{"id":192894,"date":"2025-09-10T16:47:07","date_gmt":"2025-09-10T22:47:07","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=192894"},"modified":"2025-10-01T22:31:43","modified_gmt":"2025-10-02T04:31:43","slug":"la-tirania-de-las-moscas","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/la-tirania-de-las-moscas\/","title":{"rendered":"La tiran\u00eda de las moscas"},"content":{"rendered":"

How did the idea for this book come about?
<\/strong>\u201cLa tiran\u00eda de las moscas\u201d es un libro que nace de la obsesi\u00f3n (\u00bfacaso no sucede igual con todos los libros?) por las ant\u00edpodas libertad y encierro. Quer\u00eda escribir una novela sobre la claustrofobia familiar y pol\u00edtica, sobre los espacios \u00edntimos que se convierten en plataformas p\u00fablicas, y sobre c\u00f3mo lo individual es siempre reflejo de lo colectivo: una casa como un pa\u00eds, y un pa\u00eds como representaci\u00f3n de una familia. Eso s\u00ed, un pa\u00eds, una casa y una familia rotos, en el que pululan insectos y en el que se cuece el caldo de una revoluci\u00f3n. Pienso as\u00ed en la novela: como un grito de libertad ante las opresiones sobrenaturales y ordinarias. Un d\u00eda empec\u00e9 a escribir una serie de mon\u00f3logos en el que una adolescente (Casandra) contaba del rencor que sent\u00eda hacia su familia, mientras se nombraba a s\u00ed misma como una princesa troyana de la modernidad y una hero\u00edna tr\u00e1gica a la mejor usanza de Shakespeare. Lo que en un inicio ten\u00eda visos de comedia y de teatro, fue transform\u00e1ndose poco a poco en novela oscura, que s\u00ed, maneja sin dudas algunos de los recursos del humor como la parodia y la iron\u00eda, pero que tambi\u00e9n propone un debate hist\u00f3rico sobre la importancia de la memoria colectiva.\u00a0<\/p>\n\n\n\n

What did you discover in the process of writing it that you didn't imagine at the beginning?
<\/strong>Descubr\u00ed que un texto teatral puede metamorfosearse con facilidad en un texto novel\u00edstico. Y, adem\u00e1s, que \u00e9sta era una transmutaci\u00f3n dichosa, una fiesta, una danza oscura. Disfrut\u00e9 much\u00edsimo el recurso de la iron\u00eda y de la parodia con una mirada pol\u00edtica, y la posibilidad de di\u00e1logo simb\u00f3lico que me ofrec\u00edan las moscas (esas criaturas que, en la novela, todo lo ven, todo lo saben, todo lo comentan). Las moscas son el m\u00e1s pol\u00edtico de los insectos, porque no solo se limitan a observar nuestros espacios p\u00fablicos y privados, sino que adem\u00e1s nos zumban en las orejas, como si con ello pudieran hacernos saber qu\u00e9 opinan de nuestro rumbo como especie.\u00a0<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u00bfQu\u00e9 partes tuvieron que quedarse afuera para que el libro quedara como est\u00e1?
<\/strong>En el proceso de edici\u00f3n, recuerdo que hab\u00eda escrito un cap\u00edtulo delirante sobre c\u00f3mo Calia \u2014la hermana genio, la ni\u00f1a silenciosa\u2014 se transforma en el dios decadente del mundo de la novela. Y digo delirante, s\u00ed, porque me arrastraba hacia un camino no mim\u00e9tico donde ya no exist\u00eda oportunidad para las lectoras de interpretar el texto a su imagen y semejanza, sino que propon\u00eda una especie de \u201ctiran\u00eda\u201d donde mi mirada como autora era el centro y la medida de todas las cosas. Quitar ese cap\u00edtulo fue una de las mejores decisiones que tom\u00f3 mi editora Cristina Morales, y lo agradezco much\u00edsimo, porque me puso los pies en tierra, y me abri\u00f3 a otro tipo de resoluci\u00f3n que encajaba mucho mejor con el esp\u00edritu de la novela.\u00a0<\/p>\n\n\n\n

