{"id":184088,"date":"2023-05-17T23:05:12","date_gmt":"2023-05-18T04:05:12","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=184088"},"modified":"2025-08-15T10:55:58","modified_gmt":"2025-08-15T16:55:58","slug":"fluir","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/fluir\/","title":{"rendered":"Fluir"},"content":{"rendered":"
\"\"<\/figure>\n\n\n\n

Encuentro el balance y el dibujo, la ilustraci\u00f3n, la m\u00fasica y el merch tratando de organizarme, ser disciplinado con mi trabajo, darle el tiempo determinado a cada proyecto. A veces cuesta trabajo y es dif\u00edcil pero la verdad es que no s\u00e9 hacer otra cosa, y es algo que me apasiona mucho, disfruto mucho lo que hago y encuentro el tiempo para hacerlo.<\/p>\n\n\n\n

Tom\u00e9 a Rius como referencia porque de ni\u00f1o recuerdo que un t\u00edo m\u00edo me prest\u00f3 alguno de sus muchos libros que sac\u00f3 y vi ilustraciones que me volvieron loco y empezaba a copiar todos sus textos. Incluso mis cuadernos en la secundaria y primaria todos son as\u00ed como los de Rius.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Trabajar con clientes al principio era raro porque todo mi proceso fue muy autodidacta, pero la verdad es que siempre he trabajado en un g\u00e9nero muy punk. La comunicaci\u00f3n siempre fue muy natural. Ya cuando tuve clientes m\u00e1s pro, o m\u00e1s grandes, era dif\u00edcil pero si eres honesto con lo que haces, si eres natural pues es muy sencillo: solamente tienes que ser t\u00fa y ser directo y con eso es muy f\u00e1cil.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Como a los quince a\u00f1os mi hermano se compr\u00f3 una bater\u00eda. Aprendimos a tocar juntos, nos encant\u00f3. Hicimos una banda, o varias, entre amigos y desde los quince a\u00f1os me apasiona mucho. Es otro lado m\u00edo que es parte esencial. Llegu\u00e9 a Hello Seahorse cuando Burgos se vino a vivir a la CDMX antes que yo y fue c\u00f3mo \u00e9l fund\u00f3 con Denise y con Bonnz la banda. Yo llegu\u00e9 y necesitaban a alguien que les vendiera merch en los shows, entonces yo me iba con ellos pero era terrible vendedor. Pero viajaba con ellos y en una ocasi\u00f3n necesitaban a alguien que tocara el pandero y esas cosas, y dije “pues yo”. Y fluy\u00f3 muy natural todo, y entr\u00e9 a la banda como m\u00fasico invitado y estuvo doce a\u00f1os con ellos.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Trabajar para artistas en el \u00e1mbito musical, a veces puede ser muy divertido, otras veces es un viaje porque cada artista tiene su lenguaje, pero creo que como yo tambi\u00e9n soy m\u00fasico, entiendo un poco ese lenguaje, el lenguaje medio forever y el lenguaje de las necesidades de las bandas. A m\u00ed se me hace muy divertido porque une justamente las dos cosas que hago.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Pintamos el cerdito de Roger Waters en conjunto con mi querida amiga Triana Parera. Fue una cuesti\u00f3n que hasta la fecha no me explico. Nos invitaron a pintar algo en el Foro Sol para el concierto de Roger Waters y lo \u00fanico que nos dijeron era que nos iban a regalar boletos. Llegamos con nuestra cajita de pintura y no nos conoc\u00edamos Triana y yo. En ese momento nos conocimos. Abren el bodeg\u00f3n gigante con el cerdito inflado y nos dicen “ahorita viene Roger a explicarles”. Es la \u00fanica vez que me he puesto as\u00ed tan nervioso. Fue una experiencia incre\u00edble. Platicamos con \u00e9l, nos llev\u00f3 al escenario, nos explic\u00f3 el discurso que en ese momento iba a dar en el z\u00f3calo y fue una experiencia incre\u00edble, de las mejores cosas que me han pasado.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Tambi\u00e9n he trabajado para Juan Gabriel y algunos otros artistas como Miguel Bos\u00e9, Caf\u00e9 Tacuba, Zo\u00e9, Chetes, entre varios. Eso siempre fue por medio de Mercadorama, que es un colectivo de merch. Lo padre de eso es que conoc\u00ed a Juan Gabriel, yo soy de Ciudad Ju\u00e1rez, no tienes la idea lo importante que es conocer al Divo de Ju\u00e1rez en el Auditorio Nacional despu\u00e9s de terminar un concierto de cinco horas. Fue algo incre\u00edble. Yo pens\u00e9 que no me sab\u00eda las canciones. Las cinco horas estuve ah\u00ed coreando con las se\u00f1ores de enfrente, feliz.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

