{"id":180882,"date":"2021-07-16T19:22:16","date_gmt":"2021-07-17T00:22:16","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=180882"},"modified":"2025-08-15T10:56:19","modified_gmt":"2025-08-15T16:56:19","slug":"dave","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/dave\/","title":{"rendered":"Dave"},"content":{"rendered":"

What camera and other tools did you use to shoot this photograph?<\/strong>
\nCanon A-1 50mm FD 1.8.<\/p>\n

Did you collaborate with anyone?<\/strong>
\nYes, I collaborated with the model, my friend Dave. The location was chosen by Dave based on a the theme of song he was releasing.<\/p>\n

What do you like the most about this photograph and why?<\/strong>
\nI enjoyed the intimacy within this image, although it may seem very editorial, Dave and I have been friends for a little while now and to find these moments were your both so comfortable in each others presence it really powerful to me.<\/p>\n

I personally enjoy the idea of posting portraits on Instagram, a platform that has become saturated with the portrait photograph and also deepened in context through the likes of account tagging and monetization, to simply give a name and no other context, to make someone wonder, or actively search deeper to find more.<\/p>\n

Was there anything that you can consider an influence or source of inspiration to create this photo?<\/strong>
\nTo create imagination in the fiction of someones photographic portrait.<\/p>\n

Tell us something fun, interesting, weird or intense that happened at any point during the process of making this photo.<\/strong>
\nI guess walking around a grave yard to make images feel somewhat weird, to be surrounded by death. The bodies have all been moved however so it didn’t feel so intense.<\/p>\n

For this photo, did you do something completely different to what you normally do for other photos?<\/strong>
\nThis session wasn’t different to my past approach to portraiture at all, however it was the first session I had done in a long time due to Covid, so it was definitely a valuable time to find myself making photographs again.<\/p>\n

Did you learn something during the process of shooting this photo?<\/strong>
\nYes, that flexibility with your surroundings can often bring rewarding outcomes, even though you might not think it works, still try.<\/p>\n

If you could have collaborated with anyone to shoot this photo, who would they be and why?<\/strong>
\nJean-Michel Basquiat – I’ve had a copy of Ari Marcopoulos’ ‘AM” (Photographs from the Studio and the Street) for years and printed inside is a portrait of Jean-Michel on which he has then written all over using a gold paint pen, I’ve always wanted to replicated that over and entire series, so that’s who I’d pick.<\/p>\n

Where and in which format would you like this photo to be exhibited?<\/strong>
\nI love looking at printed images, whether in books or hung, there’s something beautiful about the tangible print.<\/p>","protected":false},"excerpt":{"rendered":"

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