{"id":196409,"date":"2025-12-18T10:05:25","date_gmt":"2025-12-18T16:05:25","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=196409"},"modified":"2026-06-09T05:27:29","modified_gmt":"2026-06-09T11:27:29","slug":"iii","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/iii\/","title":{"rendered":"III"},"content":{"rendered":"

Was there any obsession, fixed idea, or image that guided the creative process of the album, even if it is not evident to the listener?
<\/strong>Yes, my idea for making this album was a diary of confessions to friends who are no longer with me. \u201cSue\u00f1o\u201d and \u201cHalo\u201d are very direct about that. Also, in terms of composition, I really wanted it to feel like a piece of material with a lot of \u201cfluttering\u201d guitar work.<\/p>\n\n\n\n

What was the process of deciding which songs would and wouldn't be part of the album?
<\/strong>It was quite simple; there wasn't much time spent on the album's conception. It took a year and a half to write and solidify the songs with lyrics, all within the same thematic and temporal framework. Therefore, selecting the songs was easy and natural.\u00a0<\/p>\n\n\n\n

What changed in the way of writing, recording, or producing on this album compared to previous recordings?
<\/strong>In this album, I wanted to establish a more defined guitar style. On the first album, there were a few songs with arpeggios, but on this one, I really went for it. That was the goal: to solidify that arpeggiated style. In the lyrics, I paid close attention to wordplay. For example, in \"Pulsa,\" I mostly used words with the letter \"s\" to give the whole song a kind of rhythmic hiss. In the production, I made it more dreamy, adding layers of violins with lots of reverb and other ambient effects. I feel like it's a songbook.\u00a0<\/p>\n\n\n\n

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