{"id":182820,"date":"2022-09-24T17:54:13","date_gmt":"2022-09-24T22:54:13","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=182820"},"modified":"2025-08-15T10:55:58","modified_gmt":"2025-08-15T16:55:58","slug":"el-sonido-amarillo-del-bosque","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/el-sonido-amarillo-del-bosque\/","title":{"rendered":"El sonido amarillo del bosque"},"content":{"rendered":"

\u00bfQu\u00e9 herramientas utilizaste para crear esta pieza?<\/strong>
\nTinta china, tinta india, marcador arquitect\u00f3nico sobre papel algod\u00f3n de 160 gr.<\/p>\n

\u00bfC\u00f3mo fue tu proceso creativo?<\/strong>
\nTodos mis procesos son lentos, muy lentos. Casi todo lo que hago toma mucho tiempo en sentirse terminado y salir a la luz, espec\u00edficamente considero mi trabajo en papel como un ejercicio perennemente procesual<\/em> en el aspecto que va tomando forma tras procesos de otra \u00edndole que no es pl\u00e1stica: puede ser resultado de lo experimentado en la danza, alguna frase literaria, el coro de una canci\u00f3n o un relato on\u00edrico.<\/p>\n

En mi trabajo pl\u00e1stico, lo figurativo surge sorpresivamente tras la atenta observaci\u00f3n de lo abstracto. Me gusta esconder personajes y sucesos en las distintas capas del proceso, por eso cada \u201cescena\u201d puede tomar meses o incluso a\u00f1os. Esta tinta la comenc\u00e9 por ah\u00ed del 2015 y apenas en 2021 la termin\u00e9. Las fechas, si las recuerdo, las pongo al \u00faltimo, cuando no hay nada m\u00e1s que decir en esa superficie, sin importar mucho cu\u00e1ntos a\u00f1os tom\u00f3 terminarla o en qu\u00e9 a\u00f1o se comenz\u00f3 exactamente.<\/p>\n

“Me gusta esconder personajes y sucesos en las distintas capas del proceso, por eso cada \u201cescena\u201d puede tomar meses o incluso a\u00f1os.”<\/p>\n

Cargo un peque\u00f1o cuaderno y unas acuarelas de viaje a donde sea que voy, ah\u00ed hago apuntes de sensaciones y experiencias a modo de peque\u00f1as abstracciones de color que me remiten a ese punto espec\u00edfico del camino. Algo as\u00ed como tomar fotos cuando se est\u00e1 medio ciego. Luego se quedan ah\u00ed guardadas reposando, como en un \u00e1lbum de fotos familiares despu\u00e9s de un gran viaje. Un d\u00eda, algo sucede que me regresa a ese momento, entonces busco en esos trozos de proceso y contin\u00fao, tal vez un sue\u00f1o se suma a una caminata, o una canci\u00f3n se une a un cuento y se va formando una historia que con mucha paciencia, se va relatando. Es una peque\u00f1a danza en la meditaci\u00f3n propia del uso de la tinta sobre papel.<\/p>\n

\u00bfQu\u00e9 sentimientos te llegan cuando miras la pieza terminada?<\/strong>
\nMe remite olores, sensaciones musicales, una cierta luz de X d\u00eda o Y a\u00f1o. Me alegra que alguien m\u00e1s descubra la aparici\u00f3n de alg\u00fan personaje que se asoma entre manchas y trazos, s\u00f3lo para ellxs.<\/p>\n

\u00bfQu\u00e9 es lo que m\u00e1s te gusta de esta pieza y por qu\u00e9?<\/strong>
\nQue es chiquita e intrincada, es discreta pero con mucha informaci\u00f3n para qui\u00e9n la nota. Me hace sonre\u00edr, porque me divierte su movimiento y su sonido. En las capas hay peque\u00f1os seres y escenas que se asoman entre la tinta y el fondo del papel, a veces desaparecen y llegan otros nuevos. En el sonido amarillo del bosque, siento que hay un movimiento muy bonito en el caminar de este esp\u00edritu viejo y divertido, a veces siento que va silbando o tarareando un canci\u00f3n que viene de muy atr\u00e1s en su memoria y que todo aquel que la escucha, la conoce.<\/p>\n

