{"id":202620,"date":"2026-03-19T07:00:00","date_gmt":"2026-03-19T13:00:00","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=202620"},"modified":"2026-03-18T20:14:33","modified_gmt":"2026-03-19T02:14:33","slug":"gris-2","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/gris-2\/","title":{"rendered":"Grey"},"content":{"rendered":"

What pieces or projects have you been working on lately?
<\/strong>I always have several projects going at the same time because that keeps me happily busy. Right now, my main work is a long essay (which I\u2019m turning into a doctoral thesis, though I\u2019m not sure I should say that publicly) about art and human rights. I\u2019ve spent years writing for myself about this topic: how different works of art (literature, film, photography, music, street art) have changed the narratives around violence in Mexico and have become vehicles for protest and memory.<\/p>\n\n\n\n

As an illustrator, I\u2019m working on a couple of small projects (I\u2019m only taking editorial commissions that truly interest me) and a couple of personal projects: I\u2019m making ex libris<\/em> for close friends and continuing my vignettes (similar to the vignettes in Dibujo por no llorar<\/em>, my most recent book, but in other formats). I\u2019m also doing a lot of analog photography. I recently returned to it, but I neither do it nor want to do it professionally. I only do it because it makes me happy and helps me stay very present. Besides, I\u2019m interested in making art without it being my job, because drawing\u2014which used to be my hobby\u2014is now my work, and sometimes everything becomes a bit confusing.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What did you learn (or unlearn) while working on them?<\/strong>
I think writing and photography help me stay present, as I mentioned. You learn to look differently because you become aware of other people\u2019s voices, of light, of gestures. You can walk down the same street a thousand times, but when you have a camera with you\u2014or you\u2019re in a \u201ccamera mood\u201d (when you don\u2019t have your camera but your eye is searching for something to capture)\u2014you see something you\u2019ve never seen before. There\u2019s something a bit magical about falling in love with the everyday.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What words, ideas or emotions were going through your head?<\/strong>
Fear and pain about the political situation in the world. The social normalization of ongoing genocides being streamed<\/em> terrifies me, as does the growth of dehumanizing discourse from the far right around the world\u2014particularly now in the United States. I don\u2019t know; I wish I could say the word surrounding me is hope, but it isn\u2019t. Even so, I try to cultivate it. That said, I do have faith.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Were there any conversations, movies, music, or books that made their way into that work?<\/strong>
Always\u2014absolutely everything I do is inspired by something else. For better or worse, I\u2019m a very obsessive person, and other people\u2019s work or the beauty of something (a flower, a mountain, an insect) always stays in my mind for a while\u2014sometimes for years. There\u2019s a phrase by Leonard Cohen<\/a><\/strong> in \u201cAnthem\u201d that I think is something like a creative and life mantra: \u201cThere is a crack in everything, that\u2019s how the light gets in.\u201d That\u2019s how I understand faith\u2014what moves me to keep existing and what makes me creative. Creativity is the result of my existence; I don\u2019t see it as work, as \u201cI have to do this\u201d (well, sometimes I do, with certain projects I complete more out of discipline than pleasure). But so much of what I do comes from feeling the need to do it. It\u2019s what keeps me alive: making things. Wanting to make things.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What's been the most difficult thing you've faced recently in your creative process?<\/strong>
I\u2019ve lived with depression for many years, and recently it was diagnosed as \u201csevere,\u201d although I think it has been part of me since childhood\u2026 it has peaks and stages, and I\u2019ve learned to live with it and to ask for help. But in the hardest moments it becomes terribly disabling: it immobilizes you and you stop being able to do things or think. Still, art somehow always helps me get out of there. In fact, Dibujo por no llorar<\/em> is also the result of that. I wouldn\u2019t recommend living with depression to anyone, but I\u2019ve learned to turn it around\u2014to recognize it, accept it, let it be, and create from there while avoiding romanticizing it.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What is your favorite restaurant and what do you recommend we order?<\/strong>
I live between different cities, so I\u2019ll go one by one. I love Fratemo<\/a><\/strong> in Xalapa, Veracruz\u2014any pasta there is delicious. In Mexico City: the eggs with beans at Fonda Margarita<\/a><\/strong>a; the donuts at Masala y Ma\u00edz<\/a><\/strong>; Grey<\/a><\/strong> in Tlatelolco is delicious and the menu changes, but I always order agua de sabor; and even though it\u2019s a bit clich\u00e9, I love Contramar<\/a><\/strong> \u2014obviously the tostadas drive me crazy. Mexico City is one of the best places in the world when you\u2019re hungry. The fava bean tlacoyitos from Do\u00f1a Mari in Escand\u00f3n (Miner\u00eda and Jos\u00e9 Mart\u00ed) are incredible.<\/p>\n\n\n\n

In Cambridge, my favorite is Fin Boys<\/a><\/strong>\u2014I\u2019d order any appetizer with a good glass of wine. And in London I have many favorites, but I think some brunch eggs at Esters<\/a><\/strong> and a roti at Roti King<\/a><\/strong>.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

If your life were a movie this month, what would it be called and who would write the soundtrack?<\/strong>
It would be called Grey<\/em> (because of the emotional and physical climate\u2014right now I\u2019m in England and everything feels quite somber, like the politics), and the music would be by Diles que no me maten<\/a><\/strong>.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Which studios, laboratories, or workshops have you collaborated with recently or would you like to collaborate with in the future?<\/strong>
EFE Center<\/a><\/strong>\u2014they\u2019re super kind, patient, and treat me well.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Recommend one or more artists you follow who inspire you, and tell us what you like most about their work or their way of working.<\/strong>
Sonia Madrigal<\/a><\/strong>, Mayra Martell<\/a><\/strong>, Greta Rico<\/a><\/strong>, Zahara G\u00f3mez Luchini<\/a><\/strong>.<\/p>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

I\u2019ve spent years writing for myself about this topic: how different works of art (literature, film, photography, music, street art) have changed the narratives around violence in Mexico and have become vehicles for protest and memory.<\/p>","protected":false},"author":8327,"featured_media":202786,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17856],"tags":[],"class_list":["post-202620","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artes-visuales"],"acf":[],"mb":[],"yoast_head":"\nGris - ERRR MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/errr-magazine.com\/english\/gris-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gris - 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Our mission has always been to support and give visibility to local artists and businesses.","rel":"","context":"In "Cafeterias y panader\u00edas"","block_context":{"text":"Cafeterias y panader\u00edas","link":"https:\/\/errr-magazine.com\/english\/category\/places\/cafeterias-y-panaderias\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/errr-magazine.com\/wp-content\/uploads\/2026\/02\/2-8.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/errr-magazine.com\/wp-content\/uploads\/2026\/02\/2-8.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/errr-magazine.com\/wp-content\/uploads\/2026\/02\/2-8.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/errr-magazine.com\/wp-content\/uploads\/2026\/02\/2-8.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":207651,"url":"https:\/\/errr-magazine.com\/english\/iri-barra-de-cafe-y-crochet\/","url_meta":{"origin":202620,"position":3},"title":"IRI Barra de Caf\u00e9 y Crochet","author":"IRI Escamilla Jim\u00e9nez","date":"05\/07\/2026","format":false,"excerpt":"Si IRI Barra de Caf\u00e9 y Crochet fuera una ciudad, ser\u00eda Vancouver. Es un lugar donde conviven muchas culturas, as\u00ed como en nuestros granos de caf\u00e9 hay distintos or\u00edgenes y perfiles. 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