{"id":192380,"date":"2025-08-26T15:36:32","date_gmt":"2025-08-26T21:36:32","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=192380"},"modified":"2025-10-01T22:31:45","modified_gmt":"2025-10-02T04:31:45","slug":"la-siembra-de-nubes","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/la-siembra-de-nubes\/","title":{"rendered":"La siembra de nubes"},"content":{"rendered":"

How did the idea for this book come about?
<\/strong>El germen de la novela “La siembra de nubes<\/em>“, a pesar de que hay algo nebuloso ah\u00ed, creo que lo sit\u00fao en un trabajo que realic\u00e9 cuando estaba cursando el doctorado en literatura y nos encargaron un ensayo acerca de c\u00f3mo nuestras bibliotecas determinaron que estuvi\u00e9semos en ese doctorado. El texto deriv\u00f3 en una peque\u00f1a investigaci\u00f3n acerca de c\u00f3mo se fue armando esa biblioteca, sobre todo desde el pasado familiar y afectivo que se ve representado en esos libros. Es decir, una biblioteca contiene una historia, en ella se ven reflejadas las obsesiones por algunos temas, las circunstancias en que llegaron a una estanter\u00eda, qui\u00e9nes abandonaron sus libros, qu\u00e9 temas abordan y c\u00f3mo esos temas (lo pol\u00edtico, la ecolog\u00eda, los afectos) van influyendo en nuestra formaci\u00f3n, escritura y futuro.\u00a0\u00a0<\/p>\n\n\n\n

\u00bfQu\u00e9 descubriste\u00a0en el proceso de escribirlo que no imaginabas al inicio?<\/strong>
Descubr\u00ed distintas cosas, entre ellas, que pod\u00eda escribir una novela de largo aliento, en tanto estuve enfrascada diez a\u00f1os en la escritura de artefactos literarios como “Historia de mi lengua<\/em>” (mi anterior libro), “Diario de quedar embarazada<\/em>” o “Diario de las especies<\/em>“. Descubrir eso fue hermoso en tanto gener\u00f3 un alivio frente al fantasma de la incapacidad de escribir que a veces nos ronda como escritoras. Eso en t\u00e9rminos t\u00e9cnicos. En relaci\u00f3n al material que se trabaja en el libro, descubr\u00ed temas familiares sensibles, como pensar en la configuraci\u00f3n pol\u00edtica familiar, c\u00f3mo son asumidas las paternidades dentro de la familia y por sobre todo, comenzar a indagar en el tema del desastre clim\u00e1tico que se nos avecina.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What parts had to be left out for the book to end up as it is?
<\/strong>El libro contaba con una parte que saqu\u00e9 por completo, que ten\u00eda que ver con el futuro. Ese cap\u00edtulo narraba la vida de la nieta de la protagonista, la vida de una mujer sumergida en medio del desastre clim\u00e1tico, en el a\u00f1o 2050. Un futuro devastador, que fluctuaba entre enormes inundaciones y largu\u00edsimas sequ\u00edas. En ese contexto, ella se dedicaba a recolectar gotas en frascos para hidratarse. Pero lo saqu\u00e9. Me dijeron que no funcionaba, al menos para este libro, que el libro ya estaba cerrado y lo extend\u00eda en un capitulo, que si bien funcionaba por s\u00ed mismo, no le correspond\u00eda a este.<\/p>\n\n\n\n

What conversations, readings, images, or sounds came into play during the writing of this book?<\/strong>
Se cruzaron primero experiencias vitales importantes, entre ellas la escritura de mi tesis doctoral (relacionada a las demandas de los movimientos sociales en LA y la representaci\u00f3n de estas demandas en textos de escritoras chilenas), la migraci\u00f3n a Espa\u00f1a con mi familia (y todo lo que eso significa, tema legal, habitacional, la lengua, la familia lejos, la soledad), la escritura y publicaci\u00f3n de “Historia de mi lengua<\/em>“, la llegada de nuestra perra Arenita a nuestras vidas, entre otras.\u00a0<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Luego, se abri\u00f3, con distintos amigas, editoras y escritoras, el di\u00e1logo acerca de mi libro, tanto en su aspecto pol\u00edtico, afectivo como todo lo relacionado al clima. En esos meses conoc\u00ed a Maia Gattas Vargas<\/a>, investigadora y artista argentina, que investiga las nubes, con la que entr\u00e9 en un di\u00e1logo hermoso acerca de la importancia del clima en nuestras vida, el clima y la ausencia, el clima y nuestra historia familiar. Fue ella adem\u00e1s quien dise\u00f1\u00f3 la portada de la edici\u00f3n chilena. En realidad en estos seis a\u00f1os de trabajo del libro, he podido compartir el texto y el di\u00e1logo acerca de \u00e9l con muchos amigos y amigas, lectores, lectoras, que lo han hecho crecer enormemente, el libro se los debo a ellxs.<\/p>\n\n\n\n

