\u00e9 ser necesariamente f\u00edsicos. Un no lugar tambi\u00e9n puede ser emocional, donde somos un cuerpo borroso, desenfocado. Concebir nuestro cuerpo, muchas veces, como un no lugar: un espacio de (no) pertenencia, porque somos un c\u00famulo de emociones y sentimientos que no pertenecen a ninguna parte y, a la vez, pertenecen a todas. Un no lugar tambi\u00e9n puede ser una casa en penumbra iluminada por un haz de luz, un momento donde la mente est\u00e1 descansando entre ambos mundos. Siento que en esos espacios de tr\u00e1nsito siempre habr\u00e1 una especie de refugio. Un instante de descanso entre la vida que dejamos y la que nos espera. As\u00ed es como me siento yo en los no lugares y c\u00f3mo estoy intentando transmitirlo a trav\u00e9s de la fotograf\u00eda.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What did you learn (or unlearn) while working on them?
<\/strong>Estoy aprendiendo a ser constante en la creaci\u00f3n. A no dejarlo por falta de ideas, a respetar mis tiempos y a no forzarme. No existe fotograf\u00eda mal hecha; existe el proceso en el que vas descubri\u00e9ndote, encontr\u00e1ndote y que te ir\u00e1 llevando al lugar al que tienes que llegar. A disfrutar del proceso creativo propio y no presionarme. Ah\u00ed es cuando todo empieza a fluir.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What words, ideas or emotions were going through your head?
<\/strong>Los \u201cno lugares\u201d son espacios, f\u00edsicos o conceptuales, de transitoriedad y anonimato, caracterizados por la inercia y el ritmo acelerado, asociados a la carencia de identidad, historia o relaciones sociales s\u00f3lidas. Son lugares de paso, donde las personas habitan de manera fugaz y an\u00f3nima.<\/p>\n\n\n\n

Nunca me hab\u00eda fijado demasiado en estos lugares hasta que nos mudamos frente a la estaci\u00f3n de autobuses. Al principio no le prest\u00e9 mucha atenci\u00f3n. Sin embargo, varias tardes, al atardecer, miraba a trav\u00e9s de la ventana y ve\u00eda el movimiento de los autobuses, de las personas, de la vida\u2026 Empec\u00e9 a pensar en ello, a reflexionar. Me sent\u00eda segura contemplando c\u00f3mo la vida pasaba a trav\u00e9s de mi ventana. A pesar de lo que se supone que estos espacios tienen que transmitir, desasosiego y estr\u00e9s, a m\u00ed me transmiten paz.<\/p>\n\n\n\n

Quiz\u00e1 porque estoy s\u00faper acostumbrada a viajar en autob\u00fas desde peque\u00f1a y estas estaciones forman parte de mi vida. Recuerdo que cuando estudiaba arte tambi\u00e9n se trat\u00f3 en alguna clase c\u00f3mo estaban representados estos espacios en el arte y creo que, a ra\u00edz de eso, me puse a filosofar. \u00bfC\u00f3mo puedo transmitir eso a trav\u00e9s de mis fotograf\u00edas?<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Were there any conversations, movies, music, or books that made their way into that work?
<\/strong>Es curioso porque hace poco hablaba con una amiga de eso: del miedo que existe al pensar que nunca podremos dedicarnos al arte. Parece que no, pero muchas m\u00e1s personas de las que pensamos comparten este miedo y m\u00e1s en el mundo actual. Poder hablarlo y compartir la carga te hace sentir menos sola.<\/p>\n\n\n\n

Un corto que no se me va de la cabeza es Fragments for Venus<\/em> de\u00a0Alice Diop. Su forma de transmitir con im\u00e1genes me parece s\u00faper potente. En este corto se hace un recorrido por las obras de los museos, haciendo referencia a los escasos o inexistentes retratos de mujeres negras, deconstruyendo clich\u00e9s y prejuicios. Es algo muy sencillo, pero la forma en la que la imagen y la narrativa se juntan me parece inspiradora.<\/p>\n\n\n\n

Who Knows<\/em>\u00a0de\u00a0Daniel Caesar\u00a0y todo su Tiny Desk no han dejado de sonar estas semanas.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What's been the most difficult thing you've faced recently in your creative process?
<\/strong>Una de las cosas m\u00e1s dif\u00edciles a las que me enfrento siempre creando es al miedo. Uno de mis mayores miedos ha sido no lograr transmitir todas estas ideas y filosof\u00eda que rondan por mi cabeza. El maldito censor, jaja, como dice\u00a0Julia Cameron en\u00a0El camino del artista<\/em>.<\/p>\n\n\n\n

