{"id":190935,"date":"2025-07-14T10:08:51","date_gmt":"2025-07-14T16:08:51","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=190935"},"modified":"2025-08-15T10:55:39","modified_gmt":"2025-08-15T16:55:39","slug":"cuando-cerramos-los-ojos","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/cuando-cerramos-los-ojos\/","title":{"rendered":"Cuando cerramos los ojos"},"content":{"rendered":"

What pieces or projects have you been working on lately?<\/strong>
\u00daltimamente he estado construyendo narrativas visuales que giran en torno a la meditaci\u00f3n, la reencarnaci\u00f3n, la energ\u00eda y la idea de unidad. Este proyecto marca el inicio de una exploraci\u00f3n audiovisual m\u00e1s profunda, en la que imagino mundos ut\u00f3picos sostenidos por una misma esencia: el alma. Me interesa representar su perpetuidad, sus ciclos invisibles, y esa sensaci\u00f3n de eternidad que parece envolverlo todo cuando cerramos los ojos.<\/p>\n\n\n\n

What did you learn (or unlearn) while working on them?
<\/strong>Descubr\u00ed que construir una narrativa s\u00f3lida no siempre empieza por las palabras, sino por las im\u00e1genes que cobran fuerza entre ellas. Me dej\u00e9 guiar por fragmentos visuales: planetas, texturas minerales, redes tejidas como puertas, haces de luz, etc. A trav\u00e9s de moodboards, collages digitales e intuiciones visuales fui encontrando la arquitectura emocional del proyecto. Aprend\u00ed a traducir sensaciones abstractas \u2014como la idea de eternidad o la presencia del alma\u2014 en escenas que respiran luz, materia y ritmo. Lo que desaprend\u00ed fue a soltar la l\u00f3gica lineal para confiar en que la repetici\u00f3n de ciertos s\u00edmbolos, el eco entre escenas, la aparici\u00f3n de la luz o el movimiento del agua, iban construyendo un lenguaje propio. Una forma de decir sin explicar demasiado.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What words, ideas or emotions were going through your head?
<\/strong>Mientras trabajaba, pensaba en la idea de la perpetuidad del alma. En c\u00f3mo cada existencia es un fragmento dentro de un recorrido m\u00e1s amplio, m\u00e1s antiguo, m\u00e1s silencioso. Me rondaban im\u00e1genes de caminos que se entrelazan, de encuentros que parecen casuales pero cargan un aprendizaje y acompa\u00f1amiento a la vez. Hab\u00eda una sensaci\u00f3n persistente de conexi\u00f3n \u2014con otros, con el todo\u2014 y una especie de melancol\u00eda luminosa, como si todo lo que vivimos ya hubiera sucedido antes\u2026 pero distinto.<\/p>\n\n\n\n

Were there any conversations, movies, music, or books that made their way into that work?
<\/strong>S\u00ed, El planeta salvaje (1973) fue una referencia clave por su atm\u00f3sfera surrealista y simb\u00f3lica. En particular, me marc\u00f3 la forma en que representa los entornos: org\u00e1nicos y extra\u00f1os; las formas del ambiente tienen una presencia activa, como si tambi\u00e9n contaran una historia. La importancia que se le da a la meditaci\u00f3n dentro de esa especie representada \u2014como un ritual, una v\u00eda de conexi\u00f3n y de trascendencia\u2014 me ayud\u00f3 a imaginar mi propio universo narrativo. Tambi\u00e9n me reson\u00f3 profundamente la sensaci\u00f3n de elevaci\u00f3n sobre lo humano, ese giro desde lo l\u00f3gico y racional hacia lo simb\u00f3lico, lo emocional y lo espiritual, que invita a habitar el mundo desde otro lugar. Desde ah\u00ed, constru\u00ed mi obra: no como una historia que se explica, sino como un mundo que se siente.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Which visual artists inspired you and what attracted you to their way of working?
<\/strong>Blank Embrace<\/a> es un artista que sigo desde hace un tiempo, me fascina su uso de colores vibrantes, la ambientaci\u00f3n terrestre pero gal\u00e1ctica que tienen sus im\u00e1genes y la incorporaci\u00f3n de la luz en ellas.<\/p>","protected":false},"excerpt":{"rendered":"

Construir una narrativa s\u00f3lida no siempre empieza por las palabras, sino por las im\u00e1genes que cobran fuerza entre ellas. Me dej\u00e9 guiar por fragmentos visuales: planetas, texturas minerales, redes tejidas como puertas, haces de luz.<\/p>","protected":false},"author":7844,"featured_media":190936,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17849],"tags":[],"class_list":["post-190935","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews"],"acf":[],"mb":[],"yoast_head":"\nCuando cerramos los ojos - ERRR MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/errr-magazine.com\/english\/cuando-cerramos-los-ojos\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cuando cerramos los ojos - ERRR MAGAZINE\" \/>\n<meta property=\"og:description\" content=\"Construir una narrativa s\u00f3lida no siempre empieza por las palabras, sino por las im\u00e1genes que cobran fuerza entre ellas. 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