{"id":133617,"date":"2018-05-20T02:36:26","date_gmt":"2018-05-20T08:36:26","guid":{"rendered":"http:\/\/errr-magazine.com\/?p=133617"},"modified":"2022-08-31T01:57:42","modified_gmt":"2022-08-31T06:57:42","slug":"el-opuesto-de-la-flor","status":"publish","type":"post","link":"https:\/\/errr-magazine.com\/english\/el-opuesto-de-la-flor\/","title":{"rendered":"El opuesto de la flor"},"content":{"rendered":"
\n

Despu\u00e9s de un magn\u00edfico libro (The cable wound<\/i>, 2015) y una serie de brillantes publicaciones, el poeta Bruno Dar\u00edo ha dado a las prensas un peque\u00f1o volumen notable por su sencillez y su belleza. En El opuesto de la flor <\/i>(Taller Ditoria, 2016) se manifiesta una voz sin ambig\u00fcedades, cuyo \u00fanico est\u00edmulo parece encontrarse en la voluntad del trazo. La l\u00ednea es el horizonte que distribuye los versos a lo largo de las hojas apaisadas de este libro, de apenas cincuenta y ocho p\u00e1ginas. L\u00edneas que se van sucediendo, como trazos sobre la superficie de un papel algodonoso. L\u00edneas que van formando las terrazas de un jard\u00edn, o l\u00edneas que se van apilando una encima de la otra para formar las losas de un edificio, abundante por su transparencia y su brevedad:<\/p>\n

Bajo la cama<\/p>\n

duerme otra cama<\/p>\n

La casa se mantiene de puntitas<\/p>\n

pues los obreros<\/p>\n

escultores del ruido<\/p>\n

tejieron el cemento con los ojos<\/p>\n

Se sacuden las campanas solas<\/p>\n

en el ocaso de m\u00ed mismo<\/p>\n

La primera l\u00ednea (en casi todos estos poemas) supone una disyuntiva; los dos versos finales, una fuga. El pensamiento po\u00e9tico procede necesariamente por fragmentaciones y fracturas, si bien aqu\u00ed hay resabios de una sensibilidad dispersa, que a\u00fan no acaba de acoplarse a s\u00ed misma. Hay, sin embargo, un verso notable, un verso que vale el poema: \u201c\u2026los obreros\/ escultores del ruido\u201d L\u00f3pez Velarde hubiera se\u00f1alado el acierto, como aquel de las \u201cpecosas peras\u201d que rescat\u00f3 del joven Villaurrutia.<\/p>\n

Hay demasiada juventud todav\u00eda, hay lecturas de tiempos pasados y otras culturas, pero hay hallazgos de una transparencia y una sinceridad que no dejan de llamar la atenci\u00f3n de quien escucha: \u201ccon mis flores de flores te\u00f1idas\/\/ agito las banderas del auxilio\/ clavo un clavo con la mirada\u201d. El enga\u00f1oso azar de las repeticiones, que pone de relieve la voluntad de lo significado.<\/p>\n

O este otro ejemplo, no menos transparente, pero acaso m\u00e1s conceptual, m\u00e1s sobrio, m\u00e1s inteligente:<\/p>\n

La ruptura<\/p>\n

del acuerdo entre el verbo y el sujeto:<\/p>\n

je plui dans le coeur de ma ch\u00eare<\/p>\n

Espanta la huella<\/p>\n

que deja un abanico sobre el aire<\/p>\n

Uno tiene que escarbar y asentar lo precedente para apuntalar el hallazgo (la huella del abanico en el aire). Hay una demora innecesaria. El joven Bruno Dar\u00edo tendr\u00eda que esforzarse a\u00fan m\u00e1s con la goma de borrar para eliminar la rebaba de los esbeltos campos de sus poemas. En un poema de corte baudeleriano, Bruno Dar\u00edo se autorretrata en una habitaci\u00f3n nocturna, como un \u201cenmascarado\/ que trafica recuerdos\/\/ llev\u00e1ndolos en trenes vestidos de novia\/ hasta la orilla de lo presente\u201d.<\/p>\n

Dentro de este contexto, \u00bfcu\u00e1l ser\u00eda el opuesto de la flor? \u00bfPor qu\u00e9 \u201cel\u201d en lugar de \u201clo\u201d? (El art\u00edculo \u2013masculino\u2013 en lugar del art\u00edculo \u2013neutro\u2013 parece ya de por s\u00ed significativo.) La respuesta, a mi juicio, podr\u00eda encontrarse en la violencia temperada de un joven poeta, que se anula a s\u00ed mismo en el espejo de una sensibilidad que se ha vuelto para siempre id\u00e9ntica a s\u00ed misma.<\/p>\n

