{"id":194450,"date":"2025-10-09T14:51:32","date_gmt":"2025-10-09T20:51:32","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=194450"},"modified":"2025-10-10T09:43:57","modified_gmt":"2025-10-10T15:43:57","slug":"mientras-tanto-2","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/mientras-tanto-2\/","title":{"rendered":"Meanwhile"},"content":{"rendered":"

What pieces or projects have you been working on lately?<\/strong>
En este momento mi pr\u00e1ctica fotogr\u00e1fica est\u00e1 en transici\u00f3n, pero el proyecto que m\u00e1s ocupa mi cabeza \u2014y el que m\u00e1s ilusi\u00f3n me hace\u2014 es un fotolibro narrativo en proceso, un proyecto que estoy desarrollando de forma independiente y que busca mezclar cr\u00f3nica y retrato como forma de contar historias.<\/p>\n\n\n\n

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Descubrir en el fotolibro un espacio de exploraci\u00f3n narrativa abri\u00f3 para m\u00ed un universo de posibilidades: lo vi como un medio en el que pod\u00eda desarrollar distintas ideas personales que hab\u00eda postergado durante a\u00f1os. La idea fue madurando poco a poco. Todo comenz\u00f3 con Lugar de Taxidermia<\/a><\/em>, el primer libro de la editorial Esdr\u00fajula, cuya portada me llam\u00f3 la atenci\u00f3n porque los mosaicos de la fotograf\u00eda eran id\u00e9nticos a los de mi cocina. Esa coincidencia dom\u00e9stica despert\u00f3 en m\u00ed una curiosidad profunda por la relaci\u00f3n entre palabra e imagen. A partir de ah\u00ed empec\u00e9 a preguntarme de qu\u00e9 otras maneras pod\u00eda contar historias visuales: explor\u00e9 el cine, tom\u00e9 un taller de direcci\u00f3n de fotograf\u00eda en el que descubr\u00ed mi afinidad con la direcci\u00f3n de arte, curs\u00e9 un diplomado de estilismo de interiores con AD y hasta imagin\u00e9 crear una revista como espacio de conversaci\u00f3n creativa.<\/p>\n\n\n\n

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En ese recorrido descubr\u00ed el trabajo de Mariela Sancari<\/a><\/strong> y tom\u00e9 un curso suyo en el que profundizaba sobre el potencial narrativo del fotolibro. Fue ah\u00ed cuando entend\u00ed que no se trataba simplemente de un libro con fotograf\u00edas, sino de un lenguaje en s\u00ed mismo: un espacio donde imagen, estructura y secuencia pod\u00edan construir sentido y contar historias con la misma fuerza que las palabras. Esa comprensi\u00f3n cambi\u00f3 mi rumbo y eleg\u00ed este formato como el medio ideal para desarrollar mis proyectos desde un lugar m\u00e1s \u00edntimo y autoral.
El primero con el que decid\u00ed comenzar esta exploraci\u00f3n es la historia de mi amiga Irina, una mujer trans a quien conoc\u00ed antes de su transici\u00f3n. El proyecto aborda, desde la cercan\u00eda, el duelo y las preguntas que surgen en el proceso de cambio de identidad: parte desde mi propia perspectiva \u2014como alguien cercano a quien lo vive\u2014 y se extiende a su historia personal. La intenci\u00f3n es construir un relato que dialogue con ambas experiencias y abra un espacio de reflexi\u00f3n en torno a la empat\u00eda, la identidad y el derecho a ser.
En la parte visual, el punto de partida de las fotograf\u00edas nace de una conversaci\u00f3n con Irina: ella dice que siempre fue mujer, que simplemente \u201cse dej\u00f3 salir\u201d. Esa idea me llev\u00f3 a pensar en el gesto de liberar algo que ya estaba ah\u00ed, como en las esculturas que Miguel \u00c1ngel<\/strong><\/a> <\/a><\/em>dec\u00eda que habitaban el m\u00e1rmol. A partir de esa met\u00e1fora es que comienza a construirse la propuesta visual, que a\u00fan se encuentra en evoluci\u00f3n.<\/p>\n\n\n\n

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Desde el inicio tuve claro que la fotograf\u00eda no deb\u00eda ser solo un acompa\u00f1amiento del texto, sino un lenguaje propio. Mi intenci\u00f3n es que el proyecto se realice principalmente en fotograf\u00eda an\u00e1loga \u2014por su capacidad de traducir el paso del tiempo, la espera y el azar\u2014, aunque por ahora tambi\u00e9n he hecho tomas digitales para asegurarme de capturar ciertos momentos que no pod\u00edan posponerse. Todav\u00eda estoy definiendo si el resultado final ser\u00e1 completamente an\u00e1logo o si ambos formatos convivir\u00e1n, pero siento que esa decisi\u00f3n forma parte natural del proceso.<\/p>\n\n\n\n

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What did you learn (or unlearn) while working on them?<\/strong>
He aprendido que contar historias no siempre implica saber ad\u00f3nde vas desde el inicio. A veces el proyecto tiene su propio pulso y lo mejor que puedes hacer es escucharlo.
Y m\u00e1s que desaprender, creo que he tenido que reconciliarme con ciertas dudas: con la pregunta de si mi fotograf\u00eda puede considerarse suficientemente \u201cart\u00edstica\u201d o si se queda en un lugar demasiado \u201cbonito\u201d o \u201cest\u00e9tico\u201d. Esa tensi\u00f3n, que en otro momento me habr\u00eda hecho frenar, hoy la veo como parte del proceso y como un impulso para profundizar en lo que quiero decir con mis im\u00e1genes.
Tambi\u00e9n he comprendido que apostar por los proyectos que nos llenan el alma \u2014aunque no sean encargos, aunque requieran de nuestro tiempo, esfuerzo o recursos\u2014 es lo que va abriendo camino. Justamente por eso, a pesar de los retos, para m\u00ed es fundamental seguir desarrollando proyectos personales como este fotolibro.<\/p>\n\n\n\n

