{"id":192503,"date":"2025-09-01T11:01:50","date_gmt":"2025-09-01T17:01:50","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=192503"},"modified":"2025-10-01T22:31:44","modified_gmt":"2025-10-02T04:31:44","slug":"panico-y-ternura","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/panico-y-ternura\/","title":{"rendered":"P\u00e1nico y ternura"},"content":{"rendered":"

How did the idea for this book come about?
<\/strong>Hab\u00eda escrito antes un libro sobre la piedad y si te fijas, la piedad, adem\u00e1s de un afecto, es un signo saturado, tiene una iconograf\u00eda reconocible: la madre con el hijo muerto en brazos. La ternura, en cambio, no tiene figura, es huidiza, se esconde en los pliegues, en la minucia de un roce, en la inminencia de un adem\u00e1n, no se deja atrapar en un concepto, y frente a esa falta de imagen, es la escritura la que se aventura, despliega su deseo y ensaya sus propias modulaciones. La ternura, pienso, no es un estado sino un temblor, un desajuste del cuerpo y del tiempo, un sobresalto que nos descoloca, que nos inclina hacia el otro sin apropiarlo, sin consumirlo. Hoy el cuerpo parece anestesiado por la obligaci\u00f3n de rendir, producir, cumplir, y suelo pensar que la ternura es eso que abre una grieta, un intersticio donde la vida se intensifica, donde la existencia se sobrecarga de presencia. Un instante ef\u00edmero y fr\u00e1gil en el que podemos tocar ese exceso, sentir que hay una vida que pese a todo respira todav\u00eda<\/p>\n\n\n\n

What did you discover in the process of writing it that you didn't imagine at the beginning?
<\/strong>Descubr\u00ed, por ejemplo, que Raymond Carver<\/a>, cuyos personajes parecen alardear de su condici\u00f3n de monstruos imp\u00e1vidos, hab\u00eda escrito sobre la ternura, y m\u00e1s de una vez. Es interesante lo que sucede despu\u00e9s de publicar un libro, porque empiezan a aparecer un mont\u00f3n de referencias que podr\u00edan haber estado pero no se llega a ellas sino despu\u00e9s. Por ejemplo, John Berger<\/a>, un autor que me encanta, pens\u00f3 la ternura. Dijo que ella es un acto libre, en el sentido de que no persigue un fin espec\u00edfico y por lo tanto es improductiva, inoperante, una potencia que reside en no hacer o en hacer sin un prop\u00f3sito preestablecido. Nada m\u00e1s a contrapelo de nuestra \u00e9poca que, como ha escrito tan l\u00facidamente Juan Evaristo Valls Boix<\/a> 's film El derecho a las cosas bellas<\/a><\/em>, solo ama lo que crece, produce, rinde.<\/p>\n\n\n\n

What parts had to be left out for the book to end up as it is?
<\/strong>La verdad es que casi nada qued\u00f3 afuera, no porque haya una econom\u00eda deliberada, una especie de ascetismo programado, sino porque escribo as\u00ed, con lo justo, sin excedentes, como si cada frase fuera un organismo que devora lo que produce y no dejara restos. A veces me gustar\u00eda lo contrario, una escritura desbordada, pr\u00f3diga, capaz de acumular retazos que m\u00e1s tarde podr\u00edan ser retomados, reciclados, pero la escritura se me presenta de ese modo, como si todo lo que tuviera para dar se jugara en un solo movimiento. Es como si fuera la escritura de un amarrete, un avaro.\u00a0<\/p>\n\n\n\n

What conversations, readings, images, or sounds came into play during the writing of this book?
<\/strong>Mientras escrib\u00eda el libro, tuve conversaciones hermosas con Christian Anwandter<\/a>, Macarena Garc\u00eda Moggia<\/a>, Marcela Rivera Hutinel<\/a>, Federico Galende<\/a>, todos escritores a los que admiro mucho. Suelo escribir en silencio, pero cuando me decido a hacerlo con m\u00fasica, escucho a Brad Mehldau<\/a> or Keith Jarret<\/a> y no mucho m\u00e1s. Esta vez, como le dediqu\u00e9 un cap\u00edtulo a Nick Cave<\/a>, su m\u00fasica estuvo muy presente, aunque siempre lo ha estado. Dir\u00eda que fueron muchas las im\u00e1genes que atravesaron la escritura, sobre todo im\u00e1genes de infancia, recuerdos que se fueron mezclando con las fotograf\u00eda de Francesca Woodman<\/a>, el cine de Pasolini<\/a>, \u00a0las frases de autoras y autores que me han conmovido, que me han corrido del lugar en el que estaba. Pienso en Nathalie L\u00e9ger<\/a>, Natalia Ginzburg<\/a>, Anne Dufourmantelle<\/a>, Florencia Abadi<\/a>, Alia Trabucco<\/a>, Adriana Riva<\/a>, Alexandra Kohan<\/a>, Adriana Cavarero<\/a>, Masimo Recalcati<\/a>, Peter Orner<\/a>, Alan Pauls<\/a>, por mencionar algunos nombres. Si hay referencias a ellos en el libro, no est\u00e1n all\u00ed como citas de autoridad sino como gratitud. \u00bfC\u00f3mo no agradecer encontrarse un d\u00eda con una frase y que esa frase haya tenido la generosidad de erizarnos los pelos?<\/p>\n\n\n\n