Fuente: La Jornada
\nPhotographers: Dima Semenovykh\u00a0<\/a><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Despu\u00e9s de un magn\u00edfico libro (La herida del cable, 2015) y una serie de brillantes publicaciones, el poeta Bruno Dar\u00edo ha dado a las prensas un peque\u00f1o volumen notable por su sencillez y su belleza. En El opuesto de la flor (Taller Ditoria, 2016) se manifiesta una voz sin ambig\u00fcedades, cuyo \u00fanico est\u00edmulo parece encontrarse […]<\/p>\n","protected":false},"author":2718,"featured_media":133623,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[7997],"tags":[],"class_list":["post-133617","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-textos"],"acf":[],"mb":[],"yoast_head":"\nEl opuesto de la flor - ERRR MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/errr-magazine.com\/english\/el-opuesto-de-la-flor\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El opuesto de la flor - ERRR MAGAZINE\" \/>\n<meta property=\"og:description\" content=\"Despu\u00e9s de un magn\u00edfico libro (La herida del cable, 2015) y una serie de brillantes publicaciones, el poeta Bruno Dar\u00edo ha dado a las prensas un peque\u00f1o volumen notable por su sencillez y su belleza. 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Me enamor\u00e9 de tu movimiento, De las l\u00edneas que se dibujaban con\u2026","rel":"","context":"In "Textos"","block_context":{"text":"Textos","link":"https:\/\/errr-magazine.com\/english\/category\/textos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/errr-magazine.com\/wp-content\/uploads\/2018\/01\/23_01430015-copy.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/errr-magazine.com\/wp-content\/uploads\/2018\/01\/23_01430015-copy.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/errr-magazine.com\/wp-content\/uploads\/2018\/01\/23_01430015-copy.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/errr-magazine.com\/wp-content\/uploads\/2018\/01\/23_01430015-copy.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":177774,"url":"https:\/\/errr-magazine.com\/english\/soneto-de-lo-mio\/","url_meta":{"origin":133617,"position":3},"title":"Soneto de lo m\u00edo","author":"Eduardo Rocha","date":"06\/05\/2022","format":false,"excerpt":"Palpita una sombra en mi pecho, grita un camino de angustia. Y una sirena que canta, mustia, describe la tristeza de mi trecho. No llev\u00e9 nunca camino derecho. Soy hombre a pesar de la lluvia. Ni padre ni madre ni astucia. Mi luna de soledad al acecho. 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Me enamor\u00e9 de tu forma de fluir, de esa forma particular de sonre\u00edr con tintes melanc\u00f3licos. Me enamor\u00e9 de la fuerza de tu piel, la que abordaba mi ser en parpadeos. Me enamor\u00e9 de tu movimiento, de las l\u00edneas que se dibujaban con\u2026","rel":"","context":"In "Textos"","block_context":{"text":"Textos","link":"https:\/\/errr-magazine.com\/english\/category\/textos\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":200074,"url":"https:\/\/errr-magazine.com\/english\/soledad-barrett\/","url_meta":{"origin":133617,"position":5},"title":"Soledad Barrett","author":"Maria Ivanna","date":"02\/21\/2026","format":false,"excerpt":"Soledad, a story that never ends, legs whose history I must cry out. Those six lines that ended your freedom. Your name profaned, your life profaned, the light born from your voice profaned.","rel":"","context":"In "Poes\u00eda"","block_context":{"text":"Poes\u00eda","link":"https:\/\/errr-magazine.com\/english\/category\/writing\/poesia\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/errr-magazine.com\/wp-content\/uploads\/2026\/02\/Copia-de-IMG_8721.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/errr-magazine.com\/wp-content\/uploads\/2026\/02\/Copia-de-IMG_8721.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/errr-magazine.com\/wp-content\/uploads\/2026\/02\/Copia-de-IMG_8721.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/errr-magazine.com\/wp-content\/uploads\/2026\/02\/Copia-de-IMG_8721.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/errr-magazine.com\/wp-content\/uploads\/2026\/02\/Copia-de-IMG_8721.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/errr-magazine.com\/wp-content\/uploads\/2026\/02\/Copia-de-IMG_8721.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"jetpack_sharing_enabled":true,"mfb_rest_fields":["title","yoast_head","yoast_head_json","jetpack_featured_media_url","jetpack-related-posts","jetpack_sharing_enabled"],"_links":{"self":[{"href":"https:\/\/errr-magazine.com\/english\/wp-json\/wp\/v2\/posts\/133617","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/errr-magazine.com\/english\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/errr-magazine.com\/english\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/errr-magazine.com\/english\/wp-json\/wp\/v2\/users\/2718"}],"replies":[{"embeddable":true,"href":"https:\/\/errr-magazine.com\/english\/wp-json\/wp\/v2\/comments?post=133617"}],"version-history":[{"count":4,"href":"https:\/\/errr-magazine.com\/english\/wp-json\/wp\/v2\/posts\/133617\/revisions"}],"predecessor-version":[{"id":133625,"href":"https:\/\/errr-magazine.com\/english\/wp-json\/wp\/v2\/posts\/133617\/revisions\/133625"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/errr-magazine.com\/english\/wp-json\/wp\/v2\/media\/133623"}],"wp:attachment":[{"href":"https:\/\/errr-magazine.com\/english\/wp-json\/wp\/v2\/media?parent=133617"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/errr-magazine.com\/english\/wp-json\/wp\/v2\/categories?post=133617"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/errr-magazine.com\/english\/wp-json\/wp\/v2\/tags?post=133617"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}