{"id":197066,"date":"2026-01-08T07:00:00","date_gmt":"2026-01-08T13:00:00","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=197066"},"modified":"2026-06-09T05:29:23","modified_gmt":"2026-06-09T11:29:23","slug":"ecos-cotidianos","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/ecos-cotidianos\/","title":{"rendered":"Everyday echoes"},"content":{"rendered":"

What pieces or projects have you been working on lately?<\/strong><\/p>\n\n\n\n

I\u2019m currently working on a very special project for me, which I called Everyday echoes<\/em>. With my camera and film, I try to capture fragments of life that often go unnoticed: a ray of light falling on a sidewalk, people passing by, and the quiet moments that linger in the streets. It's a visual diary that becomes a form of resistance against oblivion.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What did you learn (or unlearn) while working on it?<\/strong><\/p>\n\n\n\n

Above all, I learned patience. Analog photography reminds me that not everything has to happen immediately, that there's beauty in waiting; I understood that the ordinary is never truly ordinary. I learned to look more closely at what's around me and to value the everyday: a gift that deserves to be shared.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What words, ideas or emotions were going through your head?<\/strong><\/p>\n\n\n\n

What accompanied me the most was nostalgia: memories of my childhood, sunny Sundays that seemed never-ending, moments that blended with the present. My intention is clear: to convey a sense of warmth and closeness to the viewer.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Were there any conversations, movies, music, or books that made their way into that work?<\/strong><\/p>\n\n\n\n

Music is essential to my creative process. During this project, I was accompanied by melodies from the past, such as those by Leo Dan<\/strong><\/a> and Los Hermanos Carri\u00f3n<\/a><\/strong>, which have the magic of transporting me to other times, when everyday life moved at a different pace, slower and more intimate. Creating this atmosphere helps me connect with the nostalgia I aim to capture.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What's been the most difficult thing you've faced recently in your creative process?<\/strong><\/p>\n\n\n\n

The hardest part has been facing self-doubt, the inner voice that sometimes questions whether my work makes sense. Lack of time is also a challenge; I wish I could lose myself more often in the streets with my camera. Still, I\u2019ve learned to value those rare moments as treasures. My passion remains intact.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What is your favorite restaurant and what do you recommend we order?<\/strong><\/p>\n\n\n\n

El Pueblito<\/strong>,<\/a> in Santiago, Nuevo Le\u00f3n. The enchiladas suizas are my favorite.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

If your life were a movie this month, what would it be called and who would write the soundtrack?<\/strong><\/p>\n\n\n\n

The title would be Suspiro<\/em>, with a soundtrack by The Verve <\/strong><\/a>and Radiohead<\/a><\/strong>.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Recommend one or more artists you follow who inspire you, and tell us what you like most about their work or their way of working.<\/strong><\/p>\n\n\n\n

William Eggleston<\/strong><\/a>: known for helping color photography gain recognition as a legitimate form of artistic expression.<\/p>\n\n\n\n

Larry Sultan: best known for Pictures from Home<\/strong>,<\/a> a ten-year-long project photographing his parents at home.<\/p>\n\n\n\n

Hayaisha Tomiyasu: recognized for TTP<\/strong><\/a>, a project documenting the many uses of a ping-pong table in Leipzig, photographed from his window.<\/p>\n\n\n\n

These three photographers have inspired me to create a visual language that celebrates everyday life from a place of introspection and feeling.<\/p>","protected":false},"excerpt":{"rendered":"

With my analog camera, I try to capture fragments of life that often go unnoticed: a light falling on a bench, people passing by, and silences hidden in the streets. It's a visual diary that becomes a form of resistance against oblivion.<\/p>","protected":false},"author":8071,"featured_media":197094,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17849],"tags":[],"class_list":["post-197066","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews"],"acf":[],"mb":[],"yoast_head":"\nEcos cotidianos - ERRR MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/errr-magazine.com\/english\/ecos-cotidianos\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ecos cotidianos - ERRR MAGAZINE\" \/>\n<meta property=\"og:description\" content=\"Con mi c\u00e1mara anal\u00f3gica intento registrar fragmentos de la vida que suelen pasar desapercibidos: una luz que se posa en una banqueta, gente que pasa y silencios que se esconden en las calles. 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