{"id":182782,"date":"2021-09-22T21:36:32","date_gmt":"2021-09-23T02:36:32","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=182782"},"modified":"2025-08-15T10:56:12","modified_gmt":"2025-08-15T16:56:12","slug":"untitled-3","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/untitled-3\/","title":{"rendered":"Untitled"},"content":{"rendered":"

Which tools did you use for the creation of this piece?<\/strong>
\nAcrylic on A3 photocopy paper.<\/p>\n

What was the creative process behind it?<\/strong>
\nThis piece is part of a larger body of text-based work called Word Play<\/em>, a drawing project that seeks to visualise the process of understanding my own mental health journey through the English language. For these works I would paint or monoprint slightly non-sensical but somehow ‘weighty’ words onto A3 paper. These words were often ‘nothing’ thoughts that just circled around in my brain organically or sometimes they would flow and rhyme – kind of like my mind trying to figure something out, then making fun of itself halfway through.<\/p>\n

What feelings come to you when you look at it?<\/strong>
\nI find the way I read the work changes each time I view it depending on my mood. Sometimes I read get down<\/em> as if someone is calling an action, and sometimes I look at let down<\/em>‘ and feel disappointment. But other times I read get down, let down<\/em> and my mind tries to keep up the rhymes and figure out where the sentence is going: get down, let down, set down, bet down, met down… It makes me feel curious, and I think that’s my favourite part.<\/p>\n

“I get to figure out my thoughts as I’m figuring out the artwork.”<\/p>\n

What do you like most about this piece and why?<\/strong>
\nI like the ambiguity of this work. I find vagueness as a concept and aesthetic really interesting. It works as a way of concealing more personal topics I may want to discuss in my art, whilst also allowing the audience to bring in their own experience. The words in this piece have no context or obvious purpose – they are just meandering thoughts put on paper to be read, and the audience can take them how they please.<\/p>\n

What were your references, influences or inspirations during your creative process?<\/strong>
\nMy main point of reference for the content in this piece (and it’s connected body of work) is my brain and it’s inner ramblings. As for the form, I think artists like Aleks Danko and David Shrigley had a big influence on me. Both of these artists use text in such nuanced ways that I find really interesting. They each create text-based works that are often quite humorous while only using a few words.<\/p>\n

What did you enjoy the most about the process?<\/strong>
\nThe process of making this work and the others in the series was relatively quick and intuitive. If my mind is in the right space I can make a 2-3 works in about ten minutes. I find the process of painting and printing like this quite relaxing and cathartic – I think of some random words, and before I can let them settle I put them onto paper. Once they’re down, that sometimes leads to more thoughts, then more artworks and so on. I get to figure out my thoughts as I’m figuring out the artwork.<\/p>\n

“My brain is the powerhouse to my art making, but sometimes it gets a bit too hands on.”<\/p>\n

What was the hardest thing for you and how did you solve it?<\/strong>
\nI think the things I enjoy about the process can also be the hardest things – sometimes I can’t shut my brain off, and I overthink the words and don’t put them to paper. Or, sometimes I do put them down but don’t like how they look or they don’t fit the way I want. My brain is the powerhouse to my art making, but sometimes it gets a bit too hands on. When I get in periods like this, I find it refreshing to pause and move to a process that is slower and requires less thinking. I often go to graphite drawing or embroidery – things that require concentration but not conceptualisation.<\/p>\n

Where would you like to see it exhibited?<\/strong>
\nThere’s no specific place I think this work belongs, but it is at it’s strongest when installed as part of a larger body of work. Sometimes the wording reminds me of ‘woke’ vandalism at a train station or public bathroom, that people look at not knowing what it means, but let it just sit in their brain as they go about their day. I would like to see this work exhibited somewhere that people could think. That could be pasted up on a brick wall in an alleyway or in a small quiet gallery.<\/p>","protected":false},"excerpt":{"rendered":"

I find the process of painting and printing like this quite relaxing and cathartic – I think of some random words, and before I can let them settle I put them onto paper…<\/p>","protected":false},"author":7601,"featured_media":182786,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"yes","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17849],"tags":[],"class_list":["post-182782","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews"],"acf":[],"mb":[],"yoast_head":"\nUntitled - ERRR MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/errr-magazine.com\/english\/untitled-3\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Untitled - 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