\u00bfCu\u00e1les fueron tus referencias, influencias o inspiraciones durante tu proceso creativo?<\/strong>
\nSiento que esta pieza tiene un esp\u00edritu muy antiguo, heredado por la cultura profunda del conocimiento y el amor por la naturaleza, de la comprensi\u00f3n del ser uno con ella. Es un poco teatral. Tambi\u00e9n hay humor. Es como la ilustraci\u00f3n de un cuento japon\u00e9s para ni\u00f1os muy viejo. Es un pedazo de papel con una idea muy oriental en el trazo, tiene algo muy propio de la meditaci\u00f3n, del budismo zen y de la danza butoh.<\/p>\n

“Constantemente me pregunto si es una necedad regresar a un trabajo que comenc\u00e9 a\u00f1os antes, pero la certeza del proceso interminable y del acto de caminar, me responde.”<\/p>\n

\u00bfQu\u00e9 es lo que m\u00e1s disfrutaste del proceso?<\/strong>
\nLa tinta y el papel son agua y madera, juntos tambi\u00e9n expresan los ciclos de la tierra. Para m\u00ed fue muy bonito c\u00f3mo algo de mi bosque se retrat\u00f3 en este pedacito de papel y c\u00f3mo se fue revelando con el tiempo muy lentamente, poco a poquito.<\/p>\n

\u00bfQu\u00e9 fue lo que m\u00e1s trabajo te cost\u00f3 y c\u00f3mo lo resolviste?<\/strong>
\nSacar la imagen del \u00e1lbum de las memorias y estar segura que hay que continuar contando una historia ah\u00ed en esa superficie, o hay que dejarla ser, darla por terminada o regresar a esperar otra intervenci\u00f3n en otro momento en el 2050. Al final sab\u00eda que ten\u00eda que seguirla trabajando. Constantemente me pregunto si es una necedad regresar a un trabajo que comenc\u00e9 a\u00f1os antes, pero la certeza del proceso interminable y del acto de caminar, me responde.<\/p>\n

\u00bfEn d\u00f3nde te gustar\u00eda ver esta pieza exhibida?<\/strong>
\nEn un peque\u00f1o altar dedicado a los sonidos sin testigos, bajo un \u00e1rbol muy grande y viejo en medio del bosque.<\/p>","protected":false},"excerpt":{"rendered":"

Me gusta esconder personajes y sucesos en las distintas capas del proceso, por eso cada \u201cescena\u201d puede tomar meses o incluso a\u00f1os…<\/p>","protected":false},"author":7605,"featured_media":182821,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17849],"tags":[],"class_list":["post-182820","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews"],"acf":[],"mb":[],"yoast_head":"\nEl sonido amarillo del bosque - ERRR MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/errr-magazine.com\/english\/el-sonido-amarillo-del-bosque\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El sonido amarillo del bosque - ERRR MAGAZINE\" \/>\n<meta property=\"og:description\" content=\"Me gusta esconder personajes y sucesos en las distintas capas del proceso, por eso cada \u201cescena\u201d puede tomar meses o incluso a\u00f1os...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/errr-magazine.com\/english\/el-sonido-amarillo-del-bosque\/\" \/>\n<meta property=\"og:site_name\" content=\"ERRR MAGAZINE\" \/>\n<meta property=\"article:published_time\" content=\"2022-09-24T22:54:13+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-08-15T16:55:58+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/errr-magazine.com\/wp-content\/uploads\/2022\/09\/ESAB_DQV-768x1024.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"768\" \/>\n\t<meta property=\"og:image:height\" content=\"1024\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Diana Quintero Vallejo\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Diana Quintero Vallejo\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/errr-magazine.com\/el-sonido-amarillo-del-bosque\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/errr-magazine.com\/el-sonido-amarillo-del-bosque\/\"},\"author\":{\"name\":\"Diana Quintero Vallejo\",\"@id\":\"https:\/\/errr-magazine.com\/#\/schema\/person\/a7347c0fc0887e0ea992dbeafce2f2b9\"},\"headline\":\"El sonido amarillo del bosque\",\"datePublished\":\"2022-09-24T22:54:13+00:00\",\"dateModified\":\"2025-08-15T16:55:58+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/errr-magazine.com\/el-sonido-amarillo-del-bosque\/\"},\"wordCount\":840,\"image\":{\"@id\":\"https:\/\/errr-magazine.com\/el-sonido-amarillo-del-bosque\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/errr-magazine.com\/wp-content\/uploads\/2022\/09\/ESAB_DQV.jpg\",\"articleSection\":[\"Interview\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/errr-magazine.com\/el-sonido-amarillo-del-bosque\/\",\"url\":\"https:\/\/errr-magazine.com\/el-sonido-amarillo-del-bosque\/\",\"name\":\"El sonido amarillo del bosque - 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