{"id":197508,"date":"2026-01-13T07:00:00","date_gmt":"2026-01-13T13:00:00","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=197508"},"modified":"2026-06-09T05:29:19","modified_gmt":"2026-06-09T11:29:19","slug":"a-punto-de-perder","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/a-punto-de-perder\/","title":{"rendered":"About to lose"},"content":{"rendered":"

What pieces or projects have you been working on lately?<\/strong>
I recently completed a research diploma in multidisciplinary arts with a literary and photographic essay project titled \u201cComo si mi cuerpo supiera lo que estaba a punto de perder\u201d<\/em>. Although the final version is ready for print, I\u2019m still working through the last details before beginning production.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What did you learn (or unlearn) while working on it?<\/strong>
The entire process was deeply formative. During the development of my initial project, I experienced one of the most significant losses of my life, reopening old wounds and reminding me that I still have a great deal to reflect on and communicate. That\u2019s how \u201cComo si mi cuerpo supiera lo que estaba a punto de perder\u201d began.<\/em><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What words, ideas or emotions were going through your head?<\/strong>
I had a broken heart, and I still do, but it\u2019s taking on another, more interesting shape.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Were there any conversations, movies, music, or books that made their way into that work?<\/strong>
Not explicitly, but Nora Ephron<\/strong><\/a>, Patti Smith,<\/a><\/strong> and Phoebe Waller-Bridge <\/a><\/strong>were definitely an influence.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What's been the most difficult thing you've faced recently in your creative process?<\/strong>
I don\u2019t find the process itself difficult; what has truly been hard is having to constantly distance myself from art in order to earn money through jobs I don\u2019t enjoy or identify with, just to sustain my creative projects and studies.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What is your favorite restaurant and what do you recommend we order?<\/strong>
The bistec-and-queso tacos at Tacos Laredo<\/strong><\/a>.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u00bfSi este mes fuera una pel\u00edcula, qu\u00e9 t\u00edtulo tendr\u00eda y qui\u00e9n har\u00eda el soundtrack?<\/strong>
I\u2019m saying this because I saw the opportunity and decided to take it for the laughs. If You Were a Movie, This Would Be Your Soundtrack<\/em>, with Sleeping With Sirens.<\/a><\/strong><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u00bfRecomi\u00e9ndanos uno o m\u00e1s artistas que sigas?<\/strong>
For quite a few years now, I\u2019ve been closely following the work of Miguel Tinoco<\/strong><\/a>, who has become one of my favorite creators. As I\u2019ve told him myself, I think that although his work brushes against realism, it never fully lands there. In my reading, it suggests he\u2019s portraying memories not in a melancholic way, but as urgent records that something once happened there. <\/p>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

The entire process was deeply formative. During the development of my initial project, I experienced one of the most significant losses of my life, reopening old wounds and reminding me that I still have a great deal to reflect on and communicate. 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