Is there an emotion or question that runs through it from beginning to end?
<\/strong>La ternura, pero tambi\u00e9n sus aleda\u00f1os emocionales como la tristeza, el miedo, la alegr\u00eda, el deseo, el amor, el p\u00e1nico, todas esas cosas que amplifican el mundo que hemos vivido.\u00a0<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Was there a moment when you felt the book changed direction?
<\/strong>Hace poco escuch\u00e9 a Mar\u00eda Negroni<\/a> decir que la escritura no es tanto la elaboraci\u00f3n de una an\u00e9cdota, de un tema o de una trama, sino m\u00e1s bien el corrimiento de todo eso hacia el lenguaje y sus incursiones. Si eso es as\u00ed, y creo que lo es, entonces es natural que el libro se desv\u00ede una y otra vez, que cambie de rumbo, que se deje arrastrar por derivas imprevistas. Porque ah\u00ed radica la gracia de la escritura, en llevarnos hacia lo inaudito, en permitirnos pensar lo que todav\u00eda no sab\u00edamos que pens\u00e1bamos, en descubrir lo que no estaba all\u00ed antes de que la escritura comenzara su trabajo.\u00a0<\/p>\n\n\n\n

How did your way of reading or watching change after you finished it?
<\/strong>Corrobor\u00e9 quiz\u00e1s una cosa: que la escritura, como dec\u00eda Barthes<\/a>, tiene que ser una relaci\u00f3n de extremo deseo. Cuando la escritura se vuelve administrativa, como ocurre por ejemplo con los papers acad\u00e9micos, lo que desaparece es la posibilidad de que la lengua ponga a tambalear los gustos, los valores, los recuerdos, los v\u00ednculos con el mundo. \u00bfPara qu\u00e9 escribir si el mundo despu\u00e9s de pasar por ella, por la escritura, sale de la misma manera?<\/p>\n\n\n\n

Which authors have inspired you lately and what do you find in their writing style?
<\/strong>En el libro, como dec\u00eda antes, aparecen citados varios autores y autoras que me gustan mucho. Si hay algo en com\u00fan en todos ellos, es quiz\u00e1s el amor por la escritura y no tanto por el contenido, la estructura, el tema. Cada vez me aburren m\u00e1s los libros que anteponen las ideas, las tramas principales al trabajo de la lengua, el ritmo, la frase, porque terminan todos hablando m\u00e1s o menos de lo mismo y de la misma manera, porque en el fondo no hay tantas ideas ni tantos temas, y quiz\u00e1s todo se juega en las maneras que encontramos de hacer algo con todo eso.<\/p>\n\n\n\n

What is your favorite restaurant and what do you recommend we order?
<\/strong>Dif\u00edcil pregunta. Me encanta el ceviche que preparan en Con Agallas<\/a>, la crema de locos de el Baco<\/a>, los moules-frites de el Normandie<\/a>, cosas del mar, acompa\u00f1adas siempre con un vinito.\u00a0<\/p>","protected":false},"excerpt":{"rendered":"

Cuando la escritura se vuelve administrativa, como ocurre por ejemplo con los papers acad\u00e9micos, lo que desaparece es la posibilidad de que la lengua ponga a tambalear los gustos, los valores, los recuerdos, los v\u00ednculos con el mundo. <\/p>","protected":false},"author":7905,"featured_media":192504,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17858],"tags":[],"class_list":["post-192503","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-libros"],"acf":[],"mb":[],"yoast_head":"\nP\u00e1nico y ternura - ERRR MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/errr-magazine.com\/english\/panico-y-ternura\/\" \/>\n<meta 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