{"id":205822,"date":"2026-04-29T10:09:53","date_gmt":"2026-04-29T16:09:53","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=205822"},"modified":"2026-06-09T05:28:41","modified_gmt":"2026-06-09T11:28:41","slug":"el-arte-de-mirar-atras","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/el-arte-de-mirar-atras\/","title":{"rendered":"The art of looking back"},"content":{"rendered":"

What pieces or projects have you been working on lately?
<\/strong>I've been working on a couple of series at the moment, but what has impacted my work the most lately has been improving my archival process.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What did you learn (or unlearn) while working on them?
<\/strong>Scanning, cutting and labeling my negatives accurately acts as a bookend and sets me up for the next roll. The process resets me in a way I didn't expect, maybe it's the clarity that comes from looking around and taking stock of where you're at. Like reaching a high point at a trail and looking back.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What words, ideas or emotions were going through your head?
<\/strong>I don't have a good way to articulate it yet but I'm guessing it's a sort of fascination with memory, I'm not a collector, so the hoarding or accumulative aspect of archiving your work doesn't interest me. The idea of film as these little 24x36mm journal entries does.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Were there any conversations, movies, music, or books that made their way into that work?
<\/strong>Recently I watched Peter Greenaway's\u00a0Drowning by Numbers<\/em>\u00a0for the first time and It made me want to compose images like those in the film.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What's been the most difficult thing you've faced recently in your creative process?
<\/strong>Nothing too dramatic, just scheduling issues. I feel lucky to be able to do this at all.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What's your favourite restaurant and why do you like going there?
<\/strong>Currently it's Homare<\/a><\/strong>, in Mexico City, get whatever they recommend that night.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

If your life were a movie this month, what would it be called and who would write the soundtrack?
<\/strong>Dog Being Shown a Card Trick (2026)<\/em>, soundtrack by Kendra Smith.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Which studios, laboratories, or workshops have you collaborated with recently or would you like to collaborate with in the future?
<\/strong>I haven't done any collaborations lately apart from this, but I'm not opposed to them. Sometimes I enjoy wandering around a city with my camera a little too much.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Recommend one or more artists you follow who inspire you, and tell us what you like most about their work or their way of working.
<\/strong>Let's do three. First, Magali Reus<\/strong><\/a>, a visual artist from the Netherlands. As someone with a background in manufacturing and objects, her work fascinates me. Second, Txema Salvans<\/strong><\/a>, a photographer from Barcelona who has an incredible eye for proportion and rhythm. And lastly, since he passed this year I've been revisiting B\u00e9la Tarr's<\/strong><\/a>films, no explanation needed there.<\/p>","protected":false},"excerpt":{"rendered":"

Scanning, cutting and labeling my negatives accurately acts as a bookend and sets me up for the next roll. The process resets me in a way I didn't expect, maybe it's the clarity that comes from looking around and taking stock of where you're at.<\/p>","protected":false},"author":8425,"featured_media":205824,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17849],"tags":[],"class_list":["post-205822","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews"],"acf":[],"mb":[],"yoast_head":"\nEl arte de mirar atr\u00e1s - ERRR MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/errr-magazine.com\/english\/el-arte-de-mirar-atras\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El arte de mirar atr\u00e1s - ERRR MAGAZINE\" \/>\n<meta property=\"og:description\" content=\"Escanear, cortar y etiquetar mis negativos con precisi\u00f3n funciona como un cierre y me prepara para el siguiente rollo. 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