{"id":191221,"date":"2025-08-01T12:44:14","date_gmt":"2025-08-01T18:44:14","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=191221"},"modified":"2026-06-09T05:30:13","modified_gmt":"2026-06-09T11:30:13","slug":"donde-el-volcan","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/donde-el-volcan\/","title":{"rendered":"Donde el volc\u00e1n"},"content":{"rendered":"

What pieces or projects have you been working on lately?<\/strong>
\u00daltimamente he estado terminando un documental llamado\u00a0Donde el volc\u00e1n<\/em>. Lo grab\u00e9 con una Handycam en La Palma durante la erupci\u00f3n (octubre 2021). Es un proyecto muy personal que trata lo ocurrido desde un punto de vista cercano. Mi intenci\u00f3n era alejarme del sensacionalismo que se mostraba en los medios, intentar mostrar algo con una c\u00e1mara con la que sol\u00edamos grabar los eventos familiares los que nacimos en los 80\/90; me pareci\u00f3 una forma mas real de hacerlo.<\/p>\n\n\n\n

Por otro lado, he estado trabajando con algunas marcas de moda, que es a lo que me dedico, pero dir\u00eda que decidir retomar y finalizar este proyecto personal, del que tanto dud\u00e9, ha sido lo m\u00e1s significativo para m\u00ed en los \u00faltimos meses.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What did you learn (or unlearn) while working on them?<\/strong>
Aprend\u00ed que no se necesitan grandes medios para contar algo cuando tienes claro desde d\u00f3nde lo quieres contar. Muchas veces, despu\u00e9s de grabar, las piezas empiezan a encajar solas. Tambi\u00e9n\u00a0creo que no hay preocuparse tanto por si gustar\u00e1, si es actual o si es correcto; lo m\u00e1s importante es transmitir desde la emoci\u00f3n, desde dentro. Eso siempre se nota, sea cual sea el formato.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What words, ideas or emotions were going through your head?<\/strong>
Real, cercano,\u00a0ser\u00edan las ideas. Las emociones: ansiedad, tristeza, alegr\u00eda y abrumaci\u00f3n. Era contradictorio, sent\u00edas pena por ver todo lo que destru\u00eda y a la vez hab\u00eda un poco de efecto Stendhal cuando lo mirabas.\u00a0<\/p>\n\n\n\n

Antes de ir pens\u00e9 mucho en c\u00f3mo se narran las cat\u00e1strofes y el dolor ajeno en los medios. Cuando vi lo que estaba pasando en una isla tan cercana a la m\u00eda (Tenerife), me pregunt\u00e9 c\u00f3mo pod\u00eda yo acercarme a eso sin caer en el drama gratuito o en la romantizaci\u00f3n porque cuando hay drama, tambi\u00e9n hay bromas, risas y momentos de normalidad.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Were there any conversations, movies, music, or books that made their way into that work?<\/strong>
El docu\u00a0Fire of Love<\/a><\/em>\u00a0me impresion\u00f3 mucho. Es un documental sobre una pareja que graba y fotograf\u00eda volcanes en Super 8 y anal\u00f3gico. Me impact\u00f3 c\u00f3mo fueron capaces de convertir im\u00e1genes de naturaleza que acostumbramos a ver en formatos despersonalizados en algo tan hermoso, \u00edntimo pero tambi\u00e9n est\u00e9tico. Tambi\u00e9n me inspir\u00f3 mucho\u00a0I’m Not Everything I Want to Be<\/a><\/em>, un documental hecho con fotograf\u00edas anal\u00f3gicas, voz en off, m\u00fasica y sonidos. Me parece incre\u00edble que con tan pocos medios llegue tanto.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Un libro que compr\u00e9 estos meses y que me inspir\u00f3 fue\u00a0Sin palmeras no hay para\u00edso<\/a><\/em>, realizado por Santana Santana<\/a> junto con\u00a0colaboradores de distintos \u00e1mbitos. En \u00e9l se reflexiona sobre lo que representa socialmente la palmera como s\u00edmbolo del para\u00edso, y c\u00f3mo aceptar esa idea contribuye a exotizar las Islas Canarias, mostrando solo una imagen idealizada y olvidando su realidad.<\/p>\n\n\n\n

Por otro lado, la m\u00fasica y las conversaciones con mis amigos son de las cosas que m\u00e1s me inspiran en la vida.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Recommend us the Instagram account of an artist you follow, who inspires you, and tell us what you like most about their work or the way they work.<\/strong>
La fot\u00f3grafa Alex Prager<\/a>: sus fotos son como escenas de\u00a0pel\u00edculas\u00a0que nunca se rodaron, lo cual me parece un sue\u00f1o.<\/p>\n\n\n\n

Por otro lado, Richard Billingham me flipa (no tiene instagram). Dir\u00eda que hace algo parecido a Alex Prager, pero con su familia, con pocos medios y con su drama personal. Con su realidad es capaz de crear escenas que tambi\u00e9n parecen cine.<\/p>","protected":false},"excerpt":{"rendered":"

No hay preocuparse tanto por si gustar\u00e1, si es actual o si es correcto; lo m\u00e1s importante es transmitir desde la emoci\u00f3n, desde dentro. Eso siempre se nota, sea cual sea el formato.<\/p>","protected":false},"author":7862,"featured_media":191222,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17849],"tags":[],"class_list":["post-191221","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews"],"acf":[],"mb":[],"yoast_head":"\nDonde el volc\u00e1n - ERRR MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/errr-magazine.com\/english\/donde-el-volcan\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Donde el volc\u00e1n - ERRR MAGAZINE\" \/>\n<meta property=\"og:description\" content=\"No hay preocuparse tanto por si gustar\u00e1, si es actual o si es correcto; lo m\u00e1s importante es transmitir desde la emoci\u00f3n, desde dentro. 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