{"id":205216,"date":"2026-04-23T11:09:52","date_gmt":"2026-04-23T17:09:52","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=205216"},"modified":"2026-04-23T11:09:58","modified_gmt":"2026-04-23T17:09:58","slug":"duro-de-matar-1000","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/duro-de-matar-1000\/","title":{"rendered":"Die Hard 1000"},"content":{"rendered":"

What pieces or projects have you been working on lately?
<\/strong>Lately, I've been experimenting with combining new materials. I'm developing hand-molded ceramic slabs on pre-carved wood. I feel that both contribute very distinct textures that flow beautifully together.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What did you learn (or unlearn) while working on them?
<\/strong>What I continually learn each time I immerse myself in a project with new materials is to accept uncertainty and not cling so tightly to the outcome I imagined. And patience.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What words, ideas or emotions were going through your head?
<\/strong>I think that the excitement of being able to see the finished work, and as I notice that the project is taking shape and working, I start to come up with new similar ideas, bigger and more ambitious projects, maybe even make a whole series with this.<\/p>\n\n\n\n

The word perseverance<\/em> I think it's one of the things that's most present in my mind; sometimes it gets difficult, but the more work I produce, the more enjoyment and the more alive I feel. Besides, production leads to more production, or to more ideas.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Were there any conversations, movies, music, or books that made their way into that work?
<\/strong>This particular production was influenced and inspired by a series of old photographs I found while browsing the web. Most of my work takes photographs or paintings from the past as references. Even so, I strive to be very sensitive and perceptive to every stimulus around me, be it a new neighborhood I explore, a fragment or piece of clothing I saw in a film, a door, a phrase, etc. The influence may not be directly reflected in the work, but certain things are stored in my imagination for future projects.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What's been the most difficult thing you've faced recently in your creative process?
<\/strong>So far, everything has been relatively good. I'm working with people who understand the concept and have managed to deliver what I need. The ideas are flowing smoothly, and I'm successfully bringing my vision to life. Now we'll see how people react.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

If your life were a movie this month, what would it be called and who would write the soundtrack?
<\/strong>Die Hard 1000. Lately I've been listening to bands with a lot of synthesizers and a very retro sound, like luxury\u00a0elite<\/strong><\/a>.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Which studios, laboratories, or workshops have you collaborated with recently or would you like to collaborate with in the future?
<\/strong>I'm constantly doing risograph prints with Rock & Amistad Riso Press<\/strong><\/a>, they're very good at printing. I'd like to find a good ceramics studio; that's been difficult. And in the future, hopefully not too distant, I'd return to metal engraving with Bunker Amarillo<\/strong><\/a>.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Recommend one or more artists you follow who inspire you, and tell us what you like most about their work or their way of working.
<\/strong>In this city I'm constantly discovering new and fascinating creative minds, which is very stimulating. I recently went to the expo of Gabriel de la Mora <\/strong><\/a>and the meticulousness of his work is amazing. I really like the graphic design and the imagery of bettyarbol<\/strong><\/a>. I love the protagonist role that pink plays in the work of Gibran\u00a0Tur\u00f3n<\/strong><\/a>. And I still have so much to discover!<\/p>","protected":false},"excerpt":{"rendered":"

What I continually learn each time I immerse myself in a project with new materials is to accept uncertainty and not cling so tightly to the outcome I imagined. 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