{"id":193098,"date":"2025-09-17T18:05:18","date_gmt":"2025-09-18T00:05:18","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=193098"},"modified":"2025-10-01T22:28:42","modified_gmt":"2025-10-02T04:28:42","slug":"radiografia-de-cuerpo-completo","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/radiografia-de-cuerpo-completo\/","title":{"rendered":"Radiograf\u00eda\u00a0de cuerpo completo"},"content":{"rendered":"

How did the idea for this book come about?
<\/strong>Siempre he cre\u00eddo que la poes\u00eda habita en todos lados, inclusive en lo \u00ednfimo. Me cautiva la belleza que estas cosas esconden y, por ello, cuando P\u00e1gina Salm\u00f3n<\/strong><\/a> me propuso colaborar con un poemario supe que quer\u00eda explorar nuestra relaci\u00f3n con los desechos del cuerpo. Me interesa ese lado escatol\u00f3gico e ignorado de la corporalidad y\u00a0Radiograf\u00eda\u00a0de cuerpo completo\u00a0<\/em>es un intento por reivindicarlo como otra extensi\u00f3n m\u00e1s de nuestro ser que merece dignidad. Estas sustancias que el cuerpo segrega est\u00e1n estrechamente vinculadas con nuestros deseos, sentires e, incluso, con la historia personal. El lenguaje po\u00e9tico vuelve extra\u00f1o lo que nos rodea y eso nos obliga a ver nuestra realidad desde una nueva perspectiva. Cada poema busca revisitar un aspecto de este lado sucio para reconocernos y reconocer a los otros como seres iguales: material org\u00e1nico que se descompone con el tiempo.\u00a0<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u00bfQu\u00e9 descubriste en el proceso que no imaginabas al inicio?
<\/strong>Descubr\u00ed que a\u00fan hay heridas que no cierran por completo y que quiz\u00e1 jam\u00e1s lo hagan. Con un tema tan personal y sensorial como es el cuerpo, era inevitable evocar experiencias personales. Me sorprendi\u00f3 mucho notar que me costaba hablar de ciertos temas, lo que dificult\u00f3 el desarrollo y la conclusi\u00f3n de algunos poemas. De este modo corrobor\u00e9 el poder cat\u00e1rtico de la escritura y su virtud como medio para intentar asimilar la realidad. A lo largo de la creaci\u00f3n del libro tuve que vulnerar partes de m\u00ed que permanec\u00edan agazapadas y la escritura ayud\u00f3 a comprenderlas y a asimilarlas. Quiz\u00e1 no fue la cura, pero s\u00ed una manera de reconocer\u00a0tierna y compasivamente las marcas que a\u00fan\u00a0duelen en silencio.<\/p>\n\n\n\n

What parts had to be left out for the book to end up as it is?
<\/strong>Justamente retir\u00e9 textos en los que toco asuntos a\u00fan incomprensibles para m\u00ed. Quise que todo el poemario fuera honesto, as\u00ed que trat\u00e9 de seleccionar \u00fanicamente las piezas que me inquietaban tanto en fondo como en forma. Si el texto no me obligaba a cuestionarme o no proven\u00eda de alg\u00fan pensamiento que me turbara, quedaba fuera.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What conversations, readings, images, or sounds came into play during the writing of this book?
<\/strong>Sin fines de lucro<\/em>\u00a0de Martha C. Nussbaum<\/strong><\/a> me ayud\u00f3 mucho a aterrizar mis ideas\u00a0ya que es un libro que habla respecto a c\u00f3mo los desechos y segregaciones del cuerpo son un par\u00e1metro identitario y hasta discriminatorio. El libro propone erradicar el estigma hacia estas sustancias ya que es el fundamento de varios prejuicios racistas, clasistas y machistas. La m\u00fasica de La L\u00e1<\/strong><\/a> and Angel\u00a0Olsen<\/strong><\/a> fueron grandes motivadores para la construcci\u00f3n l\u00edrica y m\u00e9trica de los textos. Y claro, Elizabeth Bishop<\/strong><\/a> siempre ser\u00e1 un espacio recurrente para m\u00ed, as\u00ed que no falt\u00f3 su relectura mientras escrib\u00eda el poemario.<\/p>\n\n\n\n