En el momento en que yo decido irme a la CDMX, no hab\u00eda una escena en Ciudad Ju\u00e1rez. Era una ciudad cien por cierto industrial, frontera, y en ese momento estaban pasando muchas cosas muy fuertes en cuanto a violencia y dem\u00e1s. Pero he visto un crecimiento de much\u00edsimos artistas, no s\u00f3lo gr\u00e1ficos sino m\u00fasicos y gente que est\u00e1 empezando a crear espacios y foros para que florezca otra vez esa cultura \u00fanica del mexicano fronterizo.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

El color en las obras que hago tiene mucho significado. Me gusta mucho el color vibrante, vivo, creo que es algo muy mexicano. Nos encanta el color por todos lados, y creo que encontrar un balance entre colores que combinen y que puedan vivir en armon\u00eda es un arte, s\u00faper bonito.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Mi t\u00e9cnica favorita para aplicar color es usar pintura acr\u00edlica, estoy experimentando con aerosol, un poco de aer\u00f3grafo. Ah\u00ed s\u00ed no hay l\u00edmite: es encontrar la manera que te funcione para que plasmes lo que te est\u00e1s imaginando. Puedes hacer lo que sea.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

El miedo a la hoja en blanco no deber\u00eda ser, no deber\u00eda intimidarnos tanto. Creo que deber\u00edamos entrarle sin miedo y si no sale bien pues hay otra hoja en blanco. Es como la vida: tienes que improvisar y sacar las cosas adelante totalmente sin miedo.<\/p>\n\n\n\n

En mi d\u00eda a d\u00eda me gusta sentirme c\u00f3modo, creo que si pasas muchas horas de pie pintando un mural me gusta sentir comodidad, y al mismo tiempo tambi\u00e9n me gusta verme bien y fluir. Estar a gusto. Sentirme como yo.<\/p>\n\n\n\n

Entrevista: Gerardo Buend\u00eda<\/em>
Producci\u00f3n: Andrea Belmont<\/em>
Asistente: Sebasti\u00e1n Couti\u00f1o<\/em>
Fotograf\u00eda: Emiliano Jim\u00e9nez Prado<\/em>
Pelo y maquillaje: Aracely Z\u00e1rate<\/em><\/p>\n\n\n\n

Playera, chamarra y tenis: Puma Slipstream.<\/em>
Para m\u00e1s informaci\u00f3n visita aqu\u00ed.<\/span><\/a><\/em><\/p>","protected":false},"excerpt":{"rendered":"

Tom\u00e9 a Rius como referencia porque de ni\u00f1o recuerdo que un t\u00edo m\u00edo me prest\u00f3 alguno de sus muchos libros que sac\u00f3 y vi ilustraciones que me volvieron loco y empezaba a copiar todos sus textos…<\/p>","protected":false},"author":7658,"featured_media":184108,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"yes","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17849],"tags":[],"class_list":["post-184088","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews"],"acf":[],"mb":[],"yoast_head":"\nFluir - ERRR MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/errr-magazine.com\/english\/fluir\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fluir - ERRR MAGAZINE\" \/>\n<meta property=\"og:description\" content=\"Tom\u00e9 a Rius como referencia porque de ni\u00f1o recuerdo que un t\u00edo m\u00edo me prest\u00f3 alguno de sus muchos libros que sac\u00f3 y vi ilustraciones que me volvieron loco y empezaba a copiar todos sus textos...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/errr-magazine.com\/english\/fluir\/\" \/>\n<meta property=\"og:site_name\" content=\"ERRR MAGAZINE\" \/>\n<meta property=\"article:published_time\" content=\"2023-05-18T04:05:12+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-08-15T16:55:58+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/errr-magazine.com\/wp-content\/uploads\/2023\/04\/Foto-21-2-e1681878502841.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1512\" \/>\n\t<meta property=\"og:image:height\" content=\"846\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Reez Ruiz\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/errr-magazine.com\/wp-content\/uploads\/2023\/04\/Foto-20-2.jpg\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Reez Ruiz\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/errr-magazine.com\\\/fluir\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/errr-magazine.com\\\/fluir\\\/\"},\"author\":{\"name\":\"Reez Ruiz\",\"@id\":\"https:\\\/\\\/errr-magazine.com\\\/#\\\/schema\\\/person\\\/37210c842b43cc3a54cefbdd66599705\"},\"headline\":\"Fluir\",\"datePublished\":\"2023-05-18T04:05:12+00:00\",\"dateModified\":\"2025-08-15T16:55:58+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/errr-magazine.com\\\/fluir\\\/\"},\"wordCount\":966,\"image\":{\"@id\":\"https:\\\/\\\/errr-magazine.com\\\/fluir\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/errr-magazine.com\\\/wp-content\\\/uploads\\\/2023\\\/05\\\/Foto-32.jpg\",\"articleSection\":[\"Interview\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/errr-magazine.com\\\/fluir\\\/\",\"url\":\"https:\\\/\\\/errr-magazine.com\\\/fluir\\\/\",\"name\":\"Fluir - 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