{"id":193210,"date":"2025-09-20T23:03:27","date_gmt":"2025-09-21T05:03:27","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=193210"},"modified":"2025-10-01T22:27:43","modified_gmt":"2025-10-02T04:27:43","slug":"mil-formas-de-decirlo","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/mil-formas-de-decirlo\/","title":{"rendered":"Mil formas de decirlo"},"content":{"rendered":"

\u00bfEn que piezas o proyectos trabajas \u00faltimamente?<\/strong>
Actualmente, m\u00e1s que concentrarme en una pieza espec\u00edfica, me encuentro replanteando ciertas l\u00edneas de investigaci\u00f3n que deseo profundizar desde mi pr\u00e1ctica. De manera m\u00e1s puntual, estoy desarrollando una serie de obras \u2014a\u00fan en definici\u00f3n entre pintura, dibujo u objeto\u2014 que buscan explorar y evidenciar las m\u00faltiples relaciones del ser humano con el paisaje, as\u00ed como los objetos que emergen de ese v\u00ednculo.<\/p>\n\n\n\n

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Me interesa, adem\u00e1s, desarrollar una l\u00ednea de investigaci\u00f3n en torno al objeto como transmisor de informaci\u00f3n: su valor simb\u00f3lico y su papel en la relaci\u00f3n entre cuerpo, memoria y entorno. En este proceso de b\u00fasqueda \u2014tanto conceptual como pl\u00e1stica\u2014 el dibujo se ha convertido en una herramienta fundamental para materializar y dar forma a las ideas.<\/p>\n\n\n\n

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What did you learn (or unlearn) while working on it?<\/strong>
Algo que estoy aprendiendo de manera muy evidente es a nutrir con mayor informaci\u00f3n mi proceso de conceptualizaci\u00f3n y planteamiento de ideas, para despu\u00e9s someterlas a un ejercicio de depuraci\u00f3n, eliminando aquello que resulta incoherente o innecesario. Conf\u00edo en que este m\u00e9todo me permitir\u00e1 afinar el lenguaje de mi trabajo y, quiz\u00e1, transformarlo de manera radical.<\/p>\n\n\n\n

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      Tambi\u00e9n considero importante se\u00f1alar lo desaprendido: he comprendido que no debo dar las cosas por sentadas. La repetici\u00f3n dentro de la pr\u00e1ctica es valiosa para perfeccionar t\u00e9cnicas y exploraciones, pero tambi\u00e9n puede volverse contraproducente si encierra el trabajo en est\u00e9ticas fijas que, con el tiempo, dejan de comunicar.<\/p>\n\n\n\n

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      \u00bfQu\u00e9 ideas, palabras o emociones te rondaban la cabeza?<\/strong>
      Tengo el recuerdo \u2014no s\u00e9 si de haberlo le\u00eddo o escuchado en alg\u00fan lugar\u2014 de una reflexi\u00f3n sobre \u201cel dudar\u201d. Lo que qued\u00f3 grabado en m\u00ed fue la palabra misma, y en un intento por darle sentido, me gusta entenderla no como algo negativo ni como un signo de incredulidad, sino como una actitud que, en el arte, se vincula con la curiosidad y la apertura a nuevas posibilidades.<\/p>\n\n\n\n

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      Cuando uno se adentra en un tema y comienza la b\u00fasqueda de un conocimiento desconocido, se abre con entusiasmo a aprender todo lo que pueda, consciente de lo mucho que ignora. Con el paso del tiempo, esa primera etapa se transforma: ya se han adquirido ciertos saberes, pero llega tambi\u00e9n el momento de toparse con l\u00edmites, con la sensaci\u00f3n de no saber hacia d\u00f3nde seguir buscando. Y es justamente ah\u00ed donde regresa la duda, no como obst\u00e1culo, sino como un motor esencial para volver a explorar.<\/p>\n\n\n\n

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      En ese sentido, someter mi trabajo a la duda se vuelve una herramienta en ocasiones necesaria dentro de mi pr\u00e1ctica. Intentar no verlo como un signo de inseguridad, sino como un mecanismo que me permite revisar, cuestionar y ajustar el rumbo del trabajo. As\u00ed los\u00a0procesos se vuelvan menos r\u00edgidos y permite mantener abierta la posibilidad de que el lenguaje de mi obra siga transform\u00e1ndose.<\/p>\n\n\n\n

