{"id":190354,"date":"2025-06-11T06:40:54","date_gmt":"2025-06-11T12:40:54","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=190354"},"modified":"2025-08-15T10:55:42","modified_gmt":"2025-08-15T16:55:42","slug":"el-farero","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/el-farero\/","title":{"rendered":"El farero"},"content":{"rendered":"

\u00bfEn qu\u00e9 proyecto has estado trabajando \u00faltimamente?<\/strong>
\u00daltimamente he estado sumergida en\u00a0El farero<\/em>, un libro con texto de Eugenio Fern\u00e1ndez V\u00e1zquez<\/a>, con quien he formado una especie de mancuerna creativa. Nuestra colaboraci\u00f3n comenz\u00f3 con\u00a0Un amor por encima de todo<\/em>, un proyecto que naci\u00f3 a principios de la pandemia y que, para nuestra sorpresa y alegr\u00eda, recibi\u00f3 menci\u00f3n honor\u00edfica en el concurso\u00a0A la orilla del viento<\/em>\u00a0del Fondo de Cultura Econ\u00f3mica. Ese libro acaba de publicarse y nos tiene muy felices.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Despu\u00e9s de eso, Eugenio me comparti\u00f3 un nuevo texto:\u00a0El farero<\/em>. Me atrap\u00f3 de inmediato. Comenzamos a desarrollarlo, hicimos una maqueta y nos la llevamos a la Feria del Libro Infantil de Bolonia. Ah\u00ed sucedi\u00f3 algo inesperado: conocimos a Yael, de la editorial neoyorquina @tapiocastories<\/a>, quien se interes\u00f3 en el proyecto. Ir\u00f3nicamente, el libro se publicar\u00e1 primero en ingl\u00e9s, bajo el t\u00edtulo\u00a0The Lighthouse Keeper<\/em>. En este momento estamos afinando los \u00faltimos detalles; el trabajo editorial de Yael<\/a> ha sido meticuloso al extremo \u2014cuidando cada rinc\u00f3n del libro\u2014 y eso nos ha hecho ver cosas que antes se nos hab\u00edan escapado.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Lo m\u00e1s incre\u00edble de este proyecto ha sido, por un lado, encontrarme con un texto bell\u00edsimo que me dio absoluta libertad para interpretar visualmente a uno de los personajes principales. Esa libertad creativa dio pie a una de las grandes sorpresas del libro. Y por otro lado, el hecho de trabajar tan de cerca con el autor, lo cual le dio a todo el proyecto una coherencia y profundidad muy especiales.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What did you learn (or unlearn) while working on it?<\/strong>
Aprend\u00ed \u2014o m\u00e1s bien, me confirm\u00e9 a m\u00ed misma\u2014 que debo seguir apostando por los proyectos en los que creo profundamente, incluso cuando no hay garant\u00edas de que vayan a concretarse. Son esos los que realmente valen la pena: los que implican m\u00e1s retos, m\u00e1s entrega, y \u2014aunque suene cursi\u2014 m\u00e1s amor.<\/p>\n\n\n\n

\u00bfQu\u00e9 palabras, ideas o emociones te rondaban mientras lo ilustrabas?<\/strong>
Estaba muy presente la idea de los distintos estados del agua y todo lo que evocan emocionalmente: desde la quietud m\u00e1s serena hasta la tormenta m\u00e1s feroz. Pensaba mucho en los ciclos, en el aislamiento \u2014que inevitablemente me llev\u00f3 a la memoria de la pandemia\u2014, y en la generosidad humana como una especie de faro en medio de la incertidumbre.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u00bfHubo alguna conversaci\u00f3n, pel\u00edcula, m\u00fasica o libro que se colara en el proceso creativo?<\/strong>
Nada de forma consciente, pero si uno observa con atenci\u00f3n, seguro se asoman por ah\u00ed ecos de\u00a0El n\u00e1ufrago<\/em>,\u00a0Singing in the Rain<\/em>\u2026 y hasta\u00a0La Sirenita<\/em>\u00a0de Disney.<\/p>\n\n\n\n

Which visual artists inspired you and what attracted you to their way of working?<\/strong>
Ven\u00eda de una etapa muy influenciada por los impresionistas \u2014sobre todo Van Gogh\u2014, trabajando desde una est\u00e9tica org\u00e1nica y gestual. Pero al mismo tiempo admiro profundamente a artistas como Olimpia Zagnoli<\/a>, con su estilo geom\u00e9trico y vibrante. Creo que en\u00a0El farero<\/em>\u00a0se puede ver un di\u00e1logo entre esas dos formas de abordar la imagen: la emoci\u00f3n suelta y la forma contenida.<\/p>","protected":false},"excerpt":{"rendered":"

Debo seguir apostando por los proyectos en los que creo profundamente, incluso cuando no hay garant\u00edas de que vayan a concretarse. Son esos los que realmente valen la pena.<\/p>","protected":false},"author":7810,"featured_media":190355,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17849],"tags":[],"class_list":["post-190354","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews"],"acf":[],"mb":[],"yoast_head":"\nEl farero - ERRR MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/errr-magazine.com\/english\/el-farero\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El farero - ERRR MAGAZINE\" \/>\n<meta property=\"og:description\" content=\"Debo seguir apostando por los proyectos en los que creo profundamente, incluso cuando no hay garant\u00edas de que vayan a concretarse. 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