\u00bfHay una emoci\u00f3n o pregunta que lo atraviese a principio a fin?
<\/strong>Creo que lo que atraviesa de principio a fin el libro es la po\u00e9tica de las nubes, de all\u00ed su t\u00edtulo m\u00e1s all\u00e1 de lo evidentemente tem\u00e1tico. Lo nebuloso de las historias familiares, afectivas y pol\u00edticas que nos cruzan y nos constituyen.\u00a0<\/p>\n\n\n\n

Was there a moment when you felt the book changed direction?
<\/strong>Creo que s\u00ed, incluso en t\u00e9rminos de estilo. Al principio quise hacer de esto un nuevo artefacto m\u00e1s, fragmentario y\u00a0breve. Uno de los lectores del manuscrito me dijo que me deb\u00eda sentar a escribir el libro, que ese era solo el esqueleto, una suerte de \u00edndice. En ese sentido el libro tom\u00f3 el rumbo de una novela. En segundo lugar, la protagonista en un principio no era una investigadora, era una escritora, pero me pareci\u00f3 que el texto necesitaba otra po\u00e9tica y abrir otras preguntas.\u00a0<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u00bfC\u00f3mo cambi\u00f3 la manera de leer o de mirar despu\u00e9s de terminarlo?
<\/strong>No s\u00e9 si podr\u00eda decir que cambia la manera de leer o de mirar con cada libro que escribo o leo, pero s\u00ed creo que con cada nuevo libro que leo o escribo me vuelvo a asombrar con el ejercicio de lo literario, que en cada texto es \u00fanico y abismal.<\/p>\n\n\n\n

\u00bfQu\u00e9 autorxs te insipiran \u00faltimamente y qu\u00e9 encuentras en su forma de escribir?<\/strong>
Me gustan lxs autorxs obsesivos. Estoy ahora con dos libros “Diario del dinero<\/em>” de la argentina Rosario Blefari<\/a>, que hace apuntes de los gastos que tiene diariamente y con eso va reflexionando en la precariedad del artista, los v\u00ednculos afectivos y lo monetario; y\u00a0tambi\u00e9n estoy con el libro de una autora mexicana, “Archivo agon\u00eda<\/em>\u201d by Marina Azahua<\/a>. Me conmueve mucho la forma que ha encontrado para hablar de la agon\u00eda y la obsesi\u00f3n de la autora con algo que no hab\u00eda le\u00eddo en ning\u00fan libro y es el registro de los segundos antes de la muerte.\u00a0<\/p>\n\n\n\n

What is your favorite restaurant and what do you recommend we order?
<\/strong>Pedir unos erizos o unos locos en el Hotel Rex de Pichilemu, Chile<\/a>.<\/p>","protected":false},"excerpt":{"rendered":"

Una biblioteca contiene una historia, en ella se ven reflejadas las obsesiones por algunos temas, las circunstancias en que llegaron a una estanter\u00eda, qui\u00e9nes abandonaron sus libros, qu\u00e9 temas abordan y c\u00f3mo esos temas van influyendo en nuestra formaci\u00f3n, escritura y futuro.\u00a0\u00a0<\/p>","protected":false},"author":7896,"featured_media":192383,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17858],"tags":[],"class_list":["post-192380","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-libros"],"acf":[],"mb":[],"yoast_head":"\nLa siembra de nubes - ERRR MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/errr-magazine.com\/english\/la-siembra-de-nubes\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La siembra de nubes - 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