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      Were there any conversations, movies, music, or books that made their way into that work?<\/strong>
      Me gusta pensar que esas cosas siempre terminan por colarse en los procesos creativos y terminan apareciendo muchas veces de manera inesperada. Intento compartir mis ideas con personas cercanas y queridas, no solo para dialogar, sino tambi\u00e9n para verbalizar y, en ese ejercicio, ordenar mejor las intenciones detr\u00e1s de una obra. Ahora, por ejemplo, recuerdo un libro que reci\u00e9n termin\u00e9: m\u00e1s que inspirarme directamente hacia la producci\u00f3n de nuevas ideas, se convirti\u00f3 en un gran acompa\u00f1ante durante un momento de duda y confusi\u00f3n respecto a mi quehacer art\u00edstico. El libro se llama Caminar<\/em> de Henry David Thoreau<\/a>.<\/p>\n\n\n\n

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      What's been the most difficult thing you've faced recently in your creative process?<\/strong>
      Creo que uno de los principales retos en mi proceso creativo ha sido establecer una rutina. Recientemente me mud\u00e9 a un nuevo estudio en el centro de la ciudad, algo que agradezco profundamente porque me ofrece una gran cantidad de est\u00edmulos y la cercan\u00eda con otras pr\u00e1cticas creativas interesantes y relevantes. Sin embargo, este cambio abrupto me ocup\u00f3 f\u00edsica y mentalmente en la tarea de adecuar el nuevo espacio de trabajo. Al pensarlo, descubro que este proceso de reorganizaci\u00f3n tambi\u00e9n me ha permitido comprender mejor mi pr\u00e1ctica y las necesidades que surgen dentro de ella.<\/p>\n\n\n\n

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      \u00bfSi pudieras cenar en cualquier restaurante de la ciudad esta noche, \u00bfd\u00f3nde ser\u00eda y que pedir\u00edas?<\/strong>
      Uno de mis lugares favoritos en Guadalajara es\u00a0      Soul Fried Chicken<\/a><\/strong>. Pedir\u00eda el\u00a0sando<\/em>\u00a0tradicional con papas trufadas y una cerveza\u00a0Super Lupe\u00a0de la cervecer\u00eda H\u00e9rcules<\/strong><\/a>. Adem\u00e1s de la comida, me gusta mucho la m\u00fasica que ponen y guardo el recuerdo de varias conversaciones muy especiales que he tenido ah\u00ed.<\/p>\n\n\n\n

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      Si este mes de tu vida fuera una pel\u00edcula, \u00bfQu\u00e9 t\u00edtulo tendr\u00eda y quien har\u00eda el soundtrack?<\/strong>
      El nombre de la pel\u00edcula ser\u00eda\u00a0Mil formas de decirlo<\/em>, y la m\u00fasica la har\u00eda       Diles que no me maten<\/strong><\/a> and Mabe Fratti<\/a><\/strong>.<\/p>\n\n\n\n

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      Recomi\u00e9ndanos alg\u00fan artista que sigas, que te inspire, y dinos qu\u00e9 es lo que te gusta de su trabajo o de su forma de trabajar.
      <\/strong>Creo que no podr\u00eda mencionar \u00fanicamente una pr\u00e1ctica art\u00edstica como referente, pero si intento acotar, dir\u00eda que el trabajo de\u00a0      Tezontle<\/a><\/strong> (Carlos Matos<\/strong><\/a> and Lucas Cant\u00fa<\/a><\/strong>) ha sido especialmente importante en mi b\u00fasqueda. Admiro profundamente la t\u00e9cnica que imprimen en las piezas que producen, as\u00ed como la forma en que articulan materiales y s\u00edmbolos. Adem\u00e1s, sus trayectorias individuales tambi\u00e9n me han interesado, sobre todo en aspectos relacionados con lo t\u00e9cnico, la escala y la carga simb\u00f3lica. En particular, me resulta muy significativa la pieza\u00a0El juego de infusi\u00f3n<\/em>\u00a0de Lucas<\/strong><\/a>.<\/p>\n\n\n\n

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                  <\/ol>","protected":false},"excerpt":{"rendered":"

                  Nutrir con mayor informaci\u00f3n mi proceso de conceptualizaci\u00f3n y planteamiento de ideas, para despu\u00e9s someterlas a un ejercicio de depuraci\u00f3n, eliminando aquello que resulta incoherente o innecesario. Conf\u00edo en que este m\u00e9todo me permitir\u00e1 afinar el lenguaje de mi trabajo.<\/p>","protected":false},"author":7939,"featured_media":193212,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17856],"tags":[],"class_list":["post-193210","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artes-visuales"],"acf":[],"mb":[],"yoast_head":"\nMil formas de decirlo - ERRR MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/errr-magazine.com\/english\/mil-formas-de-decirlo\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mil formas de decirlo - ERRR MAGAZINE\" \/>\n<meta property=\"og:description\" content=\"Nutrir con mayor informaci\u00f3n mi proceso de conceptualizaci\u00f3n y planteamiento de ideas, para despu\u00e9s someterlas a un ejercicio de depuraci\u00f3n, eliminando aquello que resulta incoherente o innecesario. 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