{"id":201514,"date":"2026-03-07T07:00:00","date_gmt":"2026-03-07T13:00:00","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=201514"},"modified":"2026-03-06T13:19:20","modified_gmt":"2026-03-06T19:19:20","slug":"now-the-rain-has-gone","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/now-the-rain-has-gone\/","title":{"rendered":"Now the Rain Has Gone"},"content":{"rendered":"

What pieces or projects have you been working on lately?<\/strong><\/strong>
I\u2019ve done some close-up (almost abstract) work of pinball machines using extension tubes, some macro work of sea shell fragments \u2014 average of about 4mm in size and printed out really big. Amazing.

I also recently purchased a tilt-shift lens, which is extremely challenging (but equally rewarding). It\u2019s currently in my digital workflow for instant feedback, but it will be on a film camera hopefully soon.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What did you learn (or unlearn) while working on them?<\/strong>
I often wish I could unlearn everything I know about photography. Definitely some of the best work I did was when I was 16 and didn\u2019t know (or care) which rules I might be breaking. I remember being totally motivated just by instinct and exploration. What I wouldn\u2019t give to go back to that frame of mind.<\/p>\n\n\n\n

Using the tilt-shift has definitely been a technical learning experience, but far too boring to go into for such an occasion as this!<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What words, ideas or emotions were going through your head?<\/strong>
The underlying idea for me when I shoot is \u201cmore than one thing at once\u201d. I always want there to be layers of meaning or layers of composition in what I shoot. It doesn\u2019t really matter whether the \u201cmore than one thing\u201d is easily identified, as long as I notice it and then commit to the shot, and hope that the viewer becomes aware of it as well.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Were there any conversations, movies, music, or books that made their way into that work?<\/strong><\/strong>
When I come up with an idea for a project or series, I have this really bad habit of initiating a big, long conversation with my wife about \u201cwhat this project could become\u201d \u2014 maybe a book, or an exhibition, or a short film. I build things up so much in my head that I become too scared to start, for fear that it might all fall over, instead of just getting out and taking the shots for their own sake.<\/p>\n\n\n\n

With the pinball project, it almost didn\u2019t happen (and it\u2019s still far from done) because, in my head, it needed to be a big coffee table book project with interviews and writing and photos and history, and it would have cost a lot of time and money to even get started. It was so huge and daunting that I sat on it for two years without taking a shot, all the while worrying that someone else would stumble upon the idea and beat me to it \u2014 total madness.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What's been the most difficult thing you've faced recently in your creative process?<\/strong><\/strong>
I\u2019m right in the process of trying to disentangle my creative output from the expectations of social media. I\u2019ve been on Instagram since 2009 and that set of expectations has unfortunately become very much a part of the \u201cwhy am I doing this?\u201d question \u2014 especially with my return to film photography in 2016.

So the real challenge I\u2019ve faced lately is in reminding myself that I\u2019m doing this for myself, that I\u2019m not doing this to create \u201ccontent\u201d and the goal is not \u201clikes and shares\u201d, and that it\u2019s OK if there is no goal beyond just taking the photo.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What is your favorite restaurant and what do you recommend we order?<\/strong><\/strong>
In Brisbane, where I\u2019m from, you can\u2019t go past Walter\u2019s Steakhouse<\/a><\/strong>. We have hundreds of steak places in the city and some of the best food in the world, but there\u2019s only one Walter\u2019s.

You\u2019d be having the broiled porterhouse (medium-rare) with Hot English mustard, a side of fries and the Caesar Salad. Sometimes simple is best.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

If your life were a movie this month, what would it be called and who would write the soundtrack?<\/strong>
After some really positive developments in my personal life, the movie would be called something like I Can See Clearly (Now the Rain Has Gone)<\/em>, but to counteract any overt optimism, the soundtrack would be done by Nine Inch Nails<\/a><\/strong>.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Recommend one or more artists you follow who inspire you, and tell us what you like most about their work or their way of working.<\/strong><\/strong>
As an art kid, I always loved the work of Caravaggio (for the lighting AND the drama). But I often go back to the first wave of the Photorealist movement, especially Robert Cottingham and Richard Estes. While they are remembered as great painters, it\u2019s sometimes overlooked that their paintings are based on their own great photography. On the surface, their work is quite banal and pedestrian, but the eye for detail in composition and colour \u2014 and humor is quite compelling.<\/p>\n\n\n\n

In terms of the artistic life, I am still amazed by Vivian Maier<\/a><\/strong>\u2014 her work is just breathtaking and all done within a total artistic vacuum. No intent or imperative beyond just the work. That\u2019s what I strive for.<\/p>\n\n\n\n

Recently I\u2019ve also been enjoying the work of Michael Szpot<\/a><\/strong>. So great! You look at his work, and you don\u2019t know whether to set your camera on fire, or DM him for some lessons!<\/p>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

I\u2019ve done some close-up (almost abstract) work of pinball machines using extension tubes, some macro work of sea shell fragments \u2014 average of about 4mm in size and printed out really big. Amazing.<\/p>","protected":false},"author":8275,"featured_media":201521,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17856],"tags":[],"class_list":["post-201514","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artes-visuales"],"acf":[],"mb":[],"yoast_head":"\nAhora que la lluvia se ha ido - ERRR MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/errr-magazine.com\/english\/now-the-rain-has-gone\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ahora que la lluvia se ha ido - ERRR MAGAZINE\" \/>\n<meta property=\"og:description\" content=\"He realizado algunos trabajos en primer plano (casi abstractos) de m\u00e1quinas de pinball utilizando tubos de extensi\u00f3n, as\u00ed como fotograf\u00eda macro de fragmentos de conchas marinas \u2014de un tama\u00f1o promedio de unos 4 mm\u2014 que luego imprim\u00ed en gran formato. 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