{"id":202452,"date":"2026-03-16T15:00:00","date_gmt":"2026-03-16T21:00:00","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=202452"},"modified":"2026-03-15T22:28:55","modified_gmt":"2026-03-16T04:28:55","slug":"no-lugar","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/no-lugar\/","title":{"rendered":"Non-Place"},"content":{"rendered":"

What pieces or projects have you been working on lately?
<\/strong>I have been developing a project about the lack of mobility within the city of Monterrey, where I was born, raised, and continue to live. It is a subject that runs through me, and it often feels as though anger effortlessly drives me to create and continue documenting.\u00a0<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What did you learn (or unlearn) while working on them?<\/strong>
Throughout the visual and narrative development of the project, I have learned to appreciate how public transportation provides a kind of \u201cnon-place,\u201d where a certain renunciation of identity is simulated and only waiting is experienced. Like a small spark within a wearing abyss.\u00a0<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What words, ideas or emotions were going through your head?<\/strong>
I feel overwhelmed by frustration, anger, and helplessness. Sometimes I think this becomes a motivating force that pushes me to keep going and try to give visibility\u2014even if only to a small group of people. \u00a0\u00a0<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Were there any conversations, movies, music, or books that made their way into that work?<\/strong>
More than a conversation, I had the opportunity to take part in two workshops at the Casa de la Cultura de Nuevo Le\u00f3n<\/a><\/strong>, where I was able to develop tools and receive the guidance and teaching of three incredible women: \u201cCapturing What We Inhabit\u201d with Kassandra P\u00e9rez Tello and Alejandra Sobrevilla<\/a><\/strong>, and \u201cVisual Narratives\u201d with Elizabeth Trejo<\/a><\/strong>. This training helped not only to shape and make an idea tangible, but also to learn how to communicate more clearly the message I wanted to convey.\u00a0<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What's been the most difficult thing you've faced recently in your creative process?<\/strong>
One of the most complicated aspects of my creative process is a loop that seems to depend on all of its parts. Mainly, the lack of time to dedicate to what I want to do due to a job from 8 a.m. to 6 p.m. Also, the financial investment required to work with analog photography can sometimes limit creation, so I end up funding it through a job that does not allow me to have as much time as I would like. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What is your favorite restaurant and what do you recommend we order?<\/strong>
When it comes to food, I tend to have temporary fixations on simple \u201cdishes.\u201d I love the avocado toast at Amoba<\/a><\/strong> and the green chilaquiles at Chilaquer\u00eda<\/a><\/strong>. However, I\u2019m a big coffee fan, and my favorite places to have an iced or hot latte are Unamuno<\/a><\/strong> and Sacramento Caf\u00e9<\/a><\/strong>.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Recommend one or more artists you follow who inspire you, and tell us what you like most about their work or their way of working.<\/strong><\/strong>
I love \u201cMirtazapine,\u201d from Hayley Williams<\/a><\/strong>\u2019 latest solo album, because of the way she conveys emotion with the vocal strength that characterizes her. I\u2019m a big fan of Paramore<\/a><\/strong>, especially their latest album, This Is Why<\/em>+, in which the band allows their political and social ideology to filter into the songs, showing that art can also be a form of protest. Likewise, Feng Suave<\/a><\/strong>, with their song \u201cToking, Dozing,\u201d uses the music video to complement its message about the global situation.<\/p>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

Durante la construcci\u00f3n visual y narrativa he logrado aprender a apreciar c\u00f3mo el transporte p\u00fablico brinda un espacio de “no lugar”, donde se simula cierta renuncia a la identidad y solo se vive la espera.<\/p>","protected":false},"author":8318,"featured_media":202455,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17856],"tags":[],"class_list":["post-202452","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artes-visuales"],"acf":[],"mb":[],"yoast_head":"\nNo-lugar - ERRR MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/errr-magazine.com\/english\/no-lugar\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"No-lugar - 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