{"id":198447,"date":"2026-01-26T07:00:00","date_gmt":"2026-01-26T13:00:00","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=198447"},"modified":"2026-06-09T05:29:10","modified_gmt":"2026-06-09T11:29:10","slug":"44-days","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/44-dias\/","title":{"rendered":"44 days"},"content":{"rendered":"

What pieces or projects have you been working on lately?<\/strong>
I\u2019m working on several projects. One of them consists of photographing a butcher shop in El Raval every day. I like observing the everyday life that unfolds in that space: changes in light, people passing by, noise, calm, migration, gentrification, and more. I\u2019ve also been photographing skaters; I\u2019m drawn to the pause, the speed, the act of being just another spectator. In parallel, I continue to explore absence as both a theme and a state.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What did you learn (or unlearn) while working on them?<\/strong>
I\u2019ve learned to observe more, to stay calm, to stop chasing the perfect image. Instead, I now observe until the scene accepts me. I also learned to stop thinking and simply feel, which is something I struggle with in my personal life as well. I unlearned the urgency of shooting just for the sake of shooting.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What words, ideas or emotions were going through your head?<\/strong>
I\u2019m studying a postgraduate program in documentary photography in Barcelona, so migration is not just a concept; it\u2019s my routine. Absence also appears constantly: the absence of my people, my habits, the life I left behind. I work from there, from what is missing.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Were there any conversations, movies, music, or books that made their way into that work?<\/strong>
At the caf\u00e9 where I usually settle in, I met a German artist named Marc. He\u2019s made my days there very kind; there\u2019s a familiarity in him, as if we\u2019d been friends forever. Music: a recurring song by La Bien Querida, \u201cDynamite<\/a><\/strong>.\u201d And books, truly many; for now I keep returning to Sophie Calle<\/a><\/strong> and, through this focus on routine and repetition, I was introduced to Hayahisa Tomiyasu<\/a><\/strong>.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What's been the most difficult thing you've faced recently in your creative process?<\/strong>
Opening myself up to what I can\u2019t control, understanding it, developing a creative side that goes beyond the ordinary, not taking pretty pictures for Instagram, understanding myself, and searching.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What is your favorite restaurant and what do you recommend we order?<\/strong>
Makan<\/a><\/strong>, always the duck. And on a Friday night, Hanks Pizza<\/a><\/strong>, the grandmother\u2019s special pizza.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

If your life were a movie this month, what would it be called and who would write the soundtrack?<\/strong>
Pfff\u2026 I\u2019ve been in Barcelona for 44 days, my therapist asks me to count them. So it would be \u201c44 Days Looking for Something I Know Is Not, and That Is Here.\u201d And my soundtrack: I\u2019m obsessed with Beharie<\/a><\/strong>, a Norwegian singer. I\u2019d ask him to do the soundtrack. It fits the kind of nostalgia I\u2019ve been living with lately.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Recommend one or more artists you follow who inspire you, and tell us what you like most about their work or their way of working.<\/strong>
I\u2019ve just discovered a Japanese photographer, Susumo Shimonishi<\/a><\/strong>. His very clean way of photographing inspires me, as does Sophie Calle<\/a><\/strong>, Nan Goldin<\/a><\/strong> with her deeply intimate images. And a friend introduced me to a young guy on Instagram who makes incredible videos; his name is Gawx Art<\/a><\/strong>. I love his way of editing and storytelling.<\/p>","protected":false},"excerpt":{"rendered":"

I\u2019ve learned to observe more, to stay calm, to stop chasing the perfect image. Instead, I now observe until the scene accepts me. I also learned to stop thinking and simply feel. I unlearned the urgency of shooting just for the sake of shooting.<\/p>","protected":false},"author":8128,"featured_media":198463,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17849],"tags":[],"class_list":["post-198447","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews"],"acf":[],"mb":[],"yoast_head":"\n44 d\u00edas - ERRR MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/errr-magazine.com\/english\/44-days\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"44 d\u00edas - ERRR MAGAZINE\" \/>\n<meta property=\"og:description\" content=\"He aprendido m\u00e1s a observar, a estar en calma, a dejar de perseguir la imagen perfecta; al contrario, ahora observo hasta que la escena me acepta. 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