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What words, ideas or emotions were going through your head?<\/strong>
Empat\u00eda, identidad, libertad y duda. Sobre todo, la convicci\u00f3n de que aunque nunca entendamos del todo al otro, siempre podemos concederle el beneficio de la duda, el derecho a ser y a existir desde su propia mirada. Y es precisamente al mirar desde la perspectiva de alguien m\u00e1s \u2014o al atrevernos a compartir la nuestra\u2014 cuando se abren nuevas posibilidades de encuentro. Es en ese espacio de intercambio donde, creo, empezamos a conectar de verdad.<\/p>\n\n\n\n

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Were there any conversations, movies, music, or books that made their way into that work?<\/strong>
M\u00e1s que una sola obra, este proyecto est\u00e1 lleno de conversaciones con Irina y con otras personas cercanas que han moldeado su rumbo. Tambi\u00e9n ha estado muy presente la cr\u00f3nica literaria, especialmente a trav\u00e9s del taller Narrar la realidad<\/em> del periodista Mateo Peraza<\/strong><\/a>, que me ayud\u00f3 a descubrir el potencial narrativo de la escritura personal. Y en el lado visual, el trabajo de Mariela<\/strong> Sancari<\/strong><\/a> \u2014y el curso en el que profundiza sobre las posibilidades narrativas del fotolibro\u2014 fue fundamental para entender este formato como un objeto narrativo.
Por supuesto, el universo editorial de Esdr\u00fajula tambi\u00e9n ha tenido un papel importante: aquella primera portada \u2014que no era de mi autor\u00eda\u2014 fue la que me hizo mirar distinto la relaci\u00f3n entre imagen y palabra. Con el tiempo, ese v\u00ednculo evolucion\u00f3 y pas\u00e9 de ser espectadora a formar parte activa del proceso creativo, realizando las fotograf\u00edas para sus \u00faltimas portadas, lo que me ha permitido explorar nuevas posibilidades narrativas desde la imagen.<\/p>\n\n\n\n

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What's been the most difficult thing you've faced recently in your creative process?<\/strong>
Lo m\u00e1s dif\u00edcil ha sido darme el permiso de cambiar de rumbo creativo. Despu\u00e9s de haberme desarrollado durante a\u00f1os en el mundo del dise\u00f1o de interiores, soltar esa identidad profesional no ha sido sencillo. Darme la autoridad de reconocerme como fot\u00f3grafa \u2014y ahora tambi\u00e9n como escritora\u2014 ha implicado trabajar con muchas inseguridades. A pesar del camino recorrido, hay una parte de m\u00ed que a\u00fan se siente amateur en el mundo del arte, pero creo que aprender a habitar esa incomodidad tambi\u00e9n forma parte del proceso creativo.<\/p>\n\n\n\n

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What is your favorite restaurant and what do you recommend we order?<\/strong>
I love Truck Chef<\/a> <\/strong>en M\u00e9rida, especialmente su hamburguesa Hendrix. Tambi\u00e9n Temporada de Tacos<\/a><\/strong>, donde recomiendo el taquito de nopal, alg\u00fan agua del d\u00eda y cerrar con su carlota de lim\u00f3n.<\/p>\n\n\n\n

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If your life were a movie this month, what would it be called and who would write the soundtrack?<\/strong>
No estoy segura de cu\u00e1l ser\u00eda el t\u00edtulo\u2026 tal vez algo como Meanwhile<\/em>. Tampoco s\u00e9 qui\u00e9n har\u00eda el soundtrack, pero Erase\/Rewind<\/a><\/em> from The Cardigans <\/a><\/strong>seguramente ser\u00eda el tema principal: me ha perseguido entre tantas idas y venidas y describe muy bien este momento de tr\u00e1nsito.<\/p>\n\n\n\n

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Recommend one or more artists you follow who inspire you, and tell us what you like most about their work or their way of working.<\/strong>
Me gusta mucho el trabajo de Manolo Taure<\/strong> <\/a>(The Graphic Bakery<\/a><\/em>). Aunque no est\u00e1 directamente ligado a mi proceso, me atrae su manejo del color, lo manual y lo sutilmente c\u00f3mico de su obra. Siempre que puedo adquiero sus postales porque me transmiten ligereza y alegr\u00eda.<\/p>","protected":false},"excerpt":{"rendered":"

From the beginning, I was clear that photography shouldn't just be an accompaniment to the text, but a language of its own. My intention is for the project to be realized primarily in analog photography, given its ability to convey the passage of time, waiting, and chance.<\/p>","protected":false},"author":7991,"featured_media":194462,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17856],"tags":[],"class_list":["post-194450","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artes-visuales"],"acf":[],"mb":[],"yoast_head":"\nMientras tanto - ERRR MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/errr-magazine.com\/english\/mientras-tanto-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mientras tanto - ERRR MAGAZINE\" \/>\n<meta property=\"og:description\" content=\"Desde el inicio tuve claro que la fotograf\u00eda no deb\u00eda ser solo un acompa\u00f1amiento del texto, sino un lenguaje propio. 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