Is there an emotion or question that runs through it from beginning to end?
<\/strong>Quiz\u00e1 s\u00f3lo el deseo de normalizar los procesos org\u00e1nicos del cuerpo. Soy fiel creyente de que al insertar estos elementos en la cotidianidad poco a poco se har\u00e1n menos extra\u00f1os y su estigma ir\u00e1 desapareciendo. La poes\u00eda, que usualmente se relaciona con lo l\u00fagubre y sublime, es un gran lugar para cuestionar los juicios de valor que le asignamos a las cosas que nos rodean, inclu\u00eddo el cuerpo.\u00a0<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Was there a moment when you felt the book changed direction?
<\/strong>No de rumbo, pero s\u00ed siento que se complement\u00f3\u00a0con las ilustraciones de Manuella\u00a0Cano Brout\u00e9<\/strong><\/a>. No quer\u00eda que lo escatol\u00f3gico fuera muy evidente en la lectura: me interesaba retratar los desechos desde otra mirada y el lenguaje po\u00e9tico me ayud\u00f3 a hacerlo; sin embargo, las ilustraciones de Manuella ayudaron a perfilar esas reconfiguraciones sin resolver el acertijo po\u00e9tico.<\/p>\n\n\n\n

How did your way of reading or watching change after you finished it?
<\/strong>Aprend\u00ed a ver(me) con m\u00e1s amabilidad y a no dejarme llevar por mis primeras reacciones ante las cosas. Tambi\u00e9n que la ternura es un posicionamiento pol\u00edtico que busca cambiar nuestra realidad desde la vulnerabilidad,\u00a0pues permite reconocernos como seres iguales a pesar nuestras diferencias. Otra cosa que me dej\u00f3 la escritura de este libro fue constatar las infinitas posibilidades del lenguaje po\u00e9tico: la fractura entre significado y significante permite reestructurar nuestro mundo, creando nuevas asociaciones entre palabras y objetos.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Which authors have inspired you lately and what do you find in their writing style?
<\/strong>La poes\u00eda de Bishop, de Karen Villeda<\/strong><\/a>, Isabel Fraire<\/strong><\/a> y La L\u00e1 siempre me inspiran porque encuentro en ellas nuevos lenguajes que me confrontan con mi realidad. Recientemente he estado leyendo mucha prosa decimon\u00f3nica mexicana, as\u00ed que Jos\u00e9 Tom\u00e1s de Cu\u00e9llar<\/strong><\/a> me motiva a querer escribir cr\u00f3nica sobre cualquier cosa<\/p>\n\n\n\n

What is your favorite restaurant and what do you recommend we order?
<\/strong>Fonda Margarita<\/strong><\/a> en Tlacoquemecatl. Todo es delicioso y vale la pena, pero son imperdibles el huevo con frijol refrito y la longaniza en salsa.<\/p>\n\n\n\n

Todas las im\u00e1genes del libro\u00a0fueron creadas por Manuella Cano Brout\u00e9<\/strong><\/a>.<\/p>","protected":false},"excerpt":{"rendered":"

Con un tema tan personal y sensorial como es el cuerpo, era inevitable evocar experiencias personales. Me sorprendi\u00f3 mucho notar que me costaba hablar de ciertos temas, lo que dificult\u00f3 el desarrollo y la conclusi\u00f3n de algunos poemas. <\/p>","protected":false},"author":7932,"featured_media":193099,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17856],"tags":[],"class_list":["post-193098","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artes-visuales"],"acf":[],"mb":[],"yoast_head":"\nRadiograf\u00eda\u00a0de cuerpo completo - ERRR MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/errr-magazine.com\/english\/radiografia-de-cuerpo-completo\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Radiograf\u00eda\u00a0de cuerpo completo - ERRR MAGAZINE\" \/>\n<meta property=\"og:description\" content=\"Con un tema tan personal y sensorial como es el cuerpo, era inevitable evocar experiencias personales. 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