{"id":199300,"date":"2026-02-02T07:00:00","date_gmt":"2026-02-02T13:00:00","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=199300"},"modified":"2026-06-09T05:29:05","modified_gmt":"2026-06-09T11:29:05","slug":"una-casa-de-muchas-habitaciones","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/una-casa-de-muchas-habitaciones\/","title":{"rendered":"A home of many rooms"},"content":{"rendered":"

What pieces or projects have you been working on lately?<\/strong>
Lately I have been spending a lot of time within my own archive of work, which is comprised entirely of 35mm film photography. I find that I benefit when I give myself time and space away from my images so that I can revisit them with fresh eyes. The act of being reflective is a crucial part of my creative process, and I love seeing what images I gravitate towards, as well as what new themes and feelings emerge as I revisit them after some time.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What did you learn (or unlearn) while working on them?<\/strong>
I am trying to be a little kinder to myself in my criticisms of my work. As I primarily shoot film, some of my earliest works reflect the learning curve that comes with film as a medium. In revisiting my images, I am trying to hold more grace for the process, gratitude for all that I have learned, and to be a little gentler in my critiques!<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What words, ideas or emotions were going through your head?<\/strong>
Some words that come to mind right away are hope, joy, nostalgia, and gratitude. Revisiting work can trigger so many emotions; some new, some old, but I am of the belief that the best works make you feel something, so I am appreciative of the breadth of feelings that have come to the surface in this process.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Were there any conversations, movies, music, or books that made their way into that work?<\/strong>
I live in the US, and it goes without saying that the US continues to be a topic of conversation globally for many unfortunate and tragic reasons. Naturally, a consequence of this is that I have been engaged in many conversations with those around me. There are a few themes that continue to emerge, specifically regarding place, identity, and belonging. As I grapple with these themes on both a large and more personal scale, I find that in revisiting my work, I am drawn to images that anchor me to parts of my life that can at times feel distant, but also act as joyful reminders of memories I cherish.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What's been the most difficult thing you've faced recently in your creative process?<\/strong>
Admittedly, the dark, cold months of winter are where I tend to struggle the most from a creative perspective. I find it difficult to muster up the motivation to get out and shoot, especially when there is less light to chase. Digging into your own archives is a welcome practice when you are hibernating!<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What is your favorite restaurant and what do you recommend we order?<\/strong><\/strong>
My favorite restaurant tends to shift constantly, but right now I would say Naks<\/a><\/strong>, in NYC. Naks is a love letter to Filipino food, food that is near to my heart and which features some of my absolute favorite flavors. Every bite was sensational, and I can\u2019t recommend it enough!<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

If your life were a movie this month, what would it be called and who would write the soundtrack?<\/strong>
A home of many rooms<\/em>, soundtrack by Khruangbin<\/a><\/strong>.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Recommend one or more artists you follow who inspire you, and tell us what you like most about their work or their way of working.<\/strong>
I am constantly inspired by Annissa Durar<\/a><\/strong>, an incredible photographer whose style holds the stories of people and places in such a tender and poetic way.<\/p>\n\n\n\n



<\/p>","protected":false},"excerpt":{"rendered":"

I am trying to be a little kinder to myself in my criticisms of my work. As I primarily shoot film, some of my earliest works reflect the learning curve that comes with film as a medium. In revisiting my images, I am trying to hold more grace for the process, gratitude for all that I have learned, and to be a little gentler in my critiques!<\/p>","protected":false},"author":8161,"featured_media":199307,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17849],"tags":[],"class_list":["post-199300","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews"],"acf":[],"mb":[],"yoast_head":"\nUna casa de muchas habitaciones - ERRR MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/errr-magazine.com\/english\/una-casa-de-muchas-habitaciones\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Una casa de muchas habitaciones - ERRR MAGAZINE\" \/>\n<meta property=\"og:description\" content=\"Estoy intentando ser un poco m\u00e1s amable conmigo misma en la forma en que critico mi trabajo. 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