{"id":194017,"date":"2025-10-04T10:39:31","date_gmt":"2025-10-04T16:39:31","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=194017"},"modified":"2026-06-09T05:30:02","modified_gmt":"2026-06-09T11:30:02","slug":"festin","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/festin\/","title":{"rendered":"Fest\u00edn"},"content":{"rendered":"

What pieces or projects have you been working on lately?<\/strong>
Este a\u00f1o estoy trabajando en\u00a0Fest\u00edn<\/em>, una exhibici\u00f3n colectiva en la que se invitan a artistas contempor\u00e1neas a explorar el amor, el deseo y la comida desde una mirada femenina. El proyecto y concepto parte de un antiguo recetario afrodis\u00edaco para celebrar la sensualidad de lo cotidiano y la potencia simb\u00f3lica de los alimentos como portales hacia el placer, la conexi\u00f3n emocional y la espiritualidad. Para m\u00ed, fue tambi\u00e9n una manera de continuar investigando c\u00f3mo lo dom\u00e9stico, lo ritual y lo corporal se entrelazan en experiencias femeninas que han sido hist\u00f3ricamente invisibilizadas. La primera se present\u00f3 en Daniela Elbahara Galer\u00eda <\/strong><\/a>en CDMX, y la segunda edici\u00f3n ser\u00e1 en Arde Arte<\/strong><\/a>, MTY en noviembre. La exhibici\u00f3n re\u00fane obra escult\u00f3rica, pict\u00f3rica, fotogr\u00e1fica entre otras disciplinas.<\/p>\n\n\n\n

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What did you learn (or unlearn) while working on them?<\/strong>
Fest\u00edn<\/em>\u00a0me llev\u00f3 a desaprender la idea de la comida \u00fanicamente como sustento y a reconocerla como un lenguaje cargado de deseo, memoria y poder. Aprend\u00ed que los alimentos pueden funcionar como s\u00edmbolos de resistencia y como una forma de narrar la experiencia femenina desde lugares m\u00e1s \u00edntimos y sensoriales. Tambi\u00e9n me record\u00f3 que la magia y el erotismo habitan en lo cotidiano, en peque\u00f1os gestos y rituales que solemos pasar por alto.<\/p>\n\n\n\n

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What words, ideas or emotions were going through your head?<\/strong>
Durante el proceso me acompa\u00f1aron palabras como deseo, ritual, intimidad y resistencia. Estaba muy presente la idea de que el placer y el gozo no solo son experiencias individuales, sino tambi\u00e9n colectivas y pol\u00edticas. La emoci\u00f3n dominante fue una mezcla de fascinaci\u00f3n y gratitud, por redescubrir en los alimentos, especialmente en las frutas una nueva fuente de s\u00edmbolos tan poderosa y por poder compartir ese viaje con otras artistas y con el p\u00fablico.<\/p>\n\n\n\n

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Were there any conversations, movies, music, or books that made their way into that work?\u00a0<\/strong>
Book: Aphrodisiac Cookery: Ancient & Modern<\/em> by Greg & Beverly Frazier.\u00a0En las obras que desarroll\u00e9 para la primer muestra tambi\u00e9n me inspire en la pel\u00edcula Maria Antonieta<\/em> de Sofia Coppola<\/strong><\/a>, los banquetes y la luz es hermosa en las tomas de atardecer.\u00a0<\/p>\n\n\n\n

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What's been the most difficult thing you've faced recently in your creative process?<\/strong>
El mayor reto este a\u00f1o ha sido sostener la creatividad en medio del dolor que atraviesa el mundo. Me conmueve profundamente la guerra y, en particular, la hambruna provocada en Gaza, donde se niega el derecho m\u00e1s b\u00e1sico: la alimentaci\u00f3n, afectando de manera brutal a mujeres y ni\u00f1os. Trabajar en proyectos que celebran lo femenino, \u00a0la comida, el deseo y el gozo me confront\u00f3 con esa realidad dolorosa, pero tambi\u00e9n me llev\u00f3 a reflexionar sobre la fuerza y la resistencia que existen en los alimentos. La comida no solo es sustento, tambi\u00e9n es s\u00edmbolo de dignidad, de memoria y de vida. Esa tensi\u00f3n entre placer y carencia, entre abundancia y hambre, ha marcado mi proceso creativo de manera muy profunda.<\/p>\n\n\n\n

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What is your favorite restaurant and what do you recommend we order?\u00a0<\/strong>
En Monterrey: Yama-to<\/strong><\/a> – Paquete 16: Sunomono mixto con sopa misoshiru.
En Guadalajara: Suehiro<\/strong><\/a> – bbq ribs.<\/p>\n\n\n\n

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If your life were a movie this month, what would it be called and who would write the soundtrack?\u00a0<\/strong>
Bloody October<\/em>, soundtrack by Sholto, \u00e1lbum The Changing Tides of Dreams<\/em><\/a><\/strong>.\u00a0<\/p>\n\n\n\n

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Recommend one or more artists you follow who inspire you, and tell us what you like most about their work or their way of working.\u00a0<\/strong>
Me inspiran profundamente artistas como\u00a0Mariko Mori<\/strong><\/a>, cuya obra explora preguntas universales sobre la vida, la muerte, la espiritualidad y la tecnolog\u00eda. Admiro la manera en que conecta lo ancestral con lo futurista, creando universos visuales que parecen suspendidos entre lo terrenal y lo c\u00f3smico.\u00a0<\/p>\n\n\n\n

Pixy Liao<\/a><\/strong>\u00a0me interesa c\u00f3mo cuestiona los modelos tradicionales de las relaciones heterosexuales. Su trabajo me inspira porque coloca en el centro lo \u00edntimo y lo personal, pero desde una perspectiva cr\u00edtica, desafiando las estructuras de poder que atraviesan lo amoroso y lo cotidiano.\u00a0<\/p>\n\n\n\n

Dominique Fung<\/a><\/strong>\u00a0es otra artista que admiro por su forma de recuperar memorias e historias invisibilizadas, d\u00e1ndoles nuevos significados a trav\u00e9s de objetos y s\u00edmbolos que carga de vida.\u00a0<\/p>\n\n\n\n

And\u00a0Juno Calypso<\/a><\/strong>, con su capacidad de construir mundos fotogr\u00e1ficos h\u00edper estilizados que cuestionan la construcci\u00f3n de la feminidad. Sus autorretratos me parecen potentes porque mezclan humor, incomodidad y belleza, generando un espacio cr\u00edtico sobre la soledad, la intimidad y la auto-imagen.

En todas ellas encuentro un espejo de intereses que atraviesan tambi\u00e9n mi pr\u00e1ctica: lo femenino, lo \u00edntimo, lo simb\u00f3lico y lo ritual, siempre desde un lugar cr\u00edtico y transformador.<\/p>","protected":false},"excerpt":{"rendered":"

I learned that food can function as symbols of resistance and as a way to narrate the female experience from more intimate and sensorial perspectives. It also reminded me that magic and eroticism reside in the everyday, in small gestures and rituals that we often overlook.<\/p>","protected":false},"author":7971,"featured_media":194018,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17849],"tags":[],"class_list":["post-194017","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews"],"acf":[],"mb":[],"yoast_head":"\nFest\u00edn - ERRR MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/errr-magazine.com\/english\/festin\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fest\u00edn - ERRR MAGAZINE\" \/>\n<meta property=\"og:description\" content=\"Aprend\u00ed que los alimentos pueden funcionar como s\u00edmbolos de resistencia y como una forma de narrar la experiencia femenina desde lugares m\u00e1s \u00edntimos y sensoriales. 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