{"id":191693,"date":"2025-08-14T12:21:17","date_gmt":"2025-08-14T18:21:17","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=191693"},"modified":"2025-10-01T22:43:06","modified_gmt":"2025-10-02T04:43:06","slug":"residual-energy","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/energia-residual\/","title":{"rendered":"Residual energy"},"content":{"rendered":"

What pieces or projects have you been working on lately?<\/strong>
Lately I've been working on a photographic series but mostly on clips and audiovisual materials that explore the emotional architecture of the spaces we activate from the party\/rave and nightlife in general. My approach has been to capture the residual energy of places where these ephemeral encounters happen: parties, clubs, houses... any space that is reconfigured and where the body, sound and light coexist in tension. I could say that my most recent work is a kind of research that starts from the minimal light and color as raw material, where each image is born from darkness as a construction.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What did you learn (or unlearn) while working on it?<\/strong>
I have learned that the most visible and evident is not always the most important. I let go of the need for absolute technical control of photography; I accepted blur, noise, overexposure or partial underexposure as valid ways of constructing an image and above all sensations. I forced myself to work almost without light (by personal obligation), to listen to the space and how it acquires life before photographing it, to compose from uncertainty. On a technical level, from the beginning of my career I abandoned the flash as a safe resource to discover how a blue light, a strobe, backlight, shadows or a reflection in a mirror could transmit a more powerful scene.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What words, ideas or emotions were going through your head?<\/strong>
Sound, introspection, absence, darkness, light, vibration, anonymity, trance, fugue, obviously techno. I felt I was photographing moments when something happens but you can't fully define it unless you experience it. I was very interested in the idea of capture without explanation, thinking about light as architecture and space as body: every empty place for example has something to say even without people present.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Were there any conversations, movies, music, or books that made their way into that work?<\/strong>
Yes, I've always been influenced by music and online radio, the films of the Wachowskis, Wong Kar-wai and the work of Japanese photographers in general, where light is more emotional than functional. Musically, I was very influenced by the music of the 90's, 2000's and the current Latin American club culture. In terms of texts I have spent some time focusing on the work of Pedro Lemebel (performance, poetry, chronicle), Enrique Lihn and McKenzie Wark.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Recommend an artist that you follow, that inspires you, and tell us what you like most about their work or the way they work.<\/strong>
I would highly recommend any of the artists I follow in networks and with whom I work or have collaborated and over time have become close friends. I make a mention to the work of the artist, DJ, manager, producer and endless adjectives. Arturo Plascencia aka Bola Disco<\/a>\u00a0creator of\u00a0@prohibidomx<\/a>\u00a0and the Ruta Prohibido project. My greatest inspiration comes from the uncertainty that can take a creative idea where the axis is to bet, invest and believe in ideas.<\/p>","protected":false},"excerpt":{"rendered":"

I could say that my most recent work is a kind of research that starts from minimal light and color as raw material, where each image is born from darkness as a construction.<\/p>","protected":false},"author":7878,"featured_media":191694,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17856],"tags":[],"class_list":["post-191693","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artes-visuales"],"acf":[],"mb":[],"yoast_head":"\nEnerg\u00eda residual - ERRR MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/errr-magazine.com\/english\/residual-energy\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Energ\u00eda residual - 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Fern\u00e1ndez","date":"01\/11\/2026","format":false,"excerpt":"For me, photography happens in this encounter. The more the other person feels seen, heard, and at ease, the more honest the image becomes. 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I hope you enjoy this selection of film photos pulled from this ever-growing archive.","rel":"","context":"In "Artes visuales"","block_context":{"text":"Artes visuales","link":"https:\/\/errr-magazine.com\/english\/category\/interviews\/artes-visuales\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/errr-magazine.com\/wp-content\/uploads\/2026\/03\/1-2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/errr-magazine.com\/wp-content\/uploads\/2026\/03\/1-2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/errr-magazine.com\/wp-content\/uploads\/2026\/03\/1-2.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/errr-magazine.com\/wp-content\/uploads\/2026\/03\/1-2.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/errr-magazine.com\/wp-content\/uploads\/2026\/03\/1-2.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"mfb_rest_fields":["title","yoast_head","yoast_head_json","jetpack_featured_media_url","jetpack-related-posts","jetpack_sharing_enabled"],"_links":{"self":[{"href":"https:\/\/errr-magazine.com\/english\/wp-json\/wp\/v2\/posts\/191693","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/errr-magazine.com\/english\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/errr-magazine.com\/english\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/errr-magazine.com\/english\/wp-json\/wp\/v2\/users\/7878"}],"replies":[{"embeddable":true,"href":"https:\/\/errr-magazine.com\/english\/wp-json\/wp\/v2\/comments?post=191693"}],"version-history":[{"count":1,"href":"https:\/\/errr-magazine.com\/english\/wp-json\/wp\/v2\/posts\/191693\/revisions"}],"predecessor-version":[{"id":191699,"href":"https:\/\/errr-magazine.com\/english\/wp-json\/wp\/v2\/posts\/191693\/revisions\/191699"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/errr-magazine.com\/english\/wp-json\/wp\/v2\/media\/191694"}],"wp:attachment":[{"href":"https:\/\/errr-magazine.com\/english\/wp-json\/wp\/v2\/media?parent=191693"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/errr-magazine.com\/english\/wp-json\/wp\/v2\/categories?post=191693"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/errr-magazine.com\/english\/wp-json\/wp\/v2\/tags?post=191693"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}