What conversations, readings, images, or sounds came into play during the writing of this book?
<\/strong>La Historia y la vida misma se me cruzaban frente a los ojos. \u201cLa tiran\u00eda de las moscas\u201d puede ser un libro extra\u00f1o y oscuro, pero tambi\u00e9n muy real. Es el reflejo vivo de las dictaduras dom\u00e9sticas y de las pol\u00edticas, del mundo atiborrado de leyes adultoc\u00e9ntricas y de injusticias, de las peque\u00f1as y las grandes revoluciones que pueden estremecer tanto los pilares de una casa como los pilares de un pa\u00eds. Es, tambi\u00e9n, un libro sobre el territorio, y c\u00f3mo el devenir de este territorio define la manifestaci\u00f3n de nuestra humanidad. En mi proceso creativo, disfruto mucho cuando la Historia \u2014de forma m\u00e1s o menos evidente\u2014 se cruza con la escritura, se mezcla y se contamina.\u00a0<\/p>\n\n\n\n

Is there an emotion or question that runs through it from beginning to end?
<\/strong>Hay un grito de libertad que lo atraviesa de principio a fin. Un grito que habla de la importancia de no olvidar, porque solo la memoria nos salva de nosotros mismos.\u00a0<\/p>\n\n\n\n

Was there a moment when you felt the book changed direction?
<\/strong>No exactamente. Quiz\u00e1s porque, aunque trazo un rumbo determinado para mis novelas a la hora de escribirlas, tambi\u00e9n tengo consciencia de que no es obligatoriamente el rumbo definitivo. Siempre estoy abierta al cambio, a dejarme conducir por mis personajes, a deambular por la zozobra del proceso hasta llegar a su fin con nuevas preguntas y con la certeza de que ha sido un buen viaje.\u00a0<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

How did your way of reading or watching change after you finished it?
<\/strong>Soy m\u00e1s consciente de que el mundo es un tejido pol\u00edtico del que todos somos parte y que constantemente definimos, incluso con nuestra inacci\u00f3n, nuestra apat\u00eda o nuestras revoluciones.\u00a0<\/p>\n\n\n\n

Which authors have inspired you lately and what do you find in their writing style?
<\/strong>Me acompa\u00f1an muchos autorxs y libros. A los que siempre acudo: Jeffrey Eugenides, Salman Rushdie, Mariana Enr\u00edquez, Mar\u00eda Fernanda Ampuero, \u00darsula K. Le Guin, Margaret Atwood, Anne Carson. Me fascinan sus escrituras porque siento que logran, a trav\u00e9s del lenguaje, no solo construir un mundo, sino tambi\u00e9n sus sensaciones. Soy una escritora que disfruta que los libros sean roce, piel con piel, hueso contra hueso.\u00a0<\/p>\n\n\n\n

What is your favorite restaurant and what do you recommend we order?
<\/strong>Amo la comida japonesa y especialmente el sushi. Intento, en cada pa\u00eds que visito, conocer de qu\u00e9 manera adaptan la culinaria japonesa a las propias tradiciones regionales. Tambi\u00e9n adoro la comida peruana y la mexicana. De M\u00e9xico me quedo con el chile en nogada, que es el cielo mismo. \u00a0<\/p>\n\n\n\n

Retrato por Mauro Cantillo
<\/a>Arte del libro por Manuel Marsol<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Flies are the most political of insects, because they not only observe our public and private spaces, but they also buzz in our ears, as if by doing so they could let us know what they think about our direction as a species.\u00a0<\/p>","protected":false},"author":7919,"featured_media":192895,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17858],"tags":[],"class_list":["post-192894","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-libros"],"acf":[],"mb":[],"yoast_head":"\nLa tiran\u00eda de las moscas - ERRR MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/errr-magazine.com\/english\/la-tirania-de-las-moscas\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La tiran\u00eda de las moscas - 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