Creo que es lo m\u00e1s dif\u00edcil a lo que tenemos que enfrentarnos: el miedo a no ser suficientes, a no transmitir, a no lograrlo. El s\u00edndrome de la impostora siempre presente. Pero, por otro lado, la ilusi\u00f3n est\u00e1 siendo la emoci\u00f3n principal a pesar de todo, especialmente por disfrutar del proceso creativo al explorar, reflexionar, pensar, ver y crear todo ese c\u00famulo de sensaciones que estoy viviendo.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What is your favorite coffee shop and why do you like going there?
<\/strong>Aqu\u00ed en Madrid podr\u00eda decirte Arabay<\/strong><\/a>, porque se siente como una segunda casa. En Murcia dir\u00eda Caf\u00e9 Lab<\/strong><\/a> por el ambiente y la gente que trabaja all\u00ed, y sin duda alguna Colegiala<\/strong><\/a> por su incre\u00edble y delicioso bizcocho de chocolate casero.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

If your life were a movie this month, what would it be called and who would write the soundtrack?
<\/strong>The title would be\u00a0La (no) pertenencia<\/em>. M\u00e1s que nada porque la ausencia de sol me est\u00e1 drenando y siento que eso hace que todo se vuelva un poco triste y a nadie le gusta pertenecer a un sitio triste, jajaja. La ausencia de sol como ausencia de vida, y ese sentimiento de no pertenecer, muy en consonancia con los no lugares, con los momentos desenfocados, borrosos, el\u00a0who knows<\/em>\u00a0de qu\u00e9 va a pasar en el futuro\u2026 Siento que todo est\u00e1 bastante relacionado. Parece que no, pero cuando sale el sol siempre se ven las cosas de otra manera.<\/p>\n\n\n\n

La banda sonora, con permiso de todos los compositores del universo, la har\u00edan mis hermanos. Ambos son m\u00fasicos cl\u00e1sicos y apasionados del medio. Me encantar\u00eda sentarme con ellos a dise\u00f1ar la banda sonora de esta pel\u00edcula. Tendr\u00eda, eso s\u00ed, muchos toques de improvisaci\u00f3n y buen jazz.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Which studios, laboratories, or workshops have you collaborated with recently or would you like to collaborate with in the future?
<\/strong>Me encantar\u00eda poder trabajar con\u00a0The Analog Club<\/strong><\/a>\u00a0en Par\u00eds. Ser\u00eda un sue\u00f1o realizar alg\u00fan proyecto de fotograf\u00eda anal\u00f3gica y exponerlo all\u00ed. Tener la oportunidad de realizar alguna residencia o trabajar con un espacio cultural que quisiera desarrollar un trabajo de curadur\u00eda conjunta respecto a todos estos conceptos que he ido comentando. Incluso hacer la foto fija, siempre anal\u00f3gica, en una pel\u00edcula autoral.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Recommend one or more artists you follow who inspire you, and tell us what you like most about their work or their way of working.
<\/strong>Ming Smith<\/strong><\/a>\u00a0es una de mis referencias. Su fotograf\u00eda es atrevida, potente y transmite much\u00edsimo. Tiene un estilo y una esencia propios. La manera que tiene de mostrar las emociones es s\u00faper genuina. Fue la primera mujer en formar parte del colectivo de fot\u00f3grafos Kamoinge<\/strong><\/a>; es una inspiraci\u00f3n para m\u00ed.<\/p>\n\n\n\n

Otro fot\u00f3grafa que me inspira mucho es Adriana Santana<\/strong><\/a>, por su estilo urbano, colorido y la manera creativa que tiene de hacer moda.<\/p>\n\n\n\n

Y finalmente, la filmograf\u00eda de Wong Kar-wai, ya que tiene una manera \u00fanica de capturar los instantes desenfocados y los no lugares son fundamentales en la tem\u00e1tica y est\u00e9tica de su trabajo.<\/p>","protected":false},"excerpt":{"rendered":"

Un no lugar tambi\u00e9n puede ser emocional, donde somos un cuerpo borroso, desenfocado. Siento que en esos espacios de tr\u00e1nsito siempre habr\u00e1 una especie de refugio. Un instante de descanso entre la vida que dejamos y la que nos espera. As\u00ed es como me siento yo en los no lugares.<\/p>","protected":false},"author":8474,"featured_media":211458,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17856],"tags":[],"class_list":["post-211454","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artes-visuales"],"acf":[],"mb":[],"yoast_head":"\nLa (no) pertenencia - ERRR MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/errr-magazine.com\/english\/la-no-pertenencia\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La (no) pertenencia - ERRR MAGAZINE\" \/>\n<meta property=\"og:description\" content=\"Un no lugar tambi\u00e9n puede ser emocional, donde somos un cuerpo borroso, desenfocado. 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