{"id":170874,"date":"2021-04-20T08:00:07","date_gmt":"2021-04-20T13:00:07","guid":{"rendered":"https:\/\/errr-magazine.com\/?p=170874"},"modified":"2025-08-15T10:56:23","modified_gmt":"2025-08-15T16:56:23","slug":"entre-frascos-de-caguamas-y-constituciones-maltrechas","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/entre-frascos-de-caguamas-y-constituciones-maltrechas\/","title":{"rendered":"Amidst jars of caguamas and battered constitutions"},"content":{"rendered":"

\"\"
\nLa Casa del Tepehuac<\/em>
\nEsta pieza forma parte de una serie pict\u00f3rica que propone una realidad mexicana alternativa. La arquitectura se mantiene en un estilo mesoamericano\/prehisp\u00e1nico, pero con detalles contempor\u00e1neos que quiebran la l\u00ednea espacio-temporal de la composici\u00f3n. Esta serie surge a partir de la pandemia y recurre a la vida cotidiana como protagonista.<\/p>\n

La Casa del Tepehuac <\/em>\u2014La Casa de la Vecina\u2014 es una versi\u00f3n de esta realidad que se funda en el agua potable como un elemento esencial para el desarrollo de los humanos. La historia se cuenta s\u00f3lo a partir del agua, es ella quien ha logrado trascender, y es en esta pieza que se narra una ficci\u00f3n donde la captaci\u00f3n de agua luce como ahora, pero hace 400 a\u00f1os.<\/p>\n

\"\"
\n\u00bfD\u00f3nde va la marihuana? <\/em>
\nCada a\u00f1o, se estima que en M\u00e9xico producimos entre 7 mil y 8 mil toneladas de cannabis. Y seg\u00fan estad\u00edsticas recientes, s\u00f3lo cerca del 5% de la marihuana que se produce en M\u00e9xico se consume de forma local.<\/p>\n

\u00bfD\u00f3nde va la marihuana?<\/em> es una pieza que reflexiona sobre el trayecto que la marihuana toma al momento de cosecharse en estados como Chihuahua, Durango, Oaxaca, Michoac\u00e1n y Sinaloa para salir del pa\u00eds. Tambi\u00e9n es un cuestionamiento que se relaciona con la transici\u00f3n hacia la legalidad que est\u00e1 teniendo esta planta en M\u00e9xico y que pronto tendr\u00e1 que acordar t\u00e9rminos comerciales con sus pa\u00edses compradores.<\/p>\n

\"\"
\nVacas<\/em>
\nCientos de cabezas de ganado entran de forma ilegal a M\u00e9xico desde la frontera entre Chiapas y Centroam\u00e9rica. Los exportadores\/importadores compran los aretes de control de forma ilegal \u2014creados por el Sistema Nacional de Identificaci\u00f3n Individual de Ganado\u2014 para poder ‘limpiar’ el ganado y no tener problemas con la polic\u00eda al momento de introducirles y desplazarles en M\u00e9xico.<\/p>\n

Mediante tr\u00e1mites que involucran usurpaci\u00f3n de identidad y plagio de documentos, han sido muchos los casos de ganader\u00edas sure\u00f1as que han sido utilizadas como cara para conseguir estas etiquetas ganaderas. Se estima que cada mes se pueden estar traficando 300 cabezas de res por cada ganader\u00eda legal que hay en el sur de M\u00e9xico.
\nVacas<\/em> es un cuestionamiento pict\u00f3rico de la reventa ilegal de estos aretes para proponer en la agenda un tratamiento a esta problem\u00e1tica econ\u00f3mica, migratoria y sanitaria.<\/p>\n

\"\"
\nRetrato Universal<\/em>
\nHay retratos de Hern\u00e1n Cort\u00e9s, Mao Zedong, Porfirio D\u00edaz, Adolfo Hitler y Pe\u00f1a Nieto. Y aunque no son precisamente sus m\u00e9ritos lo que los inmortaliz\u00f3 en un lienzo, si fue el poder y la profundidad de su ego que les dot\u00f3 de autoadmiraci\u00f3n para, a\u00fan despu\u00e9s de morir, seguir pict\u00f3ricamente en este mundo.<\/p>\n

A estos y a otros dictadores y genocidas se les se\u00f1ala su audacia para matar, la efectividad para disolver culturas y la tenacidad para mutilar familias enteras. Retrato Universal<\/em> es una pieza que une, en la belleza de su aspecto, la visi\u00f3n asesina del hombre-var\u00f3n al momento de ejercer su poder.<\/p>\n

\"\"
\nTapabocas<\/em>
\nLa mascarilla se convirti\u00f3 en otro objeto que caracteriza a los humanos. Dejamos de ser personas promedio para transformarnos en los memes que no cre\u00edamos verdad. A manera de escapulario nos creamos el s\u00edmbolo de la barrera universal. La protecci\u00f3n ahora vino de forma desechable, multicolor e inc\u00f3moda.<\/p>\n

Esta pieza es una vi\u00f1eta que invierte los colores de la m\u00e1scara y la piel. Es una sonrisa empa\u00f1ada por la sombra de la protecci\u00f3n. Son ojos que gritan ‘Ya no puedo m\u00e1s y aqu\u00ed sigo’. Es la posibilidad de ver una imagen similar dentro de poco tiempo en los billetes. Es la incertidumbre protegida, seg\u00fan ella, de su propia indecisi\u00f3n.<\/p>","protected":false},"excerpt":{"rendered":"

Through procedures involving identity theft and plagiarism of documents, there have been many cases of southern cattle ranches that have been used as a front to obtain these livestock labels...<\/p>","protected":false},"author":7374,"featured_media":170875,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"yes","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17849],"tags":[],"class_list":["post-170874","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews"],"acf":[],"mb":[],"yoast_head":"\nEntre frascos de caguamas y constituciones maltrechas - ERRR MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/errr-magazine.com\/english\/entre-frascos-de-caguamas-y-constituciones-maltrechas\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Entre frascos de caguamas y constituciones maltrechas - 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